Study after Alfonse Mucha. I approach this exercise wondering how to analyze a style 😅. I began this study trying not to just do a copy, but i ended it up thinking that i just did that in worse.   But stepping back, I now realize several elements I missed. There's much more diversity in the lines than I imagined.   Firstly, construction lines can be seen in Mucha's sketch. For example, the right arm was drawn entirely and then the part hidden by clothes was partially erased. I completely missed this because I was too focused by the contours The contour of the left hand, for example, is less pronounced than the rest of the contours. The lines used for the hand and the features of the face are sharper than those of the clothing. The lines that indicate the folds are thicker and not necessarily softened at the extremities and contrast with the loose lines of the clothing frills.   I think I made too many strokes in order to do exactly the same as Mucha, but in the end, I'm rather satisfied with my drawing.   Every comment is welcome 😊 Have a nice day

My master study of Karl Kopinski and Kim Jung Gi compared to the originals. This was definitely a challenging but fun study. It seems though Karl has these wildy random lines but they are so effective in defining structure! Kim's original looked like it was in ink so the differences in media was interesting as well.

My line studies after Jin Kim!

This Master's study was extremely instructive. I also got to know new artists and am impressed by their expressive, wonderful work and creations!

Decided to another study using comic artist Dan Mora! Since we were supposed to focus on line weight I decided to only focus on the major aspects and forgo the details. Any critiques would be great!

Study of Aaron Blaise.

Hi, I found this drawing "Study for Mucius Scaevola Before Porsenna by Charles Le Brun" on website https://finearttutorials.com/guide/famous-drawings/ The light appears from top left on the upper body. But why is the right side of the torso in the shadow? there is no obstacle. I combined lines with different thicknesses and values, as in the demo.

focused too much on coping, dont know if i learned anything. will try again and focus on line a bit more instead of copying absent mindedly

Not an easy copy though, I tried this with conte pencil, was very hard on paper, manage to finish what I’ve started..

The parrot is by Charles Le Brun the Arm by Stan Prokopenko. I think they both came out pretty good! I’d really appreciate any critiques though

Struggling with proportions, but after the exercices are about lines quality... And that's definitely obvious to be confident and precise, with the right pressure....

Finally, attempted the study after Heinrich Kley. Tried it with graphite which took some time but I think I have pretty much replicated the line weight. I really enjoyed it. Lemme know if I did some mistakes on this one.

Did a digital line work study of Soriekim artwork.

I am back with Isaakovski studies!! Finally done with them. Hand is the first attempt of mine, and it went smoothly. I honestly didn't expect to struggle with the individual foot I had, so choosing the bigger piece, I've decided to skip feet)) Still, I don't know if I have done enough. Some details were too tricky and obviously deliberately chaotic as, for example, the hair. Love the way it is so free, but as I am doing studies I included the overall shape and some strands I found important, as with the left hand, where hair peeks out in between fingers. Hope my work isn't too lacking though.

ok i'm really struggling but at lest im not giving up, feel like im doing much worse at this then the other folk here, so onces again drawing the work of both Kim Jung Gi and Claire Wendling, having a real hard time with claires more flowy style so been focusing on practecing her style.

The first one I left mostly as a sketch but the second one I tried to ink. Credit: (#1) Jon Juarez and (#2) Karoline Nagy. Any feedback is welcome!

I was procrastinating doing this project for a while, I was too intimidated to even try for a bit til i just decided it's not meant to be a masterpiece, just to learn. my observations are brush pen is very difficult to learn to control line weight but I wanted to try to replicate how Takeyasu Sawaki did the line strokes it looks like he used watercolor and colored pencil in the rest of the illustration but i wanted to focus on the brush pen lines he uses thicker lines to indicate joints and muscles, and short little strokes for fur tufts i also think going slower is the key with a brush pen

My fav project so far

Aside from these mistakes (the inside lines of the legs are too thick and separate from each other. The beard is too thick too), what other things do you see that I could change to improve?