Project - Measure Proportions
Project - Measure Proportions
This lesson is premium only. Join us in the full course!
24:46
12K views
lesson video
Project - Measure Proportions
courseDrawing BasicsFull course (185 lessons)
$159
assignments 1504 submissions
Lynn Fang
I drew my reality down into comic. Then, go back to do my assignment...Wheeeee.
LESSON NOTES

In this project, we will practice measuring with a portrait drawing. Accurate proportions are essential for capturing a likeness. We'll break the process down into steps, starting with the biggest shapes and working our way down to the small details. I’ll also show you the various measurements and strategies I use when going through this process.

Join us in the premium course to get access to this lesson, full lesson notes, assignments, demonstrations and critiques!

DOWNLOADS
jpeg
musketeer.jpeg
2 MB
mp4
project-measure-proportions.mp4
530 MB
txt
project-measure-proportions-transcript-english.txt
22 kB
txt
project-measure-proportions-transcript-spanish.txt
22 kB
file
project-measure-proportions-captions-english.srt
37 kB
file
project-measure-proportions-captions-spanish.srt
38 kB
ASSIGNMENTS

Deadline: Submit your assignment by 07/25/2023 for a chance to be featured in the next critique video!

Use the reference photo and all the measuring methods you learned in the previous lesson to practice drawing a portrait with accurate proportion.

Keep in mind that your layin will get harder as you move from big shapes to smaller details. Don't draw too small, otherwise the shapes of the features will be too small and harder to draw accurate. Keep the photo next to or in front of your paper to avoid distortion.

Expect a careful layin to take about an hour. Don't rush. Worry about accuracy, not time.

Remember - big to small, use straight lines, measure units, double check, find plumb lines, judge angles. Try to have fun!

Level 2, you're doing the same thing for this one. This exercise doesn't change no matter what your experience level is.

