Project - Simple Animal Portraits
Project - Simple Animal Portraits
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Project - Simple Animal Portraits
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Dave
Being limited to 10 shapes or less was tough. You had to think intently about what to include or exclude.
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hippo.jpg
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buffalo.jpg
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rooster.jpg
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project-simple-animal-portraits.mp4
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project-simple-animal-portraits-transcript-english.txt
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project-simple-animal-portraits-transcript-spanish.txt
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project-simple-animal-portraits-captions-english.srt
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project-simple-animal-portraits-captions-spanish.srt
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ASSIGNMENTS

Deadline: Submit your assignments by 06/15/2023 for a chance to be featured in the next critique video!

Level 1:
Create animal portraits using basic shapes. Try to simplify the animal using 10 shapes or less. Keep your shapes organic and simple. Simple shapes could be stretched, bloated, indented, or curved to capture personality. Don't worry about perfect proportions. Instead, focus on creating cool, simple designs. No details or shading! Use the three reference photos I provided and find 5 to 10 more.

Level 2:
Take Level 1 assignment and push them further. Play with your basic shapes and size relationships to give the animals different personalities. Don't hesitate to experiment and look for additional references to understand your subject better. Now, go have fun!

Chloé Kanaumi
Here's my assignment ... Saying that I'm not happy about it is an understatement but I really struggle with simplifying haha. I want to believe that I did my best, but I'm not even sure I did.
Robin
2d
Some animals were really easy to simplify with limited shapes, others were not. I noticed that mammals seems to need more shapes to specify the species. The Tiger I drew still looked more like a bear when I had spent my shape quota. The Rooster was very easy and I think I could have used less shapes and it still would have been understandable.
Chuck Ludwig Reina
Nice work Robin. I love your observation about mammals vs other animals. I never considered that! I will have to start thinking about it more. Making observations like that is great though. Thinking about what you see is a critical step to mastery. Another interesting observation was thinking your tiger looked like a bear. This is a great thing to think about: what makes a bear look like a bear? And what makes a tiger look like a tiger? Contemplating the essence of what makes an animal look like that animal will end up helping you draw all animals. And you can even add hints of it when drawing figures, i.e. giving someone cat like features, or maybe a bear like face. Keep up the good work!
Bislan Arakelian
As I work, I tend to forget to keep the forms simple, but the moment I realize I’ve gone too far, I remind myself of the main idea behind the piece—that is, KISS I also keep telling myself to draw with my whole arm, starting from the shoulder, rather than just with my wrist and fingers
Chuck Ludwig Reina
These look great. And good to keep remembering to keep it simple! Actually drawing with the arm is a great way to keep it simple! One thing that I found helped when learning to draw with my arm was to prop my paper up so it is almost vertical. Then it becomes a lot harder to draw like I'm writing. Also as far as stand loose and simple, there are a couple of phrases I learned from my mentor that I always remind myself: "Big to small, simple to complex" and about my lines to keep them "long, light and loose!" I hope those mantras will help you too! Cheers
Simon McCaffery
Another decent challenge for me, still an enjoyable one with some minor frustration. Some shapes seem obvious others I struggle to decide where one should start and another end and they become sort of blobby masses, all practice I suppose. I made some attempt at the level two assignment but quickly felt a little out of my depth. Will return to it once I have finished the rest of the section.
@blankcanvas
Help needed!! Below is a few of my assignments (sorry for the messiness). I’ve done at least a couple hundred of these at this point and feel half decent at doing them, but for the life of me I can’t seem to do frogs,lizards,or fish of any kind. I also had a particularly difficult time with the left facing koala and didn’t even post my attempt because of how hilariously bad it is. Regardless, it seems like anytime I do these difficult animals I either over or under simplify, don’t capture any likeness, or seemingly stack shapes into an almost mosaic like pattern negating any overlap. I think it has to do with the subtlety of their features and also the fact that for a lot of frogs and lizards from the side, their head’s basically consist of a top and bottom half with all of the features practically inset with few protruding parts. Can someone please use my frog,lizard and left facing koala photos and show me your approach? I feel like I’m missing something so simple yet vital but I just can’t pin it.
K. Williams
I might have gotten too complex. I'll watch some demos and try again!
@almagel
12d
Hayden Cremer
