Project - Designing Value Groups
Project - Designing Value Groups
This lesson is premium only. Join us in the full course!
09:30

Project - Designing Value Groups

427
Course In Progress

Project - Designing Value Groups

427
Course In Progress

Remember when you simplified a pear and a portrait into five values? We're revisiting that concept, but now with more knowledge and experience! You know about shape design, gesture, structure, value organization, and the basic elements of light and shadow.

The main objective is to practice thinking of values as interconnected shapes and be intentional about how these shapes work together. A single thoughtful accent is louder than a bunch of accidental ones.

Level 1

Your assignment is to pick one of the provided photos of a sculpted portrait and create a careful study using values (2 in the shadows, 3 in the lights).

  • Use the Value Tool: Try the value tool to get an initial read of the rough value distributions.
  • Create Thumbnails: Figure out your composition before starting the larger drawing.
  • Work Full-Page: Avoid making it too small to control your lakes and rivers effectively.
  • Start with a Linear Lay-In: Use what you've learned about measuring and eyeballing proportions.
  • Separate Shadow from Light: Clearly distinguish between the shadow and light families.
  • Build Up Values: Gradually add all the other values you see.
  • Avoid Floaters: Allow only important shapes to grab attention.
  • Squint Often: It's the simplest way to see connections and identify distracting floaters.
  • Check Your Work: Flip your drawing upside down or look at it in a mirror to spot issues.

Regarding edges, try not to get too caught up in intricate soft edges and transitions. Feel free to attempt some edge work, but if you find yourself struggling, focus on sharp-edged tiles and concentrate on the value shapes.

Level 2

For those looking for an extra challenge, you can use between 7 and unlimited values. These extra values allow for more subtlety and sophisticated transitions between your shapes. Extra values let you:

  • Model intricate plane changes. You might need more than 2 halftone values plus a highlight.
  • Define shadow all the elements. Sometimes core shadows, reflected light, and occlusion shadows all have distinct values.
  • Create realistic illusions of form with more nuanced rendering. For example a core shadow that changes value as it travels down a form.

Feel free to be more interpretive in how you group values and make bold design decisions. Trust your gut and add your own taste to the drawing.

Deadline - submit by June 13, 2025 for a chance to be in the critique video!

