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LESSON NOTES
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In this premium lesson, I critique a variety of student blob drawings. You'll see common mistakes and get specific, actionable advice on how to fix them. I focus heavily on edge control, showing you where to use sharp, firm, and soft edges to make your forms pop. We'll also cover how to handle cast shadows, avoid muddy values, and commit to your shadow shapes. Seeing these critiques will help you identify and improve the weaknesses in your own shading.
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DOWNLOADS
critique-shading-blobs-level-1.mp4
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critique-shading-blobs-level-1-transcript-english.txt
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critique-shading-blobs-level-1-transcript-spanish.txt
49 kB
critique-shading-blobs-level-1-captions-english.srt
85 kB
critique-shading-blobs-level-1-captions-spanish.srt
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COMMENTS
In this critique of your blob drawings, I'm looking closely at your edge control. When drawings feel flat or muddy, the problem is often a lack of edge variety. Using only soft edges makes forms look undefined. Learning to balance sharp and soft edges is what makes a simple shaded form feel convincingly three-dimensional and really pop off the page.
Thank you for the feedback. Based on the recommendation, I reworked my gingerman. Side by side the before-after
Busy week this week, not much time to draw but I really wanted to make the most of the feedback that I received.
I drew another picture of my ginger root/blob guy, during a few lunch breaks. My aim was to lock in those core shadows and smooth out that shading.
I learned a lot from this and I'm not even in the edges part of the course. I'm still working through lines and just clicked on this video because it was new and I was curious. Holy heck this answers questions I've had about shading since forever! Shading has always been the bane of my existence as an artist. Can't wait to reach this part of the course for reals!
I appreciate the critique. I’ll keep practicing to better control texture on paper!
Great general critique as ever Stan. Thanks for the pointers and I suspected ‘user error’ would be the culprit for poor smudging - I’ll check out the Eliza Ivanova videos of how she approaches this technique. Cheers!
Thank you so much, Stan! I can see the imperfections in my drawing better now.
I'm happy to invest more decades for the mileage and hope to improve :D
Hi Stan, thank you for the critique. I really appreciate the feedback, and I am going to keep working on that shadow placement!
I parallell to this have gone back practice line quality again. It was feeling a bit like i was forgetting it while doing values and edges. When you are doing values and edges are you still using shoulder and elbow? Or are you using your wrist? I’m using the wrist. And after doing that a lot it felt awkward doing lines with shoulder and elbow again.
