Project - Shading Blobs - Level 2
Project - Shading Blobs - Level 2
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18:10

Project - Shading Blobs - Level 2

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Project - Shading Blobs - Level 2

499
Course In Progress

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In this lesson, learn how to practice shading edges by drawing heads using "blobs". We start by visualizing the head as an egg to simplify forms, then move on to stacking multiple blobs for key forms like the cranium, jaw, and nose. We'll use the portrait photos in the downloads to match the angle, then make it harder by changing the light direction and inventing the tones.

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You Ji An
First attempt, 2 from reference, 1 from imagination
@rupertdddd
Blobs...
Maxime Scheder
I think I rushed a bit some of them ^^' I believe I could work more on the halftones and the quality of some transitions, I'll watch the demos and critique, but any feed-back would be very much appreciated !
Carlos Pérez
Edges are transitions , got it
Cubee
15d
Cool project ! Not easy though. It took me approximately 1.5 hours for this drawing. To be repeated …
Gloria Wickman
I definitely got lost as I went on doing these and forgot I was supposed to keep things simplified and unfortunately that left me with a lot of muddy edges and forms. The first page (labeled 1-3) I did is probably the strongest. I also need to get better at cleaning up my values and not leaving so much distracting noise.
Tommy Pinedo
After watching the demo and critique, I tried it again. I tried it first cross hatching but don’t really like the style so I tried the next three using a blending stump with minimal pencil use. This is harder than I thought and my right hand was starting to hurt after a while of blending and shading. still not too happy with the result but let me know what you think. Which ones do you like?
Margaret Langston
Shading blobs level 2, second attempt
Margaret Langston
shading blobs level 2, first attempt
Jim U
Jim U
19d
I incorporated this blob exercise into my brush pen practice. My goal was to create a likeness using minimal strokes, similar to those in my quick drawings of the koi and cats (attached). In the first image, I did a limited contour and blob study and explored how I might use my brushstrokes to create interesting shapes from the reference. While I'm not very satisfied with my final inking (last image), the blobs did help me better understand the shadows in the reference. With Inktober just a week away, any advice would be much appreciated. What are the most glaring weaknesses in my drawings? What skills or exercises would most benefit my practice? Thank you for looking at my work and taking the time to read this!
Toka Mathetsa
Rachel Dawn Owens
Really really good edge work. The range from soft to firm to sharp edges is so clear here.
mike mcdonald
Thieum
30d
@lauralana
1mo
It has been hard for me to keep it simple though I understand the value of doing that. I keep wanting to get into the features, so mine look less like blobs. Some of the outlines of the initial blobs remain in these drawings. I need to keep working on simplicity. However, I do like the creepy effect I got from trying these out!
Martin M
1mo
Blobs!
@billgouin
1mo
I studied each of the references. I tried simplifying the shapes. It was challenging to simplify the heads down to eggs. Also, I'm surprised by how blue some of these photos came out. The only difference is when I took the photo.
Smithies
1mo
I've had a go at shifting the lighting here. I feel like I've lost of the drama of the original lighting composition but the rendering and edges are probably better. Any advice appreciated. I've reattached original to show lighting shift.
Jim U
1mo
I really like both of your renderings, and I think the revision (left) does a great job of highlighting why the original (right) works better. In your original drawing, the facial features, such as the cheeks, blend seamlessly into the head, creating a cohesive and organic look. For example, the cheeks feel like natural bulges that add to the face’s complexity. In the revision, the features appear separate; the cheeks appear like distinct, egg-shaped forms embedded in the head. I think your original drawing does a better job of capturing how primitive shapes will actually contribute to the light and shadow rendered in a realistic portrait. I also agree with your comment about the original being more dynamic. The symmetrical shadows from the top-center lighting in the revision create a flatter, less dynamic look. Overall, great job with both of them!
Florian Haeckh
I used "blobs-level-2-03" and added a version with top/front light.
Jim U
1mo
Both of these are wonderful and have a lot of character. The strong jawlines and cheeks especially stand out to me. Great job!
@aakerhus
1mo
First one is charcoal on smooth paper. Second one is HB-graphite on rougher paper. Third and fourth one are 4H + 2B-graphite on rougher paper. Most satisfied with the charcoal one.
Rachel Dawn Owens
I like the charcoal one the most too! Its got more contrast in the values and edges.
Jim U
1mo
This exercise is a really great learning experience for me. I need to spend more time practicing non-spherical and cylindrical forms. I'm not very good at rendering light and shadow on organic shapes without using a reference.
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Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
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