Project - Designing Value Groups
Project - Designing Value Groups
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09:30

Project - Designing Value Groups

477
Course In Progress

Project - Designing Value Groups

477
Course In Progress

Remember when you simplified a pear and a portrait into five values? We're revisiting that concept, but now with more knowledge and experience! You know about shape design, gesture, structure, value organization, and the basic elements of light and shadow.

The main objective is to practice thinking of values as interconnected shapes and be intentional about how these shapes work together. A single thoughtful accent is louder than a bunch of accidental ones.

Level 1

Your assignment is to pick one of the provided photos of a sculpted portrait and create a careful study using values (2 in the shadows, 3 in the lights).

  • Use the Value Tool: Try the value tool to get an initial read of the rough value distributions.
  • Create Thumbnails: Figure out your composition before starting the larger drawing.
  • Work Full-Page: Avoid making it too small to control your lakes and rivers effectively.
  • Start with a Linear Lay-In: Use what you've learned about measuring and eyeballing proportions.
  • Separate Shadow from Light: Clearly distinguish between the shadow and light families.
  • Build Up Values: Gradually add all the other values you see.
  • Avoid Floaters: Allow only important shapes to grab attention.
  • Squint Often: It's the simplest way to see connections and identify distracting floaters.
  • Check Your Work: Flip your drawing upside down or look at it in a mirror to spot issues.

Regarding edges, try not to get too caught up in intricate soft edges and transitions. Feel free to attempt some edge work, but if you find yourself struggling, focus on sharp-edged tiles and concentrate on the value shapes.

Level 2

For those looking for an extra challenge, you can use between 7 and unlimited values. These extra values allow for more subtlety and sophisticated transitions between your shapes. Extra values let you:

  • Model intricate plane changes. You might need more than 2 halftone values plus a highlight.
  • Define shadow all the elements. Sometimes core shadows, reflected light, and occlusion shadows all have distinct values.
  • Create realistic illusions of form with more nuanced rendering. For example a core shadow that changes value as it travels down a form.

Feel free to be more interpretive in how you group values and make bold design decisions. Trust your gut and add your own taste to the drawing.

Deadline - submit by June 13, 2025 for a chance to be in the critique video!

