Hi everyone! I'm very excited by this upcoming course and impressed by the involvement I feel in the community. Thanks you all for all these artists I discovered through your posts. Very inspiring and motivating for the coming weeks! The first goals that come to my mind is to be able, thanks to this course, to create structured compositions from the ideas that I have in mind. To put on paper separate elements in a coherent scene. And to bridge the gap between the drawings that I can make with references and those of imagination. I have complete confidence in Marshall to make this course something very fun and I can't wait to embark on this artistic journey! Here is a selection of artists whose works I admire, with a focus on perspective work (I discovered some of them in your posts). I order of images: Alejandro Burdisio, Andreas Rocha, Bastien Grivet, Byous, Daniel Dociu, Gabriel Gomez, Jaime Jones, Makoto Shinkai, Mathieu Lauffray, Mosh Art, Yusuke Murata, Zdzisław Beksiński, Neil Ross. Very different styles but with one common quality: the use of perspective for the benefit of composition. It's something I would like to be able to do too. See you in the journey!

A new caricature practice with the four steps: thumbnails sketch, rough sketch, abstraction and final sketch

A new practice with Matthew McConaughey

281st Day of of Proko About 25 minutes.

A practice of the 3 steps: rough sketch, abstraction and final sketch. I had a hard time with the hair and need to find another way of draw it...

My attempts for Columbo. I tried 2 sketches and applied abstraction to the one that seemed to me to have the most resemblance. My caricature isn't very funny and much more younger that the real Columbo. Then I did a study of Fabien Blazicek's caricature to try to understand and inspire myself

Here are 3 attempts at drawings Rossy de Palma. My cross hatching is very rough... I'm not really happy with the likeness, except maybe for the third one, where the features seem to be closer to hers. I tend to spend too much time on each drawing because if I don't detail the drawing enough, I have trouble estimating the likeness. But because of that, I no longer want to attempt another exaggeration. I need to draw much faster!

Practice Page, refining the process.

A few more figures from memory. The ones on the first page roughly in the same view as the references. The last 2 trying to rotate the character

👋🙂 Watched the critiques, refined the approach🙌.