Project - Dynamic Shapes
Project - Dynamic Shapes
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Project - Dynamic Shapes
courseDrawing BasicsFull course (185 lessons)
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Lynn Fang
My level 1 and 2 assignments. It's hard to tell a seal from a sea lion.= = Seals more cute?
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ASSIGNMENTS

Download the photo reference images of seals and sea lions.

Level 1 - Draw from Reference

Draw their gesture and design dynamic shapes using the concepts from this lesson and the previous lesson.

Remember that gesture is not the contour, so don't just copy the outlines. Look for the movement and energy throughout the shapes. Use your whole arm and use the looser sketch line that we learned about.

Level 2 - Draw from Memory or Imagination

Start with the level 1 project and after 5 to 10 poses, turn the page, put away all the reference photos and do more drawings from imagination or from memory.

You can try to invent your own poses and design those shapes to be dynamic. Or you can try to remember the poses you already drew and use those as inspiration. Try to push and design with a focus on drawing dynamic shapes. It doesn't matter how accurate you get to the original photo, it's more about designing the shapes to look dynamic and interesting.

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Deadline for submissions to be included in the video critique is next Thursday (8/24/23)

* Because of the large amount of reference images, it would help a lot of you include the reference you used for each drawing. I'm more likely to select your submission for the critique. Thank you!

