Project - Designing Value Groups
Project - Designing Value Groups
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09:30

Project - Designing Value Groups

515
Course In Progress

Project - Designing Value Groups

515
Course In Progress

Remember when you simplified a pear and a portrait into five values? We're revisiting that concept, but now with more knowledge and experience! You know about shape design, gesture, structure, value organization, and the basic elements of light and shadow.

The main objective is to practice thinking of values as interconnected shapes and be intentional about how these shapes work together. A single thoughtful accent is louder than a bunch of accidental ones.

Level 1

Your assignment is to pick one of the provided photos of a sculpted portrait and create a careful study using values (2 in the shadows, 3 in the lights).

  • Use the Value Tool: Try the value tool to get an initial read of the rough value distributions.
  • Create Thumbnails: Figure out your composition before starting the larger drawing.
  • Work Full-Page: Avoid making it too small to control your lakes and rivers effectively.
  • Start with a Linear Lay-In: Use what you've learned about measuring and eyeballing proportions.
  • Separate Shadow from Light: Clearly distinguish between the shadow and light families.
  • Build Up Values: Gradually add all the other values you see.
  • Avoid Floaters: Allow only important shapes to grab attention.
  • Squint Often: It's the simplest way to see connections and identify distracting floaters.
  • Check Your Work: Flip your drawing upside down or look at it in a mirror to spot issues.

Regarding edges, try not to get too caught up in intricate soft edges and transitions. Feel free to attempt some edge work, but if you find yourself struggling, focus on sharp-edged tiles and concentrate on the value shapes.

Level 2

For those looking for an extra challenge, you can use between 7 and unlimited values. These extra values allow for more subtlety and sophisticated transitions between your shapes. Extra values let you:

  • Model intricate plane changes. You might need more than 2 halftone values plus a highlight.
  • Define shadow all the elements. Sometimes core shadows, reflected light, and occlusion shadows all have distinct values.
  • Create realistic illusions of form with more nuanced rendering. For example a core shadow that changes value as it travels down a form.

Feel free to be more interpretive in how you group values and make bold design decisions. Trust your gut and add your own taste to the drawing.

Deadline - submit by June 13, 2025 for a chance to be in the critique video!

