Project - Measure Proportions
Project - Measure Proportions
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Project - Measure Proportions
courseDrawing BasicsFull course (181 lessons)
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assignments 673 submissions
Lynn Fang
I drew my reality down into comic. Then, go back to do my assignment...Wheeeee.
LESSON NOTES

In this project, we will practice measuring with a portrait drawing. Accurate proportions are essential for capturing a likeness. We'll break the process down into steps, starting with the biggest shapes and working our way down to the small details. I’ll also show you the various measurements and strategies I use when going through this process.

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ASSIGNMENTS

Deadline: Submit your assignment by 07/25/2023 for a chance to be featured in the next critique video!

Use the reference photo and all the measuring methods you learned in the previous lesson to practice drawing a portrait with accurate proportion.

Keep in mind that your layin will get harder as you move from big shapes to smaller details. Don't draw too small, otherwise the shapes of the features will be too small and harder to draw accurate. Keep the photo next to or in front of your paper to avoid distortion.

Expect a careful layin to take about an hour. Don't rush. Worry about accuracy, not time.

Remember - big to small, use straight lines, measure units, double check, find plumb lines, judge angles. Try to have fun!

Level 2, you're doing the same thing for this one. This exercise doesn't change no matter what your experience level is.

The Musketeer photo reference is from the Musketeer Model Pack by Grafit Studio

Ilana Eisenhart
Figuring out the proportions was difficult using an 8x11 printout of the image and copying it to a 12x18 paper. Drawing human faces has always been challenging. I did erase many of the original placement lines that I used because they made it look very messy.
Adrian Damengen
Did another one today, I was faster than yesterday and got pretty close when it came to proportions. I have a hard time working in photoshop, but his left side is to big from what I could see. finding measurements is still hard for me, it takes a long time to find them. Planing to do many more before moving on so I will gladly take any advice. oh, and I’m drawing on a very big paper, I attached a photo from my view, is the size of the paper messing with how I see things?
gunk
3d
From what I see, I think what might be messing up your proportions is your plumb lines; they’re not perfectly perpendicular to the canvas, and all at slightly different angles. Not sure what program you might be using, but try using the ‘create rectangle’ (or adjacent) tool to create thin rectangles, instead of using the straight lines tool which is prone to leaning at a certain angle. Your layins you’ve done so far are super clean! Keep up the good work!
@eduardovera2025
First and second attempt, the second is after watching the demo for a second time, I’m still struggling a lot with proportions but I hope that soon it will come more naturally, I want to add that every practice till now has been good but I still want to come back and do more reruns of the same project.
Sebastian Velazquez
I struggle with the shape of both eyes. Took me a while figure it out. Very funn lesson :]]
Ryan Hasell
I realised as I went that I was adding in too much detail on the first lay in of the big shapes (I thought that was pretty stripped back already). Once I reviewed it in PS, I had to almost redo half the image. Once I focused on getting the bigger shapes right in my 2nd revision, it made polishing it easy for my 3rd and then in my final picture I just added in some detail on the eyes and lines. Took me about ~1 hour from start to finish. Probably around equal time for each revision inside that. Loved this one, excited to try some faster lay-ins.
Adrian Damengen
WOW this assignment, I think I spent most of if not all day TRYING to get this to work, finding the best measurements to correctly get a shape is so HARD. I can feel this is going to be very important, I had a hard time getting my drawing to show clearly in photoshop.. but I hope I can get some good critique! tips on how to do this without getting a headache would be much appreciated.
Chuck Ludwig Reina
Nice work! One thing that I find helps when trying to figure out measurements and proportions is to actually talk to myself (careful doing this in public or people will think you're nuts!). I will ask myself questions like, "how much smaller is this cheek than that cheek." or "does this line from the jaw line up or follow any other lines. The simple act of taking the time to ask yourself the questions can really help solve problems, and hopefully will help with your headaches! Cheers!
Cade Thompson
Honestly not bad for a first time ever. The majority of the facial features are decently in place with some scaling misses. Spent less time on the rest of it so there are more errors but overall pretty proud of this attempt.
gunk
11d
