Project - Measure Proportions
Project - Measure Proportions
This lesson is premium only. Join us in the full course!
24:46
13K views
lesson video
Project - Measure Proportions
courseDrawing BasicsFull course (185 lessons)
-20%
$127.20
$159
You save $31.8
assignments 1552 submissions
Lynn Fang
I drew my reality down into comic. Then, go back to do my assignment...Wheeeee.
LESSON NOTES

In this project, we will practice measuring with a portrait drawing. Accurate proportions are essential for capturing a likeness. We'll break the process down into steps, starting with the biggest shapes and working our way down to the small details. I’ll also show you the various measurements and strategies I use when going through this process.

Join us in the premium course to get access to this lesson, full lesson notes, assignments, demonstrations and critiques!

DOWNLOADS
jpeg
musketeer.jpeg
2 MB
mp4
project-measure-proportions.mp4
530 MB
txt
project-measure-proportions-transcript-english.txt
22 kB
txt
project-measure-proportions-transcript-spanish.txt
22 kB
file
project-measure-proportions-captions-english.srt
37 kB
file
project-measure-proportions-captions-spanish.srt
38 kB
ASSIGNMENTS

Deadline: Submit your assignment by 07/25/2023 for a chance to be featured in the next critique video!

Use the reference photo and all the measuring methods you learned in the previous lesson to practice drawing a portrait with accurate proportion.

Keep in mind that your layin will get harder as you move from big shapes to smaller details. Don't draw too small, otherwise the shapes of the features will be too small and harder to draw accurate. Keep the photo next to or in front of your paper to avoid distortion.

Expect a careful layin to take about an hour. Don't rush. Worry about accuracy, not time.

Remember - big to small, use straight lines, measure units, double check, find plumb lines, judge angles. Try to have fun!

Level 2, you're doing the same thing for this one. This exercise doesn't change no matter what your experience level is.