Newest
Scott N
20h
Level 1, first attempt (haven't watched demo video). As someone who started the course with very minimal drawing experience I found this assignment both challenging yet incredibly rewarding. I know my drawing looks clumsy (shading, shape design etc) but wow, its kind of like magic how the 3d form reveals itself as you progress. I'm hooked and want to draw more!
@jonesy67
Bryan Yoon
Glad to finally catch up to the course! Here is the Level 2 + a practice thumbnail page! Working on giant sketchbooks is a lotta fun!
Aubrey Hannah
Here's my work on my value group composition: both the practice thumbnails and the final drawing. I think I'm starting to do better with separating values and adding depth to form.
@landsloth
Had a lot of fun doing this! There's a lot of it I could have executed better but I'm happy with it as a starting point.
Aubrey Hannah
Woah, yours is actually incredible! I think you're off to a pretty good start!
Sita Rabeling
what can I say - I failed with every attempt and then I thought: Do something, anything!!
Rachel Dawn Owens
This is a charming drawing.
Juice
7d
My third attempt on level 2. This time with dark background. And i toned down the contrast on the beard to move attention to face and eyes.
Patrick Bosworth
Don't go chasing waterfalls, please stick to the oceans, rivers, and lakes that you're used to...
Lau Dabo
5d
this is amazing!! level goal!
@brimarie
Awesome work, wow!!
Josh Fiddler
These are great. Really wonderful.
onigi *pronunce [on-ie-gee]*
Second Level 1 challenge Not so bad, but I'm still not satisfied with my simplification of shadow and light shapes. Values I made look also a bit messy. I need to do value exercises more. I'd love to hear any feedback from you guys! My first challenge is here: https://www.proko.com/s/7p2D
Aubrey Hannah
Hey, well done. You probably could smooth out the shadows just a little more, though I think the main issue is you need some darker midtones mixed in with the rest of the values. But that's no problem, I struggle with the midtones myself.
Jacob Granillo
I have nothing to say, except just to keep practicing. You’ll get better onigi!
@breakfast
10d
Level 1: I slowed down a lot for my second attempt. This took about 5.5 hours, and I still feel like I didn’t do it correctly. I know Stan said we didn’t have to blend edges, but I wonder if I still left them too harsh. I also think I over simplified and could have designed my shapes better. I’m going to start another one and see if I can improve!
Rachel Dawn Owens
This is a really good drawing! The bold, crisp shapes are very appealing. I really like where the nose overlaps the eye. You handled that area really well. You did great separating the eye and nose. Thanks for sharing 👍
Patrick Hynes
I made another attempt. I made it too small, but I think I did a better job organizing the values and connecting the different value areas than I did on the first try.
@mrvern
11d
Level 2 attempt. Attempted to join the floaters with rivers but may have obscured the division between lights/shadows.
Aubrey Hannah
Woah, that's amazing! Can't see many of the flaws here!
Rafael Rangel
It looks awesome! :D
Aasiya
12d
I found it hard to get out of 3-4 value systems and simplify shapes, though I managed to add more values in the second bigger portrait after my]multiple breakdown. But I still wasn’t sure how to keep track of them.
Hilde
6d
Wow, this is stunning—the expression is so powerful.
Darin
14d
Here is my level 1. This project was a bit daunting, but once I got into it, I felt like it went pretty smoothly. I feel like my proportions are pretty good, although my guy is a little angrier than the image.
Juice
14d
Here is my second attempt. It was much more fun this time. This time i wanted to get better proportion accuracy and bring more focus to the eyes. (Here is the link to my first attempt: https://www.proko.com/s/ZAQ6 ) I attach 2 versions. Its the same drawing just different photos. I took the photo with som portait setting and it made the background darker even though the lightest parts of the drawing should not be lighter than the paper. But it looked cool.
Juice
14d
Here is a better photo. Daylight photo. Where the eyes looks as dark as they are. The upper part of the sculpture was reflecring the light and looked brighter than it is on the other photos.
Randy P
15d
As much as I tried to think about simplifying the large shapes, I feel like I still got bogged down in the small ones.
@drawingdodo
I feel you, I'm in the same boat! It's so hard to control stragglers, and I do agree that some simplification here would help! One place I would suggest simplifying is some of the dark shapes near the right eye, I feel like they detract readability, since they imply some volumes that aren't there. It also feels like it takes away from the light-ish tones from that area as well. Still, great work, keep at it!
@lauralana
15d
After working on white paper thought I would try it on toned paper and start with the value shapes. That was fun but I need a lot more practice with toned paper to figure out what value the paper itself is at and organize around that. I think I like the first one better even though the angle is incorrect. He's looking at the viewer, which isn't right but I kind of like it. As always, close study of the sculpture made me realize how masterful it is. Organizing values so that they connect and create vertical movement and visual interest and doing this in three-dimensions. Wow!
@breakfast
15d
I was very intimidated by this! I made the mistake of scrolling and seeing what everyone else was submitting, and I got major imposter syndrome. My first attempt was tough, and I wasn’t happy with it. I decided to slow down for the next attempt. I’m not finished with my second attempt, but I wanted to show how it’s going mid process. That is about three hours of work. Am I moving too slowly? Am I starting the process correctly? I am struggling to keep everything organized, clean, and interesting. I know how valuable this is because of how challenging it is!
Josh Fiddler
Looking great
Sita Rabeling
I think this is very good. Makes me want to start again and take much more time for the project.
Melanie Scearce
I had the pear exercise on the brain so I went into this trying to simplify and design the shapes with a limited value range. Great project!
Thieum
15d
Great job! And very interesting to see the steps. Very nice result! Well structured and readable, even seen from a distance or at a small size
Jyayasi (*Jay-o-she*)
Great shapes here, Melanie! I, too, was thinking about the pear and portrait exercise from our first lesson while doing this. Also, for the lay-in, the measuring proportions in the shape section helped.
John B.
15d
Just finished the gesture course so I've got gesture on the brain rn. At some point I stopped looking at the references tho since drawing gestural patterns with the shadows was kinda fun 💀
Jyayasi (*Jay-o-she*)
Ooh! That's a cool background! Also great shape simplification.
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Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
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