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I taught a lesson on how to paint flowers and to see if I understood the shadow assignment I applied tot this Peony. I think I got it right but I would love to know if I made any mistakes.
@Rachel Dawn Owens and @Patrick Bosworth from a teachers perspective, any tips?
LESSON NOTES
What's in Premium?
In this lesson, we tackle common mistakes in sphere shading and learn how to fix them. We'll cover:
- Wrong Terminator Shape: Learn how to draw the edge where shadow transitions to light as a proper ellipse around the sphere.
- Wrong Cast Shadow Shape: Learn to draw the cast shadow accurately as an ellipse on a flat surface.
- Shadows Too Light: Discover how to keep reflected light in the shadows without making it too bright.
- Linear Halftone Gradation: Master the gradients from shadow to light to avoid a flat or faceted look.
- Spotty Halftones: Find out how to achieve smooth and consistent shading without unwanted marks.
By addressing these issues, you'll improve your shading skills and create more realistic spheres.
Get this lesson and more in the premium course!
DOWNLOADS
critique-shade-a-sphere.mp4
1005 MB
critique-shade-a-sphere-transcript-english.txt
27 kB
critique-shade-a-sphere-transcript-spanish.txt
28 kB
critique-shade-a-sphere-captions-english.srt
44 kB
critique-shade-a-sphere-captions-spanish.srt
48 kB
COMMENTS
after applying what i learned from the critique think I've made a lot of improvements from my first go but im still trying to capture that 3d effect and some smoother transitions
I taught a lesson on how to paint flowers and to see if I understood the shadow assignment I applied tot this Peony. I think I got it right but I would love to know if I made any mistakes.
@Rachel Dawn Owens and @Patrick Bosworth from a teachers perspective, any tips?
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6mo
Great work @Hanna Looye! This is an excellent process breakdown. I really like that you kept referencing the simplified sphere idea at each stage. I think you nailed it! If you were to use this as a teaching aid, I’d say you could further simplify each step to more clearly communicate your ideas. Commit to specific rhythms so you’re using the fewest lines possible to convey the big idea, there’s a lot of ghosting and thinking in the first stage and not as many final choices. Think of the Mario Mushroom exercise, where you ghost and then commit to singular fluid lines. Similarly in the contour drawing, line quality can help simplify the overall idea. Using tapered CSI strokes for the contour line drawing will help you maintain a clean simplified linear lay in to add line weight on top of. In the main shadow area the value is applied a little unevenly, so it doesn’t read as a single solid shape of value. Evening out that value shape will help the core shadow read more dramatically by comparison. You bring it all together beautifully in the end by adding the “occlusion shadow,” so your values read very clearly at that stage! Really great advice from @Rachel Dawn Owens, as always! I think applying that idea to this final stage would be a big help to the final image and would keep the final example tied to your simplified rendering at that final stage. Keep up the good work!!
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6mo
Wow, this looks awesome. Congrats on your class. I see no mistakes with your flower drawing. This is a wonderful breakdown.
All I might do is take it even further with some subtle value shifts. This will make your final drawing more dramatic and expressive.
Keep up your flower drawing classes!
Finally caught up!
Excited to continue learning with all of you guys. Here are my 30m and 10m attempts
I have been in Proko for years but it seems that these lessons are taking a very long time to get produced. Am l correct. Graham
I decided that I wasn't satisfied with doing this exercise with graphite, charcoal, pastel, and conté, so I did three more in gouache after trying a few in watercolours. The first gouache isn't quite right: the casht shadow is too large and the terminator is too high. On the second, I got better transition with the midtones. The highlight is all wrong but meh. And on the third, I'm generally happy. The watercolours were fun, but much more challenging but I started with the wrong base colour for the cast shadow anyway, so I at last just tried with black and that came out better.
Applying the lessons from the critique. Digital, but used the tools in pencil paper "mode".
self critique on attempt #2. I had improved all three of my weaknesses on this attempt. But still way off on terminator and cast shadow
I noticed my problem is the half tones I might have to go back over the lesson this weekend.
Does this apply to color cause they feel connected.
