Michael Longhurst
Michael Longhurst
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Michael Longhurst
Here’s my landmark drawings. I wasn’t really sure how detailed to get before watching the first demo. Then tried to do a few between each demo. I think the Proco timer gods had it in for me because they gave me a lot of odd angles and foreshortening, but I suppose that’s good practice.
Michael Longhurst
Animal structures newest to oldest. The three newest were after the critique. I felt like I started to get it more when I studied one animal, horses, then lizards.
Rachel Dawn Owens
Those horse studies are awesome!
Michael Longhurst
Here are my anvils. The first three were drawn along with the videos (with a certain amount of pausing…). The last was a redraw without the video. I did the above view on one of the grids from a few assignments ago, but the perspective was really rough. On the eye level anvil I did the vanishing points of the page. I liked the outcome the best, but it did make it harder to keep the lines accurate. On my draw along with the below view, I had vanishing points on the edge of the page, which I think caused more distortion than I was expecting. I definitely messed up when I eyeballed the square in the middle early on, which I think really threw off the base and the horn. So I redrew it with A LOT more measurement early on. I was a lot happier with the outcome, although the curves of the horn didn’t come out as well as I wanted. Great challenge.
Michael Longhurst
2ish minute drawings with the timer, sometimes paused if I needed a little more time. The gesture was a useful approach.
Michael Longhurst
This was a lot harder than I expected. I felt like I did okay when the objects stayed in the same perspective as the walls of the room, but really struggled placing objects with their own perspective in a convincing way. Not sure if some of my struggle was distortion in the room photos I used. Definitely a good exercise that I’ll have to keep in the rotation.
Marshall Vandruff
That struggle, Michael, is how you get it. Good work, and if it;s not all you want it to be yet, it's an great investment in getting easy with it as you go.
Michael Longhurst
The first is my graphite one with 2h, 2b, 5b, and 8b. Next was with tombow water based markers. I also included some practice. I was pretty happy with the graphite, but if anyone has any advice for getting smoother tones with the markers, I’d love to hear it. I felt like the lighter tones came out too streaky.
Michael Longhurst
Lots of beans! Not sure what else to say about that.
Michael Longhurst
I felt pretty good about most of these, but a few were kind of a train wreck. Still really enjoying it.
Michael Longhurst
Really fun one, but really challenging. For the objects, I started with memory, then if necessary did an additional drawing using the reference to get a better understanding. Then imagined different angles with only previous drawings visible. For the people, the first 4 were different angles, but same eye level. Then I tried 2 with different eye level which seemed much harder. I tried doing gesture under these and then added the structure, so they came out a bit messy.
Michael Longhurst
I used a few comic/ graphic novel artists for my master studies. The other three pages are from imagination. Some better than others. Still trying to get a handle on drawing the motion, not the shapes/outlines. Also struggled with some snowman effect. Fun project though!
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