@lauralana
added comment inProject - Measure Proportions
2mo
Asked for help
This was a challenge! Not really happy with it, but I it's time to set it aside and move on to something else. The mouth was really challenging using straight lines only and I know the angle is off with the left side of the face. I really struggle with 3/4 views in general.
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2mo
Asked for help
I've been studying John Singer Sargent's portrait drawings. I'm not a big fan of charcoal, so I'm forcing myself to play with it more. Seemed natural to seek out the master of charcoal portraits for a master study. I know Sargent is all about tone and so shading can't be avoided here. Sorry! This was surprisingly lots of fun! I know it doesn't exactly look like her, but I kinda like the new expression (a kind of open sweetness) that Sargent's doesn't have.
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2mo
Asked for help
Focused so much on the shapes, I think I compromised my line quality. Still working toward considering multiple visual elements in one drawing. Also, the giraffe looks demonic. :)
@lauralana
2mo
watched the demo and critique and I think I understand better now. I was before focusing more on line and contour and less on the fundamental shapes of the animals. Tried to create more enclosed shapes this time and not be afraid to overlap them. I like the Hawk. Feels more substantial than the other simplified animals.
2mo
Reference photos and links: https://www.discoverwildlife.com/animal-facts/mammals/facts-about-giraffes
https://www.hundeo.com/en/dog-breeds/labradoodle/
https://www.dispatch.com/story/lifestyle/2021/11/07/ohios-red-squirrel-less-common-than-others-but-most-interesting/6239092001/
https://www.britannica.com/animal/elephant-mammal
https://gifts.worldwildlife.org/gift-center/Images/large-species-photo/large-Three-toed-Sloth-photo.jpg
2mo
Asked for help
I've always loved Ingres's graphite drawings, so I studied a couple of his. I enjoyed getting into the often abstract intricacies of his line work (in the fabric, for example). I realize that Anna Gounod's eye placement is off and so I would correct that in the future. Also, in my version, she looks somewhat masculine and I'm not sure why. It also seems like he was using a much harder graphite, so I couldn't replicate some of that line quality. The first two are: Anna, nee Zimmermann, wife of Charles Gounod (1859) and Portrait drawing of Alexandre Lethiere and family (1815), both by Jean August Dominique Ingres. Last four are my studies of select parts of both. This was fun! I plan to do more.
3mo
Asked for help
First is hierarchy of importance, second is shadows and light. I hadn't really thought about line in this way before. Interesting exercise!
3mo
Made some edits post demo, but didn't redo. I hadn't before considered how light could be conveyed by both line heaviness but also width and how this could vary in just the course of one line. That kinda blew my mind! Will be pondering and working on this.
Asked for help
Gosh, the hand was so hard for me. Tried a couple of times with regular pencil then with red just to see if I could shake my frustration and loosen up. Idk. The VR girl was really fun! I think either her hand is oversized or the head isn't big enough. She should also be leaning back more whereas mine is more upright.
3mo
Post demo sketches. Really tried to simplify the skull and resist the temptation to add detail. Also another shoe sketch to get a better grasp of the laces, etc.
3mo
Asked for help
Got overwhelmed by the prospect of doing two boots (all those laces!) and I didn't position it properly on the page to fully deal with the other boot. So, there's just one. The wooden beam helped when determining the placement and size of the snail. The camel is proportionally wrong, but it was fun to draw all of those long curves. The more I practiced, the more confident I became drawing the contours and not picking up my pencil as much. All done before watching demo.
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3mo
Asked for help
Hello, here is my first try. Please, I would be appreciated for any advice or critique!
3mo
I really like the delicacy of your line work and shading. Reminds me a little of Georges Seurat's drawings :) Nice job.
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3mo
Asked for help
It was quite difficult to draw with only straight lines, hard edges and limited values, but a great exercise. I think I needed more dramatic shadows on my pear as I caught myself getting lost in the nuances of value and overthinking that part. It also needs to be a bit skinnier at the top, more pear shaped (ha!) Lots of issues I see with both, especially that ear in the portrait (lordy! :)). Still, I enjoyed myself. It's all about the process, right? Any suggestions are welcome.
3mo
Also, both are before watching demo. I now see a lot more things I can correct now that I've watched that.
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4mo
Asked for help
Couple of attempts at this. Would love critique :)
3mo
Nice job. I really like the areas of shadow and edges you defined in the shirt. I'm not sure, but I wonder if you could even deepen the darkest area on the right or lighten the halftone on the left side of the face to make the value transition more dramatic. This could add volume and make that transition more distinct? For example, I think the right eye is as dark as the hair, or at least parts of it.
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4mo
Asked for help
I'm revisiting the older classes and redoing all the assignments. I feel like these are fundamentals that should be reviewed and practiced over and over.
With this one, I went for three shadow values and 2 light. Only after finishing and photographing the drawing, I noticed that I got the proportions of the lower part of her face (below the eyes) wrong. Also, I don't really like how I designed the underside of the chin and the neck.
Any other critique or suggestions always welcome :)
3mo
This is lovely. I really like your reference photo, a challenging angle for sure. I also love how you simplified the values on her right cheek. I'm not sure, but I'm thinking that because of the foreshortening, the base of her nose may be wider and taller and at a more pronounced angle than the plane beneath it. This could help the proportions. Also, I think the neck may be a darker value on the left, which may help to define the transition between neck and cheek.
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