I think I might have gone a little too detailed in places but overall I'm happy with the results from this project, definitely room for improvement though.
Max
14d
Here are my level 1 (first 3 photos) and level 2 (the rest) submissions. I have used shapes in life drawing before but focusing on simplifying shapes is tough! I spent more time thinking than drawing... nonetheless, this was fun!
Max
14d
Here are the reference photos used, aside from the provided rooster, buffalo and hippo.
@peter_g
15d
I don’t think that I understood the exercises fully nor did I do it exactly right I think because of the sheet fact that I kind of felt like a first grader doing this. Was I supposed to build the animals I was looking at from scratch using simple shapes or simplify them to simple shapes( I did the second).
Zach McCoy
17d
I was planning to not submit these because I'm not proud of them, but then I realized that's exactly why I needed to. Creating more fun or cute (cartoon-like) shapes that are aesthetically pleasing has always been difficult for me. Even with the improvement of my line quality, I feel like overall my searching lines still take away energy compared to good animators where their lines give their work energy. I can be pretty critical of myself, so I've been able to correct some mistakes and improve, but I've realized recently I'm really lacking external constructive criticism and ultimately mentorship. Anyways sorry for the block of text, appreciate your time and good luck on all your art journeys as well!
Chuck Ludwig Reina
Hey Zach! First off nice work. You SHOULD be proud of these. You're doing great. I'm an artist who also has a very searching line, but I think that is an advantage not a disadvantage. The trick is using it to help. What I found works best for me is to draw really light, "feel" my way into the line with lots of searching strokes, and only then, make a definitive line. It's the best of both worlds! The trick with it is getting control over the tool you're using, but that comes with practice, time, and focus on technique. Keep at it!
DK Taylor
25d
Felt like a little kid trying to draw. I hope the simple shapes I chose makes the animals easily identifiable. Feedback welcomed
Alex Howe
27d
Tried twice with this assignment, I felt like my lines came out better on the second try with the hippo image. Wish my shapes came out with a bit more 3dness to them though.
Jari Lambrechts
Last one im doing for this lesson! Really enjoyed it tho!
Melanie Scearce
Nice work 👍
Benjamin Gustafsson
First test!
Bannedfrom7
Here’s the animals I drew with the project! The limitations definitely made it challenging but I had a lot of fun with it!
Martha Muniz
Fantastic shape choices! I would recommend warming up with Warmup - Mushrooms since the use of simple shapes in a loose way definitely fits perfect for this assignment and can help build more confidence in the linework. Keep going and keep up the good work! :)
Stig Johannson
Here are some attempts. i'm still not sure that I'm nailing it, but I think I'm getting better. Here are the one from the provided pictures and some that i got from Pexels. https://www.pexels.com/photo/antelope-and-zebra-7710399/ https://www.pexels.com/photo/antelopes-with-horns-15279628/
@spacecowboy850
I've been doing these off and on the last week or so. I think I'm slowly getting the hang of it. Apologies for not uploading the original picture. I sit with my daughter and draw animals she wants, loosely explaining the shapes as I do so, then she gets to color them. As you can see from the Level1 drawing (from a reference photo), she started coloring before I got a clean picture of it. :) (it's also nearly impossible to find the dog I drew since it was just a quick image on a google search and searching for "dog" a week later was not really finding the image. :D ) But this was the first time that playing with the shapes for the Level2 picture felt right. It was interesting how I could nearly make a puppy from the shapes by adjusting where the eyes were and the shape of the head a bit.
Chuck Ludwig Reina
Looks great! And I love that your daughter is getting to learn with you. That's amazing.
Jari Lambrechts
Same goes for this one. Dont know if im doing the right thing haha
Chuck Ludwig Reina
Looks good to me! You might be able to break this down into even more indicative shapes though. I feel like that nose / muzzle is pointed at me like a triangle. Finding the right shape language will really help "sell" the drawing. Nice work!
Jari Lambrechts
Really struggling with this one. Made this giraffe, feedback would be really appreciated :)
Melanie Scearce
Really nice line quality in this, great work. You have the right idea. I would recommend simplifying just a bit more in your analysis phase. You want your shapes to hold up on their own, so think of it like you're layering cut pieces of construction paper to create the final image. Find a place to start that makes the most sense. In this case I would either start with the neck, which can be represented by a rectangely shape, or the cranium, which could be represented by a circley shape. Those two shapes will "host" the rest of the shapes. Simplify as much as possible without losing too much information. For example, that lump on the side of the giraffe's neck could stay or go and not really change much, so we could leave it out for now and add it back in later on in the drawing if we were to take it to finish. Once you have those basic shapes in place, you can add complexity to those shapes. I hope that helps!
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