Project - First Steps to Mastering Gesture
Project - First Steps to Mastering Gesture
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Project - First Steps to Mastering Gesture
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Amani Noor
Gesture Master Studies Project: Is there a way to keep the drawing consistent with what I'm visualizing when drawing from imagination? Sometimes I start by imagining some sort of front view, but it ends up looking like a 3/4 view. Is there a way to fix this?
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project-first-steps-to-mastering-gesture.mp4
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ASSIGNMENTS

For your homework this week, you'll be doing a series of gesture drawings. Use the six steps to break the body down into asymmetries, focusing on keeping within that 16 to 17 line ballpark.

I'd like you to:

  • Do 10 gesture drawings from master copies.
  • Do 10 gesture drawings from your imagination.

Master Copies

When I say "master copies," I mean drawings from any artists or sources that you like. Masters are not limited to classical artists like Michelangelo or Rubens. They can be from comics, video games, movies, or anything that inspires you.  Go online and get art from the masters you love and admire! Draw from a range of contemporary to classical masters to broaden your understanding of gesture.

In the upcoming assignment demos, I will be drawing from:

  • Michelangelo
  • Rubens
  • Rodin
  • Rob Liefeld 
  • Abby from The Last of Us (Her body language communicates different emotions throughout the game and I want to show that you can draw from 3D reference as well.)
  • Kratos from God of War (The evolution of his pose and body type tells an interesting story.)

You do not need to draw from these masters, they are only suggestions.

I believe that 3D character artists have just as much understanding of gesture, body language, movement, and dynamics as 2D concept artists. So, feel free to draw from 3D models, concept art, or any visual media where these principles are evident.

For other teachers, it might be unconventional to mix these sources, but I encourage you to use anything you like. The key is that the principles of gesture and asymmetry are present.

Drawing from Your Imagination

For the last part of the assignment, try 10 gesture drawings from your imagination. I know this is more challenging, especially with a new technique, but drawing from your head helps you:

  • Disconnect from needing to represent something specific.
  • Quickly learn what you don't understand.
  • Identify areas where you need more focus.

If you're having trouble drawing gestures from imagination, try this: look at a reference photo, then visualize that same pose from a different angle and draw it. Or, use the reference as inspiration to create a follow-up pose from your imagination. I have included a handful of reference photos in the downloads section that you can use for this purpose. Give it a try!

This exercise will help you come back to your work with fresh eyes and a better understanding of where to improve.

* * *

Submit your assignment drawings (and reference images!) by March 5th for a chance to be included in the video critique. The Critique video should come out about a week after the due date.

Good luck with your homework this week!

Newest
@catamondium
I think I picked pretty complex scenes, but I've attempted the masters.
Ellie
1d
Hello! Here are my submissions for this assignment. Master copies as well as from imagination; criticism is welcomed :)
Christopher Corbell
I'm starting to feel that I'm getting it, though I still sometimes may resort to capturing the shapes especially with the contour lines. But these are looking more like abstract energy and emotion to me. I'm slow at them but I can see how they could be quick once I'm fluent in the language. The first five are the assigned references, the next five are from master references I found, and then there are ten from imagination.
Michael Hampton
Great starts!
Daniel Burgwyn Barker
Hi, all. Excited to be taking this course. Open to feedback here, but mostly just posting this assignment for accountability and as a record that I did it! Did anyone else find drawing from a reference was actually harder than drawing from memory?
@landsloth
11d
@b1egun
13d
So far I’ve usually been drawing gestures from photos or real life, but I think it’s much fan to draw from my fav artists. It really makes me want to draw. The last few days brought a bit of progress, but there’s still a lot of work ahead. Could anyone to tell me what I could improve or what to watch out for? 😊
@struppsi2
13d
I really like how the goofiness of the Greco character is highlighted by your drawing ... (and I do like your choice of reference material ... just tried them for myself immediately... =D )
Chuck Ludwig Reina
These look great. One thing I always recommend when doing the gesture, is find the movement you want to express and really push it. Drawings will always get more stiff as the progress so starting big with those motions can go a long way. And then one other thing to watch out for is your heads are all a little on the small side. Great stuff!
@sergeishimwe
I decided to study my favorite artists
@chatofort
27d
From imagination. That was not that easy but the process was really fun !
@chatofort
28d
From references, really love the course so far !
Ash
27d
Very cool!
Michael Hampton
Nice!
Carolina Pachon
From imagination. Thanks for the great lesson!
B
1mo
Michael Hampton
Excellent work!
Jacob Granillo
If Dr. Michael Hampton saw this he would be very proud!
Ash
1mo
Very nice!
Shayna Boyce
really enjoyed this, still learning
Ash
1mo
Very nice!
Michael Hampton
Great work, Shayna!
@deepanshu12
Did these from imagination
@deepanshu12
any suggestions are welcome.
Tohega
2mo
Revisited this assignment and doing 20 gestures a day. Here are most from imagination. Good luck and best wishes everyone. This course really helps.
Michael Hampton
Nice!
Sergiu Covalcic
here are my gesture inspired by masters and the ones from imagination. I think the ones I did with the masters are not proportionally correct, but I am happy I am able to noticing that now, if I want to correct them or make a new one I now think I know what I should be doing to improve it, even a bit :) The ones from imagination were way more fun, not as inspiring, but I had the chance to experiment with foreshortening and proportions without being too rigid, so it actually helped me get the hang of what it mean to convey an idea rather than represent a figure. I look forward to the next insights from this course!
Dylan Jagiello
@fluffybuttss
This was really difficult, I’m hoping I’ll get a better grasp over gesture with mileage in the next assignments.
@gothamdemon
I had a lot of fun with this! I focused on my comic heroes; Sean Murphy , Adam Hughes Chris Samnee, and Greg Capullo with this and last 2 images of my own poses from imagination.
@gothamdemon
The References
Daniele Olevano
I'm really enjoying the course so far; the last lesson clarified the process a lot. This exercise was a bit challenging, it took me some time to chose the reference. Even thought is not the first time I draw poses from imagination I never did 10 poses at once. Feedback are welcome. This are my reference image: 1) The Expulsion from the Garden of Eden by Masaccio 2/3) The Last Judgment by Michelangelo 4) La nascita di Venere by Sandro Botticelli 5/6) The School of Athens by Raphael 7) Venus and Adonis by Rubens 8) The Judgement of Paris by Rubens 9/10) Drawings by Heinrich Kley
Jacob Granillo
You are definitely practicing a lot, that’s consistency! And I notice the gesture has strict and contourey lines. Remember gesture is just Your idea of the Figure. Keep it loose and keep up the work Daniele!
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