Still catching up on these ones. First image: studies from reference, second: from memory.

Project - Build a 1-Point Room - Level 2

My 2nd try, this time I have done it with a fineliner. Sadly, when going over pencil lines, I got confused what was in fron of what. I did some light cross hatching to try to take atention away from these mistakes. The lines are too wobbly. I get too focused on perspective that I slow down my strokes too much. I think the windowsill has the worst perspective errors here.

For level 1 I made a "Minecraft" inspired room - since they are constructed out of boxes anyway. For level 2 I was thinking of rails since they are like extruded steel elements and I also made an arcade scene because I absolutely love pinball machines.

Here is my lvl 2 theme the train museum fun to do such thing just the line weight is difficult to execute although I understand the principle mentioned in line section

I doodled while listening ^^

Tried to apply the rules on a simple house. I hope I got it right.

Cubes

I teach Animation and work with my students to improve their drawing fundamentals. I find it really hard to explain perspective in a simple and fun way, but you guys are doing an excellent job at it.

Marshalls Perspective Course on Proko. Coming .. soon ...? ;)

my level 1 animal breakdowns

Floating shapes would be an interesting topic once we get to shapes. Cuz I use them - and sometimes I get em to work - and sometimes it is just too confusing.

I did some Moebius studies. I tried to apply his style to a similiar but different subject to not fall into the habit of just coping lines. This is really hard - but I want to try to more of these in the future.

I have a hard time choosing one artist - since there are so many I admire. And I also get intimidated by putting my silly attempts next to the brilliant works of masters.

My assignments, i thought it was fun to try and sketch out the rhino first before tracing. Worked digitally this time :)

Level 1: Hierarchy, Light & Shadow from Photo Reference Level 2: Light & Shadow from free angle, free subject with depth approach. I tried to apply the different approaches it on a little "Proko Comic". I hope you enjoy.

Thank you for this video and the very clear explanations. I think I understand all the individual rules for line weights, but I struggle when I try to combine different sets of rules when drawing. For example: a cube sitting on the ground. Everything thick for the outlines: okay - but then it fights an ambient occlusion approach, that would tell me to make a thin or no line at all at the edge "touching" the ground. I tried to reverse engineer the rules of how other artists solve this, but I never got any universal solution out of it. Any ideas?

Skelly!

Thank you Stan. The term "negative space" - might be good to explain it for the course students that don't already know what it means.