The Musketeer photo reference is from the Musketeer Model Pack by Grafit Studio

@ralk
3h
I think this is definitely quite a painstaking task to do accurate drawing measurements, but I do believe I understand the assignment so I wasn't pulling too many punches when it comes to using the reference. I put the reference and the canvas on different monitors and have them at different sizes, then slowly measured out and adjusted a 2 x 5 grid using the same hat face Stan used as a unit of measurement. I'm not plotting and noting down all the lines and alignments, because I know it is tempting to grid the reference up and just draw what I see. The entire point of this assignment is suffering through this repeated shape relationship processing, or at least I don't want to measure beyond what I immediately need nor mark the reference up. I agree with Stan about only using the pen/pencil as a measure tool, not only because I can't be bothered to lug around tools, but because I always thought it was a romantic notion to have paper and pencil and nothing more. That's how I doodled throughout my young years and I loathed erasing lines unless I absolutely had to, even when I usually put too much pressure on pencils and dug into sketch paper. Some decisions I made when drawing: - I determined that the left eye is on the centre line and 1.5 units from the top, put down a line for the chin from the centre line to the bottom of the chin 3 units from the top with an angle estimate, then chiselled in the external shapes. - The hat itself is a trap, I can't find reliable rhythms or angles to help me for the inner edges and I wasted a lot of time trying to get the angles right, so I moved down to play with the beard, which turned out to be a good decision. It had some good rounded shapes to block in, and extended shortly into the nostrils. - I had trouble with the left nostril until I estimated the angle from the left eye to the nasal wing, and drew a line down from the centered left eye to where I think the nasal wing should end. - The inner corner of the right eye was also handily aligning with the deep corner of the mouth. - Stan already gave a big hint on the angling of the eyes, nose and mouth, so I shamelessly used that fact to align the nose tip, the eyes and the base of the nose. - Drawing through the rhythm of the right side of the nose bridge to the side crease helped me align the far nostril. - The eyes were surprisingly hard because you really had to stare to see the light eyebrow hairs and small bumps due to muscle under the face. - The rest are just small touch-ups, I didn't bother to enforce a lot of line control. I think I should have simplified the shapes more, but focusing on measuring correctly can really put you in the mood to want to go into the details. I also like loose curvy lines from the wrist by default, so getting my arm to listen is hard; far too many undo's and erases for my liking! I'll have to figure out the self-checking later, I don't know my way around Krita yet. The other drawing is one I did for a friend, and I did it before this lesson/assignment. I made use of "artistic license" since what I know are very limited (you can see the basic ~5 values used, line weight etc.), and you can see how some of the proportions aren't exactly correct, because I just pulled lines and blocked in shapes freely using loose sketching, and made up shadows by squinting really hard. My friend liked the portrait, and isn't that the delight we want to give? I think my drawing has improved (see the work from the first assignments), not so much muscle memory in such a short period, but mindset. I still have some habits from before and some eccentricities from drawing alone and unguided most of my life, but I think with Stan's lessons and the guidance from kind staff and eager students, I can iron those out into something good.
N/A N/A
8h
Feel free to critique, I will not get mad I promise. Also one biggest thing for me was measuring, I never been good at this, I always eyeballed everything, this really helping slow me down. My other minor problem what keeping my finger on pencil where I measured and how to put that on paper, I used another pencil to mark it with a dots. Still gotta long way, probably gonna be months before I feel comfortable with this.
Nat
22h
I might have messed up a little bit and I actually completely forgot to save reference pictures on my phone (whoops) but I did those three in a span of four days, the lady looking right was my last one and I am happy with her especially considering I have never really drew human faces before. Accuracy checked, was absolutely horrid with the first two but the last one worked out pretty well.
Vue Thao
6h
Splendid!
Patrick Bosworth
Fantastic progress! Solid, clean lay-ins! That third portrait is beautiful! Great structure, clean simplified lines, nice line weight. Great work!
@zombiebricks
My first go at measuring proportions . I think proportion wise it turned out ok just some messy lines. What advise?
Street Bum
I wanted to add detail but I had to restrain myself and keep it simple
Rafael Gonzales
Attempt 1 - I put my measurer on the side and did some eyeballing as well. I thought it turned out pretty well.
François Alligier
Okay I really got to stop getting caught up with the shading but I'm really proud of the results. Still relying a lot on measuring and double-checking on PS but I can already see the improvements since the first one ! (They are in order from left to right)
Drew Kampmeier
@jt0610
10d
This is attempt number 2. This time, instead of having the image on the screen and measuring with my arm extended, I printed the image and measured directly on it with my pencil, just like Stan did in the demonstration with the portrait of the woman. I didn’t use a ruler, but I divided my unit into quarters as needed. The portrait isn’t perfect, but it looks more like Morgan Freeman now. I think my biggest issue is measuring when the image is on a screen or whenever I have to measure with my arm extended. I struggle to keep the unit consistent and measure accurately with this measuring method.
Sabyasachi Goswami
This was a challenging one. Trying to keep all the proportions in line takes patience. At the end was just eyeballing. But great exercise. Need to do this with other portraits. request some critique please.
Simone Couture
@jt0610
13d
It was difficult to measure the correct proportions because my hand started to shake after a while and my eyes began to hurt. I think my biggest problem was keeping the unit of measurement consistent, since my hand became unsteady over time. I feel like my portrait would probably have turned out better if I had printed out the image and measured it and made relational comparisons using a colored pen and a ruler, similar to how Stan demonstrated the measuring process. However, that would somehow defeat the purpose of the exercise if I simply drew lines on the image. After all, it’s not just about drawing from pictures, but also about drawing directly from real life. I used Morgan Freeman as a reference for my portrait because the image Stan provided was too small for me to try to measure accurately
Hielke de Roo
nice work, i didnt have that much patience doing this assignment :)
Clément Douziech
I've got him way more off that what I was thinking but I'm still a bit happy with it. I was more at ease with the pencil method, I used plumblines negative shapes and angles and it was feeling a bit more natural than before. But drawing accurate proportion is so hard ! 10th or 11th attempt of focusing onto proportions. Had a really bad start but luckily I saw my mistake before going to deep in the drawing. I did my best to put the big shape before any detail and following the KISS rule haha. Will continue this training, I really love to draw
Kevin B
15d
@cobaltfoxartist
This assignment was very difficult, but I want to attempt it again after seeing a few of my mistakes.
Melanie Scearce
Repeated attempts after analysis are the best way to improve with this exercise. You got it!
Alexandre Frazao
That was a very scary exercise. I’m surprised by how much I got right and wrong.
Alexandre Frazao
Could not upload in the original
Dylan Williams
Really REALLY struggled with this one. Finding horizontal or vertical measurements is doable, but then triangulating where everything goes when you only have a horizontal/vertical placement was extremely tough for me. Wound up getting pretty frustrated halfway through
Clément Douziech
Okay this is hard hahaaa. I pretty sure I find the perfect ratio to transform everything in it's horrific version. But I really want to unlock this skill, proportions are a big thing I'm struggling with so I need this ! I just hope that doing it again and again, rewatching the course and critics, will make it possible. Anyone have an experience of struggling with it and finally succeeding ? I'm actually getting way better proportions with eyeballing but I feel this pencil thing would be a big must.
Sebastian V.
Gave it a couple tries! Think I really started getting it around the 2nd try after relaxing a bit more and relying a bit more on my eye. It definitely felt like a puzzle trying to figure out what things relate best with others and finding the right measurements, super fun to figure out!
Alicja Słowacka
It was not an easy one. Definatelly need to do a couple more and then move on to gain more insight. It is hard to get feedback if ypur print is A4 and your draw on A3 paper.
Help!
Browse the FAQs or our more detailed Documentation. If you still need help or to contact us for any reason, drop us a line and we’ll get back to you as soon as possible!