The Musketeer photo reference is from the Musketeer Model Pack by Grafit Studio

@toomuchhappiness
I also made an attempt at drawing Stan. I think the proportions are good but the finer details leave a lot to be desired.
Zach McCoy
I did another one that I think everyone here will recognize... :D the process felt much more intuitive this time as I had a clear goal measuring the reference, and a separate but related goal translating those scaled landmarks to the paper. I checked just as I started getting into the smaller shapes with the intent to correct the image as I imagined I would do if I planned to go through the full process of creating a portrait (1st drawing). Then I went back and corrected my larger shapes by seeing where they were off and any relative measurements as I went. The result (2nd drawing) is something that I think turned out much better! Almost well enough that I'm tempted to go back and finish this at some point... (doesn't everyone want a 12x18 drawing of Stan hanging in their house? haha) This lesson was challenging but has helped my visual library and my ability to really *see* reference better. I'll probably do at least one or two more of these as I try to move towards more of the eyeballing method.
@toomuchhappiness
Here are two attempts made a day apart. I think the second attempt is much stronger than the first in terms of the project goal of proportions. It still needs work though so I'll be practicing a few other faces.
K. Williams
I kept my lines light so apologies for the quality of this photo. I'm noticing that finding a unit and identifying relationships between facial landmarks isn't the challenge for me - it's transferring all that to the paper! Maybe I'll get some clarity after I watch the demos. Faces have also always been challenging for me. Something to work on over time.
Chuck Ludwig Reina
Nice work! And, for sure the demos will help. One habit that is tricky when we draw faces is the fact that we "know" what faces look like. They are all around us! This gets us into the habit of drawing what we think we know more so than what we actually see. Exercises like this will help you break free and let you see what is really there. Good stuff, and keep at it!
Zach McCoy
Man I had to hit my head up against this project a few times, but once I started to get it, I thought it clicked pretty nicely. I still struggled to precisely place some big and medium shapes though and as they say in basketball, "overlaid lay-in don't lie." Small shapes are my strong suit, but tightening up that big proportion accuracy will definitely be something I need to continue to wrestle with.
Zach McCoy
One thing I noticed is that my lines were pretty light and it might have helped to start going to a darker pencil as I went to small shapes, but I've digitally darkened them here so at least they're a little more visible to make them easier to judge.
DK Taylor
I gave it 2 tries. What made this difficult to me was simplifying thr process. And I had similar struggle other people had in putting their measurements on the page.
Hayden Cremer
This project was a really fun challenge, I did end up moving some things around towards the end and I had to fight the urge to go into the details but overall I'm happy with the final result, I think the face is too wide, I still need to lay it over the original to check though.
Noah Myburgh
This assignment was really hard and tedious to push through, I’m not too contempt with how my drawings turned out and originally planned on doing more. I thought before I continue a better try to reflect and get some critique. My perceived biggest struggle I have currently is capturing a likeness. Based on my own observations I think I have difficulties incorporating the features ( eyes, nose, mouth etc.). Additionally id say I should probably refrain myself from using too much line weight in my drawings. In my opinion it looks like a gave Willem Dafoe botox…
Patrick Bosworth
Excellent lay-ins! I think you achieved a great deal of likeness here with both portraits, and really it's just further refining and checking measurements until you're satisfied. The simplification of Willem's face without the shadow to show the depth of the eye sockets and cheeks may be what is tripping you up. I think these are great!
@justjen
21d
I actually really like your drawing of Willem Dafoe. The assignment was not to capture every last crease on his face. He is completely recognizable from your drawing--especially the mouth, eyes and cheekbones. His proportions are nearly perfect. Bale's drawing is also well done, but his chin and ear are a little off (chin pushes forward a little too much and ear could be pulled up and back a tiny bit). I'm impressed overall with your portraits. As far as line weight is concerned, I'd say just keep doing what your doing unless it distracts from the drawing. Nice work!
@vilma_kuul
The end result is actually no worse than I feared. Ended up eyeballing more than I intended, partly because I kept forgetting what my measurement markings on the paper were for. :D I also realised that getting a good measurement is one thing, transferring it to the paper is another. Maybe both come with practice.
@blydoit
21d
i can totally relate to measuring things, then forgetting what the mark is for, what i measured etc. i need a lot of practice.
Dylan Bragg
Here is my attempt! It took me quite a long time to get everything blocked in using measurements, it was a struggle to wrap my head around
@blydoit
25d
I was pleased with this pic until i layered it with the original. I seem to have gotten the eyes, mouth nose ok, related to each other. But outside of that area. things have gotten very loose. I totally fell into the trap of bad positioning. 😁
Benjamin Gustafsson
Here's my submission! I usually struggle a lot with this but I'm noticing a lot is due to laziness/sloppiness. When actually measuring things line up more accurately for me. Will continue practising
Wofard Dunk
i have the same problem. measuring is over powered and i should stop trying to skip it.
@na_talie
26d
I have not checked it on my computer, but it looks pretty accurate to me. Good Job 👍
Jari Lambrechts
Quite happy with how it turned out, but still want to improve in seeing the big shapes instead of focussing more on the outlines.
@spacecowboy850
This was more difficult than I thought. But i learned a lot. 1) I use shading to hide shotty line work. 2) I tend to want to go detail early in some random area to anchor my drawing, then all my proportions are built around that arbitrary detail. (I didn't do that here, but it was a fight) 3) many of my lines tend to be searching or lost because of lack of confidence in the shape I'm creating. 4) that tends to make me go darker than I should too early because I'll think I've found a line only to later realize it's wrong, so then I go even darker 5) shading is a bit viral... once you start in one area, you kind of have to do all areas to make it not look terrible. More notes likely in the margins as I was taking notes while I drew. Looking at some others here, I think I'll try this again trying to mimic their approach a bit. Edit: traveling, and I forgot my eraser, so that was an extra challenge
Magdalena
1mo
That was so hard 😖
Melanie Scearce
It gets easier every time you practice it! You got pretty close here, nice job!
Mandela Aina
First attempt on measuring proportions, had to scale the image by 2 because it is on an A4 paper. Overall really difficult.
Adrianna
1mo
This was very difficult exercise. I did it twice but I think I need to repeat it around 10 more times... all those lines look messy as well. 
Nathan CIPIERE
Here are my 5 first attempts.
Nathan CIPIERE
@na_talie
1mo
These look really good!
Vincent GIL
Hi Everybody, my first human drawing and attempt for this project. Mostly with eyeballing with few measures in the beginning and check during the process. So things are off ;). i first started measuring for an envelop for the face and built everything big to small. Thanks for your advices and critiques.
Chuck Ludwig Reina
Nice work! One thing I'm noticing is that the face feels a little narrow. Pay close attention to the eye socket shape. In the demo you can see how far back the socket is drawn, and if you look at a skull you will see why. This really will help you capture the "corner" of the head, and think about the skull volumetrically. But good stuff! keep it up.
Kyle Johnson
I was just kind a playful with the details. This assignment was hard for me for sure. I don’t normal do portraits especially realism. I didn’t wanna stay put too long since I got the basic idea of measurement. I’ve been trying to add the practice to my daily drawing and it’s been a big help. Probably not my best work but I did the lay in too many times lol. So I was like ok 👌 let’s a go!!! (I did skimp on the details of the cloth and stuff since I believe he said “complete face” so I tried to basically did that and then played here and there)
Kyle Johnson
Haha so I watched the critique video and definitely saw myself in the feed back. I had done this a couple times and was burnt out and not enjoying this reference. Doing 1 lay in was difficult but I did like 3 or 4 so by the time I got to the end of this one I had lost patience and discipline and just starting playing haha. I think the basic structure turned out well I just shouldn’t have let myself scribble details out of frustration. Also that nose eek. But I’ve learned a lot from this assignment and will try more of these on my own…but I’m not going back to this musketeer punk!!!!
Help!
Browse the FAQs or our more detailed Documentation. If you still need help or to contact us for any reason, drop us a line and we’ll get back to you as soon as possible!