@davidem
•
1d
First versions of this exercise. Again really struggling with line quality. Seems to have gotten worse this week, unsure as to why but will keep practicing.
Krock
•
3d
Hi, I need help on drawing dynamics because I'm not sure on how would i apply this in practice. I picked the seal lying down because I thought it would be interesting to show dynamism like the koi fish exercise, but i don't think i captured it well. Maybe I should pick other seal poses that are actually moving?
Camille Varner Kolafa
This is a good one to start with, but I do recommend poses with more movement! You'll be able to get a more interesting line of action in, and more variation to the shapes that make up the gesture :) Good job so far, though!
Ry
•
4d
I'm pretty confused if I'm doing this properly
Camille Varner Kolafa
I think you've got a good start! Make sure instead of copying the contour, you're thinking in shapes again. It's just that the final shape is more dynamic than blobs. If you're having trouble, you could try starting to build up their bodies using the simpler shapes you see, and then finalize it after you think you've got the pose! Keep things loose and energetic (which you're already doing!) Keep up the good work!
@jt0610
•
9d
Could someone explain to me how to proceed after establishing the line of action? I’m not sure how exactly to use the reference image afterwards, or rather in combination with the line of action. For example, if I have an S-curve, the convex part is stretched and the concave part is squashed but if the figure is lying on the ground, it’s still straight, should I still squash? After multiple attempts at gesture drawing, I tried for some of my drwaings to break the body down into basic shapes (head, chest, etc.) after drawing the line of action, and then tried to connect them in relation to it. However, I don’t know to what extent I should adapt the body to the line of action, and how much I should take the contours of the reference into account. I'm also not sure to what extent I should manipulate the body or how much it is allowed to differ from the reference.
@jt0610
•
10d
Attempt number 3.
Marcelo Alonso
Those are my attemps (level 1) before watching the demo and critique videos, I'd love any critiques on them, especially the fatty boy on the first page. I can't quite figure out why it is a little off for me. :)
Camille Varner Kolafa
If you're talking about the one where he's in the grassy environment, I think it may just be the foreshortened angle and the fact that this project doesn't involve adding dimension with values yet. I think maybe his head/face could be slightly bigger, but not by much. You could try adding some line weight variation maybe, heavier/thicker where his body meets the ground to try and show the weight of his blobby shape 🤔 I think you did a great job though!
Marco Uggè
Here's my attempt both in level 1 and 2
Jerome Tan
•
15d
Tried to focus on the gestures but not sure if I'm doing it right.
Camille Varner Kolafa
It looks like you focused too much on drawing the contour. Make sure you loosen up your sketch lines and draw with your whole arm to capture the energy and shapes of the pose. If it helps at all, I would start by drawing the line of action, which is essentially a line that follows the spine from the head to the tail fins. This gets the main movement down and you can build your shapes from there :)
@jt0610
•
16d
This is my second time doing the assignment.
@marciahasslocher
I loved this approach to drawing! It’s completely new to me, and I really enjoyed trying it out. Here are my attempts:
Camille Varner Kolafa
Nice work! Your seals are so flowy and energetic :)
Soroush
•
18d
Heres my attempts.
Manavi Prabha
I found myself first noticing the large, rounded mass of each seal’s head. From there, I began to see the connecting shapes, line of action, and overall direction of the pose. I don’t think I have exaggerated the gestures very much yet, but this exercise helped me begin to see the movement and energy of the subject rather than only its outline. I found it very useful. I would appreciate feedback on what I should focus on to make the gesture and energy clearer.
@kuscheldrache
Here is my submission for level 1:
@kuscheldrache
Here some more from while watching the demo (paused the video before each example was demoed):
Melanie Scearce
Really nice! There's a lot of energy in these, especially the two on the 3rd page.
Alekai
•
21d
After watching the critique videos I tried to make the rest of the seals! there are some of them I completely disliked and some of them that I found better under my eyes, but it was an interesting project indeed!
Alekai
•
21d
And I repeated the first photo to compare progression and well, I see a bit of progression but it is clear I must keep repeating this exercise :)
Sven
•
22d
Another page of these :)
Patrick Bosworth
Fantastic work! Love these expressions too!
@ctellez
•
23d
I really had a lot of fun with this one. I really love the look of the little wrinkles and folds in their neck, makes the shapes interesting one might say! At first I really didn't understand what would make a shape interesting, but now I think I get it. I started with a gesture line and drew the seal around it.
Sean G
•
23d
Apologies for low res images. Had to downscale after adding seals to make sure the images added. 1st 3 pictures are from reference and last 3 are from imagination. I tried keeping gesture and cool shapes in mind but my main critique is the searching lines. Always room for improvement and yes I added some shading or hair to my seals to keep me motivated even tho it violates the suggestions of this assignment. When it comes to gesture and cool shapes, I kept thinking about looney tunes, cartoons and exaggerated features to purposely emphasize more of a characters personality or traits. I had fun and it’s taken me so long because I’ve had some bodily problems sitting and standing, I’m just grateful I was able to finish this assignment and I will keep working and doing personal projects. We really are at the hands of fate itself, no one knows when exactly we will transition but with every waking moment I can only be grateful that I get to draw another day. I had to accept and be at peace with knowing I may never be as skilled of an artist and recognized as I imagined myself to be for only time will tell. All I can do is accept myself now and embrace everything I draw. As long as I’m at peace drawing in my own way I can pass away at any moment without regret. Acceptance of where I am now is everything. I’m on the road to recovery but drawing has been my lighthouse, the beacon of hope keeping me mentally afloat amongst the chaos happening inside my body. I love y’all; keep drawing and making what your heart of hearts love. Peace everyone and have a great day!
Sven
•
23d
Haha awesome! You really pushed the shapes here, I can definitely see the cartoon influence. These are really fun, I especially like the last one.
Sven
•
24d
Level 1 No inventions, just focused on the shapes
Camille Varner Kolafa
Love this! I love how you organized these and wrote down your thoughts on each one :)
Nickdulis
•
29d
This was fun. Level 1: I decided to extra challenge myself by taking more bland poses because I´ve felt that those dynamic poses would be too easy and true learning will be done in those more flat, mundane lying poses. Then I did second page with reference (pic that says dynamic shapes with reference) which were bit more dynamic. I´ve found those poses more interesting and fun and I guess it shows. Level 2: When drawing from memory I relied on contortion. I remembered seals twirling in all kinds of C shapes and what not to I went with that. Starting on the right and moving to the left of the page. Then I drew few smaller poses and around to fill up the page. Was fun. Some were bit more successful than others. With some I tried to go bit too crazy and, well, it was too much. Overall, fun assignment and I hope fairly successful. Gotta check the demos and critique but still, please lemme know what I could improve. I was aiming for gesture and less of a finished drawing. These were quick sketches.
Monika Tafelska
Hi! This is my first attempt. Overall, I’m happy with the result, but I’m not entirely sure if I did the project correctly. I know that the proportions aren’t always accurate, but I tried to focus as much as possible on capturing the dynamics of these animals. All feedback is appreciated!
Camille Varner Kolafa
These look great! Utilizing that line of action helps a lot. In your final versions with cleaner lines, I think you loose the energy of your sketches. It may be because you bring in more rigid lines and create small points. You should try loosening them up a bit (without getting sketchy) and bring across the "flow" of your sketches. Exaggerating some of the form may help too.
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