Something I wanted to add onto Tim's post (thank you a lot by the way!) is how to clean up your sketch before comparing it with the reference photo. If you're unable to take photos in a good lighting, the sketch will look dirty and grainy, even after adjusting the contrast with the gradient map. The clean-up is just the extra process of adding a glow/lighten layer on top to blot out those grains and keep just the lines. The process is as follows (pictures included below): 1. Upload the original photo onto your program of choice, and set the layer mode to 'Multiply'. I used Clip Studio Paint, but any program with layer modes should work. 2. Create a gradient map layer above the multiply layer. 3. Adjust so that the line and the background have a somewhat clear contrast, but not so much that the lines themselves are lost. The edges of the photo are probably quite grainy and dark at this point. 4. Create a glow/lighten layer on top (in this case I used 'Add (Glow)'). Any layer that brightens the layers below it seems to work (although it'll need some testing). 5. With a large airbrush (in pure white!), gently paint over the unwanted grains on the glow/lighten layer. You can erase where the lines are afterwards, in case they become too light too. 6. If the lines are too thin or too light, you can merge all of the above layers into the original photo, duplicate it, then merge them both to get clearer lines. Repeat this process as many times as you want until the lines are clearly visible. 7. (Optional) You can add another gradient map layer on top of this layer to adjust the contrast even further, so that little spots or light construction lines are removed too. - and that's it! The comparison really shows that bad photos can be cleaned up to look presentable with just a few adjustments.
gunk
11d
Here are my actual attempts at the assignment, I seem to have a tendency to draw the nose too long.
Tim
11d
I was thinking, some people may not have an Adobe Photoshop subscription, or an iPad with Procreate so I thought I’d share a way to do the proportion measurement self-check for free (at least at the time of writing). It’s not quite as elegant as Stan’s but when I follow his Photoshop instructions in Affinity, they don't seem to work. There's probably be a simpler method in Affinity, but this is the one I've found so far that works. This process should take around 70-90 seconds once you’re familiar with the steps. First, you need to download the (currently) free Affinity software at https://www.affinity.studio/download, which is available for Windows and MacOS. Once you’ve created an account and are able to get into the software, follow these steps: 1. Drag and drop the reference image into Affinity 2. (Optional) lower the opacity of the reference image to make it easier to see your drawing lines. This can be adjusted later. Click the layer lock toggle to make sure you don’t make any accidental changes to this layer. 3. Drag and drop your drawing into Affinity – it should create a new layer above your ‘Background’ layer. 4. You can use the Move tool (Arrow icon) or press ‘V’ on your keyboard to select and then drag the circles at the corners of your drawing layer to resize it. Clicking on the middle of the layer lets you move it around. 5. Create a ‘Gradient Map’ adjustment layer by either: a. Going to the affinity menu bar at the top and selecting Pixel > New Adjustment Layer > Gradient Map b. Clicking the Adjustment Layer icon at the bottom of the Layers pallet (Circle bisected diagonally with top half black and bottom half white) and selecting Gradient Map. 6. Affinity will create a new Adjustment layer that affects both your drawing and the background image, but we only want to apply it to the drawing. Click on the ‘Gradient Map Adjustment’ layer to select it, then left-click and hold the layer while dragging it over your drawing layer. You should see the drawing layer change color to match the selected gradient map adjustment layer and a pop-up window saying “Place Inside” – then unclick and the Gradient Map Adjustment layer should appear under your drawing layer, slightly offset to the right. 7. In the Gradient Map Adjustment pop-up window, click the right-side (Blue) dot to select it. Then click on the blue color selector box below and to the left. Change the color to pure white. Click on the green dot in the center and change that to white as well. Then click and slide the center dot towards the right-side dot so the two white dots are closer together. The red lines of your pencil marks should become more easily visible. Slide to get the best fit for the photograph of your drawing. The brighter the light you took the photo to make the paper as white as possible, the cleaner results you’ll get. 8. Click back on the layer of your drawing (one above the Gradient Map Adjustment layer) and change the Blend Mode from ‘Normal’ to ‘Soft Light’ in the drop-down menu. The background reference photo should now be visible and you can select the Move too (‘V’) to resize and move your drawing layer to fit over it. 9. If you’re having trouble seeing your pencil lines over the reference images you can try a couple of things. a. Click on the Gradient Map Adjustment layer icon (looks a bit like a chopped onion) and the pop-up window will reopen. You can then click on the far left (red) dot and change its color to something that pops out from the reference better. b. You can increase the contrast between dark and light areas in your drawing overlay by adding a ‘Levels’ layer, or ‘Curves’ if you’re more confident with how they work. These are adjustment layers and are added the same way as the gradient map. Make sure the adjustment layer is embedded within your drawing layer. With Layers adjustments, you can slide the ‘Black Level’ to the right to make darks more prominent. If you slide the ‘White Level’ to the left, you’ll quickly start to lose details in your pencil work though. Hope that’s useful to some of you.
@chinanoahli
You can use Krita to access most commonly used features similar to Photoshop. While some artists use it, Krita is open-source software, so it's not as polished as commercial software. However, if you're willing to look, you can still find plenty of relevant resources. It has versions for PC, Linux, macOS, and Android, but does not have an iOS version.
gunk
11d
I haven't used Affinity, but I currently use Clip Studio Paint and I was having a lot of trouble getting the mask feature to work. Although the programs are different, your post helped a lot, and I got it working in the end! I just wanted to thank you for putting so much effort into being a lot of help to people like me.
Davide
12d
