@ebr0
added comment inHow to Draw Structure in the Body – Robo Bean
1mo
Asked for help
here's my notes and assignments of the robo bean any feedback welcome
@lwel
10d
I know it has been 29 days. But your pictures aren't very clear. Maybe you could try darken the lines with a softer pencil or pen, and then photograph outside with sunlight. Also put the camera straight in front and not an angle.
Asked for help
Robo Bean Day 2
10d
The main issue I see is that the cubes are very warped. You have to imagine that the edges of one side of the "boxes" continuing further and converging at some point. I drew an overlay so you can see what I mean. I think you drew the twists very well!
Asked for help
Here is a handful of my attempts. Feedback appreciated!
2mo
Some quick ones I just did. I'm gonna attempt at doing this every day. This study looks quick relaxing even at a day I'm tired or very busy and cant do other types of studies. Great advise!
2mo
Color study I did with pink and purple pallette. It came out very dreamlike and strange.
2mo
Asked for help
Pretty challenging, especially destinguishing the bony landmarks from muscles.
2mo
I'm really not sure about how I interpeted the photo's in some of these. Especially the wolf is meh, since I struggled seeing the space due to the fur. Some feedback would be nice!
2mo
Color study of a van Gogh (monochrome) and a rembrand (analogous). The van Gogh one is all shades of yellow. Rembrand goes from shades of red to Yellow and everything in between.
Though the original paintings did have tiny details that broke the rule. I left those out of the van Gogh one but in Rembrand there are some parts I painted green which reads as blue. its still 95% within the color scheme so I hope it still counts hahaha
I experimented with the method Marco recommends in the video. It was fun! However, I think I failed to make the colors cool.
Any suggestions and critiques are welcome!
2mo
Still learning myself so keep that in mind when you take my critique... I think the coolness isn't the issue. I think its the values and saturation. The colors on the shady side should be darker and colors on the light side should be lighter and more saturated.
EDIT:
I'm not sure if the light side being more saturated is a rule, I don't think so. But I think its what I would do in this painting. You could try doing the opposite and make the shady side more saturated instead. i just think that it should have more differences in saturation than it has now.
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2mo
Started with something more complicated, was too focussed on form because of that so I switched to a simple apple. I like how it turned out!
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I started from a photoreference made myself in iceland... and then I just decided to turn it into a scene with some characters and added some flowers on the moss on the foreground.
I really tried to push the contrast between cold and warm more than what the photo gave me. I wasn't sure about the lighting sometimes though.
Feedback from anyone is always welcome of course!
I had a hard time with some of the images provided that looked like they were twisting and some other pose. With poses I knew were twisting, I kinda struggled with how to put my curves on the beans. Also foreshortening like, bending forward into a fetal position were hard for me. Any advice would be helpful!
3mo
With foreshortening the general thing rule you can keep in mind is to draw the oval becomes more circle-ish,. Most of your twists look fine! Maaybe your ovals need some more practice in terms of line confidence and accuracy. They are a bit wonky sometimes. I always do two circles/ovals in the air before setting the pencil on the paper and I try to not to hesitate. This helps with accuracy and line-quality, but takes some practice, I still struggle with it too.
A handfull of the many beans I practiced past 2 weeks (I think these are from the last 3 sessions) Overal it was doable, the only thing that confused me sometimes was combining the bend forward with the twist as it broke the rules of drawing a twist due to perspective. I kinda figured to let go of the rule and just try to draw what I saw. If anyone has tips on this or other feedback I would appreciate it!
I've been enjoying the course so far! Color is far more complex than I thought before I started this course.
I feel I don't use the Smudge tool successfully with Finger painting activated. It always makes areas I paint dirty, like the purple part on the upper belly in my picture.
Any Critique is welcomed!
3mo
So... I'm still learning so anyone can correct me if they disagree... I think you did really well in terms of temperature, but I think on the top the monster is missing some ambient/reflective light. About the smudging. Are you pianting in photoshop? have you played around with settings of the smudge tool? Photoshop also comes with some brushes that are made for smudging, and give nice texture. They are named KYLE brushes. They can help with getting more of a furry or painterly texture instead of blurry. As a last point I would not smudge the edges of the eyes too much because they end up blurry or furry. I hope this helps! ^_^
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Here are some gestures I've done on my own last week. I've been doing gestures for 3 years on and off but this year I'm committing to practicing and learning some new techniques to use all this year and onward until I'm more comfortable. Any critiques are appreciated.
3mo
I think with this specific exercise I wouldn't worry too much about wrong proportions or it being "too rough" and really focus on the movement of the body and drawing confident lines. You could indeed push the some poses a bit more and exaggerate them. However there are some really good ones here! I'm impressed by the running pose you did from imagination.
The quality of the photo's isn't great I'm sorry, but I would love some feedback. These drawings are from my last practice session (8th one I think since I started the assignment). The first image is 30 seconds, the rest 2 minutes. I'm often "finished" much earlier than 2 minutes (as in if I go further its not really a gesture drawing anymore) which might be an indication that I don't take the time to think about where I place my lines. I often see this in my own drawings too, where I end up constantly erasing and redoing because I hurry to much and mess up my paper. I would love to hear someones view on this!
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First one is cool, second is warm. The leaves on the warm one were confusing, I think its becasue they reflect eachother. The cool one was hard because everything was reddish brown from itself so I really had to think about how it moved across the spectrum. hope I got it!
Loved doing this. I also love how everyones painting is unique yet with the same principles!