Dead vs Live Shapes with Mike Mattesi
Great introduction! Very excited to take a look more into the force approach through the books. Really amazing to see how quickly such energetic poses are captured!
Thank you Mike for the video. I decided to use some of these concepts last Friday in my figure drawing course but I'm not nailing the same dynamism you bring to the canvas. I'll post these 5 minute sketches, can anyone tell me what I'm missing? Was still warming up in the left one so I ended up not darkening some lines, my bad. Hope it reads well in zoom.
Hello, @Mike Mattesi , I've been a huge fan of your first book for a long time, and I'm very glad to see your contribution to this course. There's one idea I've struggled with a bit, in regards to the "straight-to-curve" concept (or the related "CSI" line formations): It seems often a "straight" can actually be a slight curve, or perhaps a few small curves might be treated together as a larger straight. Am I being too literal or is it possible to view a particular line differently depending on context or what we're comparing it against?
I have no idea if you read these @Mike Mattesi but you speak to my soul!!! The moment I saw your work, it was like...coming home somehow. I've always wanted to draw flesh with force, I just didn't know how to express it, or how to find resources that fully encapsulated what I had in my mind, that mix of graceful gestural fluidity combined with the solidity of flesh, of meat. Thank you for your invaluable work, I got your book from our library and if I do ok with it I will for sure purchase your courses. <3
Mike Mattesi, thank you. These lessons on shapes are packed with information that comes at me fast - at first I thought I wouldn't comprehend it or be able to process it at one sitting - but the examples are fantastic and made me realize so many things. I'm itching to go practise now, this is awesome :D.
I have a pretty philosophical question. I've been keeping up with the assignments. And i know proko has spoken on length about how the lessons are not so we can draw a good (pear, seal, apple, etc) but we're practicing the fundamental of the subject, But how do we get from here, drawing seals etc, to there, drawing our figure, or face, or masterpiece. I want to be able to draw really good action poses, or beautiful scenes with people smiling looking at each other. But at times i feel insecure that me drilling the practice doesn't get me closer to my goal. I assume it comes with applying the principle to other things. But then when i draw something for me, I don't accomplish anything near what i want to do. Sorry, this message just comes from a place of discouragement as I am not trying to not compare my self to other artists that started at the same time as me, but appear to be making tons more progress then me, but without this amazing course. As an artist my greatest weakness my whole life is fighting the feelings of insecurity that come along with feeling i'm not good enough or that I will never be good enough to be a masterful artist. Unlike something like a physical sport like baseball, i have a hard time seeing the ball being hit by the bat as progress when it comes to art.
Gift card for art students to use on anything in the Proko store