Project - Designing Value Groups
Project - Designing Value Groups
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08:59

Project - Designing Value Groups

234
Course In Progress

Project - Designing Value Groups

234
Course In Progress

Remember when you simplified a pear and a portrait into five values? We're revisiting that concept, but now with more knowledge and experience! You know about shape design, gesture, structure, value organization, and the basic elements of light and shadow.

The main objective is to practice thinking of values as interconnected shapes and be intentional about how these shapes work together. A single thoughtful accent is louder than a bunch of accidental ones.

Level 1

Your assignment is to pick one of the provided photos of a sculpted portrait and create a careful study using values (2 in the shadows, 3 in the lights).

  • Use the Value Tool: Try the value tool to get an initial read of the rough value distributions.
  • Create Thumbnails: Figure out your composition before starting the larger drawing.
  • Work Full-Page: Avoid making it too small to control your lakes and rivers effectively.
  • Start with a Linear Lay-In: Use what you've learned about measuring and eyeballing proportions.
  • Separate Shadow from Light: Clearly distinguish between the shadow and light families.
  • Build Up Values: Gradually add all the other values you see.
  • Avoid Floaters: Allow only important shapes to grab attention.
  • Squint Often: It's the simplest way to see connections and identify distracting floaters.
  • Check Your Work: Flip your drawing upside down or look at it in a mirror to spot issues.

Regarding edges, try not to get too caught up in intricate soft edges and transitions. Feel free to attempt some edge work, but if you find yourself struggling, focus on sharp-edged tiles and concentrate on the value shapes.

Level 2

For those looking for an extra challenge, you can use between 7 and unlimited values. These extra values allow for more subtlety and sophisticated transitions between your shapes. Extra values let you:

  • Model intricate plane changes. You might need more than 2 halftone values plus a highlight.
  • Define shadow all the elements. Sometimes core shadows, reflected light, and occlusion shadows all have distinct values.
  • Create realistic illusions of form with more nuanced rendering. For example a core shadow that changes value as it travels down a form.

Feel free to be more interpretive in how you group values and make bold design decisions. Trust your gut and add your own taste to the drawing.

Deadline - submit by June 13, 2025 for a chance to be in the critique video!

Newest
@deadsm
2h
I am really happy to learn more about 2D shape design philosophy within the bounds of 3D representation. This project helped me redesign my process to ensure my pen strokes remained hard and details were pushed out, no matter what. This felt impossible, as I constantly wanted to blend my edges or fall back to a traditional layering process. Thankfully, I kept redoing the assignment until I finally felt I had a grasp of how to organize darks and lights. Here are some notes I took along the way: - Actually squint; don't just try to generalize. Squinting reveals the actual values without the barrier of focusing on one area. - Darks are blobby lakes (keep these simple and connected). - Midtones are rivers (this from the video unlocked so much). - Highlights are "texture islands" (it's okay to separate these to show emphasis).
Tamai Kobayashi
I feel lost here. Any comments are appreciated.
Martin Vrkljan
Every once in a while in a course, there’s a video so densely packed with information that I have to watch it several times; this was definitely one of those! I loved the concept of “rivers, lakes, and oceans” of value; instead of trying to copy what I saw, I focused on connecting areas of value and finding gesture. I chose charcoal for this piece, experimenting with shifting the lighter values toward the top of the head. I initially intended to keep the values more distinctly separated for a Level 1 exercise, but smudging with my fingers was too tempting, so I guess it ended up somewhere between Level 1 and Level 2? Next, I’ll try a couple more drawings in graphite for greater control. Overall, this was an incredibly fun assignment.
@purpleart
15h
Had a go in pencil and shading took ages. Put in what I thought were the actual shapes and then joined them up to prevent as many "floaters" as possible. I thought the shadow side was too variable (picture 1) so I then went over the shadow side again in one go to darken everything more (picture 2). Difference very subtle but maybe the second is slightly more unified on the shadow side?
Tori Tempo
16h
The image on the right was my first attempt at dividing the light and shadow areas. As I was rendering the halftones, I lifted the shadows in a few places (especially in the beard) to simplify the value groups. 14x17" charcoal on bristol.
Martin Vrkljan
Both look really good! I think the notan one reads really well.
Maria Bygrove
I started with some two value thumbnails and decided that I preferred the simpler shapes of the beard in the first one and the volumes of the head created by the shapes in the second thumbnail. Then I did a small five-value study where I tried to combine what I liked from the thumbnails. I feel that my final drawing lost some of the simplicity of the earlier sketches. Seeing how I struggled to control five values, I don't think I dare to tackle level 2 :(
Patrick Bosworth
I think you did a great job maintaining control of your values and simplified shapes in the final drawing! Excellent work!!
Vera Robson
This exercise is genuinely very hard. Separating light and shadow, while working with larger shapes requires an enormous amount of discipline. This is literally my 20th attempt.
Patrick Bosworth
This is looking great!!
Adrian Potato
First attempt
Adrian Potato
Second attempt: Not sure if I overcomplicated my shadow shapes but I kinda like it that way
@arry1979
Hi @Proko , is it possible that the subtitles are out of sink?
@edsun
2d
Level 1 assignment, I tried the value tool to get an idea, and then I started with a thumbnail. I think i could have added shapes in the light, and will probably experiment that on another study, I also found it a bit hard trying not to get caught on the intricate edges, so tried to stop with what i had to not go over board with that. Would love some feedback on this, thanks!
@edsun
1d
First attempt at cast 2, same process as before, value tool to get an idea, then a thumbnail. I tried to push the shadows a bit darker, maybe a bit too much, and tried to model the lights more this time, but it was pretty hard to not to get lost in the details. Though I do feel like i kept to the large forms and modelled the lights a bit better.
@fysfys
2d
Here goes. I might try to do it again if I have time. Or better yet another one. Would love to hear some feedback. I feel I could not develop 3 light tones.
Dennis Yeary
I hope I did this right
Lesulie
2d
Level 2 assignment done digitally on procreate, using 7 values in my head (4 for shadows, 3 for light), but the rendering probably resulted in more values being created by the brush. Creative liberties may have been taken with the shapes XD Thumbnails and rough sketch included
Juice
2d
Nice!
Gwen Post
First attempt, I feel like I didn't make the values on the face dark enough which didn't give me much room in the lights, will do more tomorrow:)
Gwen Post
Attempt 3:)
Gwen Post
Second attempt was somehow more of a struggle, trying again tomorrow
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Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
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