Newest
Darin
2d
Here is my level 1. This project was a bit daunting, but once I got into it, I felt like it went pretty smoothly. I feel like my proportions are pretty good, although my guy is a little angrier than the image.
Juice
2d
Here is my second attempt. It was much more fun this time. This time i wanted to get better proportion accuracy and bring more focus to the eyes. (Here is the link to my first attempt: https://www.proko.com/s/ZAQ6 ) I attach 2 versions. Its the same drawing just different photos. I took the photo with som portait setting and it made the background darker even though the lightest parts of the drawing should not be lighter than the paper. But it looked cool.
Juice
1d
Here is a better photo. Daylight photo. Where the eyes looks as dark as they are. The upper part of the sculpture was reflecring the light and looked brighter than it is on the other photos.
Randy P
2d
As much as I tried to think about simplifying the large shapes, I feel like I still got bogged down in the small ones.
@lauralana
After working on white paper thought I would try it on toned paper and start with the value shapes. That was fun but I need a lot more practice with toned paper to figure out what value the paper itself is at and organize around that. I think I like the first one better even though the angle is incorrect. He's looking at the viewer, which isn't right but I kind of like it. As always, close study of the sculpture made me realize how masterful it is. Organizing values so that they connect and create vertical movement and visual interest and doing this in three-dimensions. Wow!
@breakfast
I was very intimidated by this! I made the mistake of scrolling and seeing what everyone else was submitting, and I got major imposter syndrome. My first attempt was tough, and I wasn’t happy with it. I decided to slow down for the next attempt. I’m not finished with my second attempt, but I wanted to show how it’s going mid process. That is about three hours of work. Am I moving too slowly? Am I starting the process correctly? I am struggling to keep everything organized, clean, and interesting. I know how valuable this is because of how challenging it is!
Josh Fiddler
Looking great
Sita Rabeling
I think this is very good. Makes me want to start again and take much more time for the project.
Melanie Scearce
I had the pear exercise on the brain so I went into this trying to simplify and design the shapes with a limited value range. Great project!
Thieum
2d
Great job! And very interesting to see the steps. Very nice result! Well structured and readable, even seen from a distance or at a small size
Jyayasi (*Jay-o-she*)
Great shapes here, Melanie! I, too, was thinking about the pear and portrait exercise from our first lesson while doing this. Also, for the lay-in, the measuring proportions in the shape section helped.
John B.
3d
Just finished the gesture course so I've got gesture on the brain rn. At some point I stopped looking at the references tho since drawing gestural patterns with the shadows was kinda fun 💀
Jyayasi (*Jay-o-she*)
Ooh! That's a cool background! Also great shape simplification.
Norm Lanting
Florian Haeckh
Really cool and impressive how you shaded this. But the jpg is really small. Why not submit a final version so we can really zoom in and enjoy it :)
Hanna Looye
Love these. Thank you for showing all the steps.
Rachel Dawn Owens
Wow. Very good
Martin M
3d
Another attempt. I think my mid tones are not really separated from the highlights. The highlights are not "popping".
Patrick Hynes
Level 1 attempt. I felt like it was all going ok until I tried working in the halftone values. For some reason, I went from doing the shadow parts feeling like I knew what I was attempting (even if I didn't correctly execute) to doing the halftones feeling like I was winging it. In retrospect, I think I did not apply the same effort to organizing my halftone values as I did with the shadow values. Also, I suspect that organizing lights is harder than the darks and so it requires more effort.
Rachel Dawn Owens
This is a really fun assignment. The oceans, lakes, and rivers analogy is so helpful. I could spend all day refining this guy. For now, this is what I have.
Thieum
2d
Beautiful drawing! Well structured and with a very dynamic line!
Rafael Rangel
Awesome!!!
Hanna Looye
This one was hard, but interesting! I tried making it in watercolor, getting the right values with that medium is pretty hard and it did not work out well. I tried pen, pencil and variations. I am happy with the gouache one and the pencil one. Impressive what other people made. Thank you!
Melanie Scearce
Really interesting that you kept the dark values concentrated around the face and let the beard fade out in the ink drawing. Super stylish, these are amazing!
Thieum
2d
Beautiful drawings!!! I also immediately thought of Da Vinci when I saw the one on the left. (I first thought it was the reference drawing 😂)
Juice
3d
I love how the left one looks like an old drawing of Leonardo da Vinci.
HM L
3d
Haven't finished large one.
Rachel Dawn Owens
That big one is looking epic
Josh Fiddler
Hope I made it for the deadline! There are a few touch ups I'd do but I wanted to get it in. Thanks for the encouragement to have fun the other day @Stan Prokopenko In the end, I did. Very much. I kept thinking the beard was like flames, focused on how it turns and flows. I took my time. Restarted a couple of times, and in the end, just kept talking my way through the hard spots. Lots of squinting, lots of stepping back/zooming out. Oh, and I did this with the Composer brush from the Photoshop Master Brush Pack by @Lane Brown 🤓 EDIT: I just realized I did an L2 project with an L1 reference oops. oh well. Started with 7 Values and worked out from there to soften transitions and try to maintain the connections.
Isabelle Afzelius
Not all done, but started this course three weeks ago, and FINALLY I’m in time-ish to submit on deadline for a chance to be critiqued!! 🤞🤞🤞 Wihoooo!
@sweethouse
I definitely messed up my initial measuring and proportions, squished the poor guy’s beard. Had a lot of fun with my shape designs. Question for others; did anyone else get lost/confused with their mid values throughout the drawing? I did my drawing over multiple sessions and the further in I got, the more I feel I lost track of my value continuity. I think I was maybe too tunnel visioned with the immediate contrasts of the shapes I was working on and possibly not cross referencing to other areas previously worked on. Something to work on in the future I guess!
hArtMann
3d
Level 1 (Cast 2) and Level 2 (Cast 7) Tried to lean more into stylization and shape design instead of just copying the exact value shapes.
Hanna Looye
Spot on!
Rachel Dawn Owens
These are designed so well!
John Daniels
Wish I could practice more on this these days but life must intervene. At least I got to spend a couple of hours over a few days trying to hammer this out. Thing that actually help me not make a complete mess of it. Most of the values worked out well in the end, save the dark mid tones which are a little muddled. I tried to go back and clean that up as I was doing some shape tweaking towards the end, with limited success.
Pedro Branco
Shading has scared me from the very start of my art journey. I honestly never thought I'd get this far, I also had quite a bit of fun doing it. Sadly I only noticed the assignment yesterday and only managed to do this one. A few observations from me: I leaned into the value study tool way too much and ended up having some pretty nonsensical forms. By the time I noticed it was too late to course correct but I feel like I managed to pull it off all things considered. I also forgot to use 3d forms more effectively. The tip from the video came to me really late as I was doing this. The blending stump disappointed me in that it seemed to darken areas that I had left bright. This is entirely on me I had never used one before. I guess the stump absorbs graphite and outputs depending on how much it absorbed. Next one will be better.
Thieum
4d
Another attempt, full page this time. I tried to organize myself, with 4 steps: - lines - separation between shadow and light, trying to think about the design of shapes - a stamp pass to soften some edges and to start to work on halftones - and a very very long last step trying to model shadows and halftones (and an evening to fill the black background)
Hanna Looye
I really appreciate that you showed the steps Thieum. It looks great!
Full course
You will be given unexpiring access to watch the videos online .
View course details
Give a gift
Give a gift card for art students to use on anything in the Proko store.
Or gift this course:
About instructor
Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
Help!
Browse the FAQs or our more detailed Documentation. If you still need help or to contact us for any reason, drop us a line and we’ll get back to you as soon as possible!