Assignment - How to Draw With Depth and Proximity
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Assignment - How to Draw With Depth and Proximity
courseThe Perspective CourseSelected 2 parts (109 lessons)
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assignments 52 submissions
Anthony Hernandez
Fun and super helpful assignment! For the first 6 image pairs I looked at and recreated the far version, then I imagined the close version. For the last 6 image pairs I did the opposite. Two things that were really insightful: 1. The way the backgrounds on the images changes (super diminished in the close views). 2. The way the the horizontal planes of the object become much more narrow on the far views (like the pancakes getting closer to the horizon).
LESSON NOTES

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This lesson gives you the skills to control depth and space. I'll show you how to think like a photographer to make your drawings more believable. You'll learn how different camera lenses, like wide-angle and telephoto, can be used to either expand space for dramatic depth or compress it for a flattened effect.

We'll cover the crucial difference between zooming and moving closer to a subject, a concept that will change how you compose your scenes.

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ASSIGNMENTS

Use a pair of the provided photos: one taken from far away with a long lens, and one taken up close with a wide lens.

  1. Choose one of the photos and draw it.
  2. Now, without looking at the second photo, try to draw the other view from your imagination.
  3. When you're done, compare your drawing to the second photo to see how you did.

As you work, pay close attention to how the foreground and background change. Notice how vanishing points also shift. They move farther apart in the distant view and get closer together in the close-up view. This exercise will train your brain to see and create believable space in your drawings.

Deadline - submit by Nov 02, 2025 for a chance to be in the critique video!

Newest
Carlos Pérez
I saw a glimpse of the original pictures before trying to draw them by imagination. i tried to re-interpret the close view with not that good spatial understanding
@treekin
27d
Good lesson, Gave it a shot. And I think I did okay and places and the first ones were roughest. Which were the tennis court and the volley ball park I think.
Worldblox
29d
After drawing these objects, i came to the conclusion that far objects look more flat and a little bit more isometric while closer objects are more exaggerated
Tori Tempo
29d
These are very challenging! I've done 4 so far, but I want to do all of them to really get the concept fully ingrained.
Tori Tempo
28d
2 more. I've noticed that I'm "tilting the camera" when attempting to draw the up close view. I will work on maintaining the trajectory parallel to the ground plane.
Ishaan Kumar
Here are my submissions. For the piano, I got it more or less right but didn't consider a wide angle treatment. For the truck, I went all wide angle when I didn't need to and went closer to the left rear corner than I needed to. For the fire hydrant, I went wide angle when I didn't need to. I think I did best on the bird house, for which I made 2 just in case and I think the correct one was somewhat their average?
Ishaan Kumar
Here's the horse statue. I think I was able to get a better gauge of distance with this one.
Sandra Süsser
Proximity exercise 4
Angelica
1mo
Here is my assignment. I think I get the idea but it was harder than i thought. It felt like I had started to get it. Think about the depth and move the vp further or closer to each other, right?   Apart from the fact that figuring out how much the depth changes is tricky and I don’t tend to push it enough. Sometimes I was surprised at how much it can change. I also realized after some figuring out that if you are looking at something at an angle and move closer, the horizon line also changes. I feel lost trying to imagine that change.
Smithies
1mo
Gah, I didn’t manage to finish the second half of this assignment, but i got 4 done… Here are my near to far. I am about a mile off… but things are starting to make more sense. I’ll finish the assignment at some point I promise!
Sita Rabeling
A little study (inspired by Anthony Hernandez), trying to connect the dots.
Anthony Hernandez
I agree with Lin, the big difference here is the elevation. So as we move closer to the volleyball net we are also moving down into the sandpit, our eyeline is at a lower elevation which lowers the horizon line. The tennis court images are a really good example of this as we move from a high elevation in the stands to a lower elevation on the court. Because the plan projection view doesn't give us any information on the viewer elevation, I didn't account for it in my assignment, but your study here and the trajectory lesson are good reminders to think in all 3 dimensions. I'll have to keep this in mind, thanks!!
Lin
1mo
This is something I noted down in my observations too but it seems the HL moves down when we are close to an object. Because our eyeline is going to be lower and lower as the vision closes in on the structure or something something, I could be wrong. XD At least closeups feel more dynamic with a low HL so that’s what I use. When we look at an object up close we also have to tilt our head to see the whole thing often and that shifts the HL.
Dooby
1mo
Keeping the trajectory straight is difficult for some reason. I gotta revisit this assignment again in the future at some point
@lwel
1mo
Michael Longhurst
Here are two sets that I did. Incorrect assumptions on predicting the other picture can really throw things off. On the horse, I assumed the because sight level was about halfway up on the horse and the horse was almost as tall as the building on the close view, it would translate to something like the horse being as tall as the 2nd story in the distant view. I also placed the horizon way too low when trying to predict the distant view on the birdhouse.
Stevie Roder
Here is my assignment for the Distance focal length assignment. For this, I decided to try choosing the sign photo. I placed my Horizon Line on each drawing where I thought it should be, from both afar and close up. I may have the placement pretty decently, based on previous lectures, so I'll give it a shot on my own. Hopefully, I did decent enough on my own here. It also took me a while to figure out how to place the close-up version of the sign photo myself. Looking at the photo, I thought I did pretty decent here as well. I would love to hear your thoughts. Also, thanks for giving us the reference photos to work with, Marshall. They're a big help to learn from.
Andres Londono
Here is my submission, using two of the photos from the "distant focal length" and trying to guess the "close focal length" view.
Lucie VERGNON
Hey Marshall! Thank you for these fascinating photos to analyze. I really did my best with them. On a lot of these, I tried to vary the approaches and really push the distortion from the perspective and the zolly effect as far as I could... I hope it worked. With others, I went for the opposite and tried to "flatten" the image... I would have loved to do all of them justice, but on a few, I only had time for a simple sketch. I've grouped those together into a single image. Thanks so much for everything you do!
Pamela D
1mo
Here are my submissions and I am pleased to be feeling the space on the close up shots.
Marshall Vandruff
Pleased to see it, Pamela!
Li Ming Lin
While doing this assignment, sometimes the second photo surprised me! For example, I forgot that volleyball courts are actually quite wide (funny enough), and some of the background trees in the Close-up view were a lot smaller or further away than I expected. This was a great exercise to get my brain to think Distant vs Close-up view. I was trying to think, "What would it look like if I could walk closer or stand way further back?". I made a few mistakes along the way, but at least the second attempts look better. Update: I just watched the next assignment on Trajectory. For the volleyball court, street sign and the fire hydrant, have I accidentally thrown off the purpose of a Close-Far contrast??? Because as my above description mentioned, I imagined myself physically walking closer/further, thus changing the trajectory angle.
Marshall Vandruff
If you walk straight in, you keep it on trajectory by not changing height. If you "swing out," like on the net, you do change the trajectory, not for height, but laterally, and so what? Sometimes that's the best way to make it readable, or even appealing. The purpose of the trajectory video was to clarify that this photo project is not always simple. It's a machine with moving parts.
Jeremy Johnson
I copied the distant photos and, for the close-up views, drew from imagination.
Carlos Javier Roo Soto
Here's my last batch to be critique. Have a good night.
Shefali Garg
My assignment, worked at far away focal length from the picture, then drew close up view without consulting the pic. Then looked at the picture and corrected the close view using blue pencil
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