Wow, these are excellent! I love the variety of line weights and softness that you used with the charcoal. Nice work 👍

Glad to hear that you're feeling good about your progress! I'll share my observations in regards to the small drawings. I've seen students who feel uncomfortable with drawing with fluid, long strokes, using their whole arm, revert to using shorter lines to compensate. It can indicate a lack of confidence in that case. Small lines don't require practice and conditioning to control. There are some artists however who do beautiful work at a small scale, so the fact that you're working small isn't specifically a problem unless you're using your wrist instead of at least your elbow to make your marks, and using a bunch of short, scratchy lines to make up one long line. Issues can arise from working like that, from physical pain in your wrist over time to your drawings ending up looking stiff and lacking dynamism. Take a look at your process and consider specifically how you're making your lines. I hope that's helpful!

This looks so good. I can't wait to get to that section. I am at the line master study project atm.

Around the 3rd drawing the shapes ans rythms start to look really nice, and on the 4th onward it looks like you're really starting to get it. I think maybe work to complete all your shapes and be a little more intentional with line weight, but your figures are starting to look very inspired. Keep it up!

Trying to work these in more consistently, because I know it's something I need to continue to improve on. Here are some more I've done

Hi! What you are experiencing is cognitive dissonance, in a nutshell your brain got the theory but your hand isn't able to keep up. Just keep practicing and eventually it will click :)

Nice work Estel. One thing I find helps is really focusing on drawing through the form. So If I'm drawing a leg for example, I will continue to sweep the line up to find where it has some rhythm with another part of the body. This helps me stay in the flow and give continuity to my drawings. Again, good stuff!

Beautiful rhythms! Great work!

I think you really caught the right rhytms! Bra jobbat ju :)

Nice work, Samer! I really love what you did with the second pose. The simplification of the limbs and the connection between the torso and pelvis feel very rhythmic and fluid. Remember, rhythms are just a tool for exploring connections in the body, they’re not meant to be a finished drawing. That’s why the second pose works so well, the forms feel connected and unified. Even though both poses are built on a similar idea, the first feels stiffer because the rhythms are more separated and static. In the second pose, your limbs flow together with longer, cleaner curves. In the first, there are more stops, starts, and directional changes, which breaks up that sense of flow. A good example is the weight-bearing leg. In the first pose, it reads as three separate parts: the foot, lower leg, and thigh. In the second, you simplified the entire leg into two graceful connected curves, which creates a much stronger gesture. Try to think more like the second pose moving forward. Look for ways to connect separate body parts into one clear, simplified idea first. That strong underlying rhythm will help everything stay unified when you start layering more complexity on top. It’s really difficult to observe and confidently translate what you see into an appealing design, but you’re absolutely heading in the right direction. Keep at it!