Newest
Sita Rabeling
what can I say - I failed with every attempt and then I thought: Do something, anything!!
Juice
2d
My third attempt on level 2. This time with dark background. And i toned down the contrast on the beard to move attention to face and eyes.
Patrick Bosworth
Don't go chasing waterfalls, please stick to the oceans, rivers, and lakes that you're used to...
Lau Dabo
5h
this is amazing!! level goal!
@brimarie
18h
Awesome work, wow!!
Josh Fiddler
These are great. Really wonderful.
onigi *pronunce [on-ie-gee]*
Second Level 1 challenge Not so bad, but I'm still not satisfied with my simplification of shadow and light shapes. Values I made look also a bit messy. I need to do value exercises more. I'd love to hear any feedback from you guys! My first challenge is here: https://www.proko.com/s/7p2D
Jacob Granillo
I have nothing to say, except just to keep practicing. You’ll get better onigi!
@breakfast
Level 1: I slowed down a lot for my second attempt. This took about 5.5 hours, and I still feel like I didn’t do it correctly. I know Stan said we didn’t have to blend edges, but I wonder if I still left them too harsh. I also think I over simplified and could have designed my shapes better. I’m going to start another one and see if I can improve!
Rachel Dawn Owens
This is a really good drawing! The bold, crisp shapes are very appealing. I really like where the nose overlaps the eye. You handled that area really well. You did great separating the eye and nose. Thanks for sharing 👍
Patrick Hynes
I made another attempt. I made it too small, but I think I did a better job organizing the values and connecting the different value areas than I did on the first try.
@mrvern
6d
Level 2 attempt. Attempted to join the floaters with rivers but may have obscured the division between lights/shadows.
Rafael Rangel
It looks awesome! :D
Aasiya
6d
I found it hard to get out of 3-4 value systems and simplify shapes, though I managed to add more values in the second bigger portrait after my]multiple breakdown. But I still wasn’t sure how to keep track of them.
Hilde
1d
Wow, this is stunning—the expression is so powerful.
Darin
9d
Here is my level 1. This project was a bit daunting, but once I got into it, I felt like it went pretty smoothly. I feel like my proportions are pretty good, although my guy is a little angrier than the image.
Juice
9d
Here is my second attempt. It was much more fun this time. This time i wanted to get better proportion accuracy and bring more focus to the eyes. (Here is the link to my first attempt: https://www.proko.com/s/ZAQ6 ) I attach 2 versions. Its the same drawing just different photos. I took the photo with som portait setting and it made the background darker even though the lightest parts of the drawing should not be lighter than the paper. But it looked cool.
Juice
9d
Here is a better photo. Daylight photo. Where the eyes looks as dark as they are. The upper part of the sculpture was reflecring the light and looked brighter than it is on the other photos.
Randy P
10d
As much as I tried to think about simplifying the large shapes, I feel like I still got bogged down in the small ones.
@lauralana
10d
After working on white paper thought I would try it on toned paper and start with the value shapes. That was fun but I need a lot more practice with toned paper to figure out what value the paper itself is at and organize around that. I think I like the first one better even though the angle is incorrect. He's looking at the viewer, which isn't right but I kind of like it. As always, close study of the sculpture made me realize how masterful it is. Organizing values so that they connect and create vertical movement and visual interest and doing this in three-dimensions. Wow!
@breakfast
10d
I was very intimidated by this! I made the mistake of scrolling and seeing what everyone else was submitting, and I got major imposter syndrome. My first attempt was tough, and I wasn’t happy with it. I decided to slow down for the next attempt. I’m not finished with my second attempt, but I wanted to show how it’s going mid process. That is about three hours of work. Am I moving too slowly? Am I starting the process correctly? I am struggling to keep everything organized, clean, and interesting. I know how valuable this is because of how challenging it is!
Josh Fiddler
Looking great
Sita Rabeling
I think this is very good. Makes me want to start again and take much more time for the project.
Melanie Scearce
I had the pear exercise on the brain so I went into this trying to simplify and design the shapes with a limited value range. Great project!
Thieum
10d
Great job! And very interesting to see the steps. Very nice result! Well structured and readable, even seen from a distance or at a small size
Jyayasi (*Jay-o-she*)
Great shapes here, Melanie! I, too, was thinking about the pear and portrait exercise from our first lesson while doing this. Also, for the lay-in, the measuring proportions in the shape section helped.
John B.
10d
Just finished the gesture course so I've got gesture on the brain rn. At some point I stopped looking at the references tho since drawing gestural patterns with the shadows was kinda fun 💀
Jyayasi (*Jay-o-she*)
Ooh! That's a cool background! Also great shape simplification.
Norm Lanting
Norm Lanting
Thanks Florian. One drawback with Procreate is when you want to send as jpeg it only lets you hit jpeg with no quality and resolution sliders. So that’s the best jpeg I could send. Maybe next time I need to send it to another app where those quality controls are there. If anyone knows how to do that in procreate please let me know. Also, is there a way to send a full flattened original doc?
Florian Haeckh
Really cool and impressive how you shaded this. But the jpg is really small. Why not submit a final version so we can really zoom in and enjoy it :)
Hanna Looye
Love these. Thank you for showing all the steps.
Martin M
10d
Another attempt. I think my mid tones are not really separated from the highlights. The highlights are not "popping".
Patrick Hynes
Level 1 attempt. I felt like it was all going ok until I tried working in the halftone values. For some reason, I went from doing the shadow parts feeling like I knew what I was attempting (even if I didn't correctly execute) to doing the halftones feeling like I was winging it. In retrospect, I think I did not apply the same effort to organizing my halftone values as I did with the shadow values. Also, I suspect that organizing lights is harder than the darks and so it requires more effort.
Rachel Dawn Owens
This is a really fun assignment. The oceans, lakes, and rivers analogy is so helpful. I could spend all day refining this guy. For now, this is what I have.
Thieum
10d
Beautiful drawing! Well structured and with a very dynamic line!
Rafael Rangel
Awesome!!!
Hanna Looye
This one was hard, but interesting! I tried making it in watercolor, getting the right values with that medium is pretty hard and it did not work out well. I tried pen, pencil and variations. I am happy with the gouache one and the pencil one. Impressive what other people made. Thank you!
Melanie Scearce
Really interesting that you kept the dark values concentrated around the face and let the beard fade out in the ink drawing. Super stylish, these are amazing!
Thieum
10d
Beautiful drawings!!! I also immediately thought of Da Vinci when I saw the one on the left. (I first thought it was the reference drawing 😂)
Juice
10d
I love how the left one looks like an old drawing of Leonardo da Vinci.
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Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
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