These were more fun than I expected. Having an immediate way to check for mistakes is also really helpful. I only did it at the end of each detail-level, and I feel like that was the perfect balance between trying to figure things out for myself and checking whether I was on the right track. I had some things to fix at the end, especially the eye, but I was pretty exhausted by that point and I avoided touching it up again. In hindsight, I should have taken more breaks :D
Ana Valeria
Here is my attempt. I used Stan’s method for quick critique on Photoshop. The very first photo is the final result. The next few are a progress of the final, the last drawing being how I started. This exercise made me realize how much it truly matters to have a good eye for measuring, as well as having a good understanding of the other measuring techniques, and the importance of laying out accurate proportions. It also taught me a lot of patience, but in the end, it was all worth the journey.
Travis Rossi
After finishing this assignment I scanned a photo to my iPad to get immediate feedback . Realizing how far off I was I decided to repeat the process, two more times. I understand the value in taking measurements, but I’ve always resisted this step because I want to get right into the fun stuff. Time to break that habit.
@verp
13d
My attempt. I can see his face is too narrow in my drawing.
Melanie Scearce
Your horizontal measurements are pretty close! Especially the placement of the eyes and nose, which is difficult to do. The biggest thing that sticks out to me is the vertical measurements of the facial features. Starting with the nose, the mouth is spaced a bit to far apart which places the end of the beard further down as well. You can really see how one incorrect placement can lead to more incorrect placements later on. Overall though, you got really close. Nice work!
Ramon Lopes
This project was really hard. 1h30, and in the end I think it ended bad hahaha.
Melanie Scearce
Not bad at all! You got really close, especially with the facial features. Just looks to me that the hat ended up a bit too small in proportion to the head. Overall very nice.
Tim
14d
I think I might need therapy after this project.
Tim
13d
I forgot to do a self-check image. Not too bad for my first stab at this sort of thing. Need to practice a lot more though.
Olivia
16d
I did quite a few of these as I really found this project hard! Trying to find relationships between units was more work than I expected, but overall I am happy with how my later trials turned out :) My Arthur Morgan study was done by measuring and it was pretty close. The bridal one was eyeballed and quite quick (30min compared to 1.5hr for my other ones), and I reckon if I put some more time into it, the accuracy would have been improved. Further critiques are much appreciated!!
Melanie Scearce
Looks like you got it! This is a tough lesson to internalize, but you're well on your way. The eyeballed measurements look pretty dang close to me. Excellent work! The only thing I could really suggest is to keep your lines a bit neater and try to incorporate the CSI lines from the previous lessons, ie. simplify a little bit more. A small critique, you're doing awesome :)
glenn
16d
Looks awesome! i really like the Arthur Morgan one !
Olivia
16d
Here are the studies I followed from the demo as well.
Logan Keller
More practice needed but im happy with my first try. I did like he does in the next video where things were wrong and needed fixing and im sure there is still some errors but feeling good
Tanjiro Hisana
Here is another submission for the accurate proportions project. This is a self portrait I wanted to study more. The nose was probably the more challenging part Let me know how I did!
Crystal M Cain
Hi Tanjiro! I like that I can see your lines mapping the proportions with the drawing which allows me, the viewer, to see your process a bit better. As far as the core proportions they seem fairly close with the provided reference image. However, the eyes feel spaced a bit far from each other on the horizontal axis. Something that helped me was simultaneously learning enough about the anatomy of the head, neck and face in order to "project" certain measurements. The Reilly and Loomis methods also give us decent springboards for guiding the unique features of ourselves and other's likeness. They may be helpful for your research and continued drawing practice - depending on your art goals of course. I appreciate you sharing and I hope this is helpful for you!
Wesley
19d
The head in the photo is more tilted than in your drawing
Steve Wright
I found assignment this quite daunting, I managed to measure up on a printing of the photo and used a light box to check if I was correct and drew on top of my drawing with red to see how much I was off by when I had finished. Some sections are quite off, and it looks quite messy, I tried eyeballing a bit of it as well to make sure I learn how to properly see angles and measurements. I was also for some reason quite confused how to do the nose. But I'm actually quite happy with myself as I was dreading doing this assignment, I'm going to try and find some more portrait photos to keep practicing this. If anyone has any advice or feedback, it would much appreciated. Thank you.
Goldfish 4Brians
Face is too wide, and mouth is too wide & at the wrong angle. This was a bit stressful to do for me. I think I started loose when i did the big shapes, but when I erased them back to make them light, and then went in to clean up stuff and put in some smaller shapes and details, I think I stiffed up while I was cleaning things up.
Chuck Ludwig Reina
Looks good! It's totally normal for things to move around a bit after you erase things back. In time, as you use this, and other techniques more often that will happen less. The fact that you are seeing the mistakes is huge though. You will make them less and less often the more you look out for them. Good stuff!
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