Good exercise

Cool, feels like a space trip

A very good practice for straights; some straights more confident than others. A good warm up for sure.

I attempted to do this intuitively. How did I do?

Threw in some extra long boxes to practice those longer lines.

I don't have a premium subscription, so I scrolled through the comments and tried to figure out how to create a three-point perspective by myself. Even tried all five-point perspectives. I think I understand it a bit.

Boxes! I usually go for a fineliner or a ballpoint pen for boxes since it's a habit I picked up from Drawabox. After drawing so many boxes, this feels low-key therapeutic. I’m continuing to struggle with subtle convergence, rather than with anything that is extremely converging to a vanishing point that’s super close to the edge. For example, box #10 — is it converging too much, or does this count as subtle convergence? Then there’s box #8, which I feel like isn’t converging at all. I do need help with this question: Now that both 2 and 3 point perspective have been introduced, which one should I default to when practicing boxes? Default to 3 point perspective? Also, for those who practice boxes regularly, do you check your convergence after practice, or do you just go by your gut feeling (i.e., “this box doesn’t look right”)?

Boxes! Certainly not perfect, think I'll be doing a lot more of these for warm ups!

Perspective is a really fun thing! I like these exercises

Had a lot of fun . Thanks Stan .

Off we go.

Things are so much more enjoyable when using intuition and neighboring lines to inform your convergences, rather than feeling forced to plot out points and lines. I think im going to try taking things a little slower and just practice getting myself to comfortably orient boxes like these before moving onto more projects.

For a fun exercise, apply this and draw the INSIDE of a box. See how the rationale can all apply with a simple change in uh ... perspective.

random boxes and consistent tumbled boxes. Please let me know any critiques, thanks

Question for anyone out there. I have heard people say 2 point is the most commonly used perspective and three point is just for buildings and similar things. I have also heard things like 2 point is likely the most you need. As some one who is working towards character design should I still invest more time in 3 point over 2 point perspective?

This is kind of a fun thing to do. I can see how the 1p and 2p were so important to understand this. But now that I do I can think though the vanishing point, rather I can comprehend the vanishing points rules now so that objects looks correct. I love this.

Interesting. Never really thought about that 4 point as a fisheye view or the rounded lens view. Cool. Worth exploring. But did a few cubes using the Y. I was also not familiar with that technique. I have drawn quite a bit using the isometrics so I forced myself here and there with relatively close imaginary vanishing points. About 20 done... of the 100 plus...

One, Two, Three, Four, Five ...

A question, if you will. I praticed the Y trick and boxes (will do more, but I'm short on time right now) and a point is nagging me ever since I knew what three point perspective was years ago: when something is both under and above the horizon line, what do you do? I know Stan briefly touched this in the video, but I can't find an answer else that four points and curvilinear perspective. Does it mean that you must now absolutely deal with four points or you have a certain wiggle room where you can keep it at three without breaking perspective? Can you even use a point above and a point below independently from each other? Sorry if it's a question beyond the scope of the course, I was just curious and thinking constantly about this.