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LESSON NOTES
How to Draw Ears – Real-Time Demo
DOWNLOADS
How to Draw Ears - Step by Step - Real-Time Demo - 1080p.mp4
460 MB
COMMENTS
I thought this one was way harder than the other features somehow. Great tutorial and explanation of the ear shapes though!
Drawing from following the demo. I find when I follow the demo, I lose sight of the reference and the basic shapes, which results in some areas that aren't clear or as defined as maybe they would be if I focused directly on reference. On other assignments, I've tended to like my own drawings from reference vs the outcome of following along.
Regardless, relatively happy with this after attempting to fix a couple areas. Will do some more studies over the next couple days.
I feel like I'm pretty self aware on this one, but, as always, open to feed back if anyone has thoughts for me.
Another ear study today. Enjoyed the process while focusing on a reference vs following a demo. I feel like this got the form and shapes more accurately than the last one.
After doing the portrait of Nicolai yesterday, I decided to revisit the lessons of the features. I had done them before, but never in charcoal. I had either done them digitally, or in another medium I felt a bit more comfortable in.
Upon reflection, I think that was a mistake, however an understandable one. It was a mistake because getting out of our comfort zones is precisely where real learning occurs. We should lean into that feeling of being on artistic shaky ground.
It was understandable because it wasn't just a lack of experience in drawing with charcoal. There were more fundamental skills I was missing that was going to make drawing with charcoal (or more precisely a charcoal pencil) endlessly frustrating.
The root problem is that I didn't know how to properly sharpen a pencil. Now this is embarrassing to admit in that I've been a professional artist for decades, but when you look closer it's easy to see how such a glaring flaw in my skills could arise. Namely, I work primarily in ink or digitally. I'm more of a cartoonist than a fine artist. While this experience helps me with some fine art skills--like structure and gesture--it doesn't help me with others--like drawing with charcoal and controlling edges.
Even an experienced artist needs to shore up fundamental skills when attempting something completely new. What has been helping me is the Drawing Basics Course. In that course, Stan is making the assumption that we're all at level zero. And while I'm certainly not at level zero for everything Stan is teaching in that course, it's helping me find the cracks in my foundation so that I can shore them up. I mean, I'm fifty-one and I just learned how to properly sharpen a pencil.
The thing about fundamental skills is that they get used all the time. Any improvement in your foundation will ripple through the rest of your art because it gets used over and over again. It's improved my line quality as well as my enjoyment of drawing generally. Before, I didn't care about the pencil stage. It would all get erased anyway when I brushed in the ink. Now, I love the pencil stage and am am finding it immensely satisfying.
The Drawing Basics Course is also making the Portrait Course more useful to me. I suspect this would be true for a lot of us. We all have different cracks in our foundations, but Stan is being very thorough in his coverage of the basics. Whatever our fundamental struggles, the Drawing Basics Course is a good place to address and conquer them.
Anyway, for what it's worth, I thought I'd put it out there why I think the Drawing Basics Course is one we would all benefit from.
Well put and I think I largely agree with you. I debated doing the basic drawing course and decided to do this one to start. Still trying to decide what to do after this, and your comments maybe have me leaning towards doing the Basics course.
And for what it's worth, I'm not sure I knew how to sharpen a pencil properly either until recently! Did it for the first time during 12 Days of Proko. I'm also not a professional, though I sometimes wish I had tried to be! Maybe a later in life career change down the road. I'm only 43, so I'm just a kid and have time...right? :)
My attempt to draw an ear following the video. I had some trouble with the shadow mapping. I was lost because there was a lot of lines for the shadows. Anyway, after a lot of time, this is the result. First time drawing an ear with that much detail, so I guess it's not too bad.
Hey Stan thanks for the lesson its was a great refresher here is my submission! Thanks Will
Great lesson! A couple of attempts from me any feedback appreciated. I think I'm struggling with defining the forms still looks a bit flat I think.
Great lesson! This session's focus on shading and shape helped it click that the focus is often to think about the planes of a 3d object. Here's an ear. Would love any and all feedback :)
2021/2/26. Hi everyone. Ear again. maybe e little bit better than the one I posted few days ago... I hope.
Hi everyone. Here's my today's assignment for this section. Thanks for any comment or advice. Goodnight.
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5yr
@Erin Quick-Laughlin Very nice!!
I notice the gradients are not very soft, the drawing has sort of a "blocky" aspect - and I actually think it's pretty great, it describes the anatomy with a very structural, bulky presence. Personally, I think like it more as it is than if it had softer gradations. But I think it's a bit of a stylistic choice, so whether you should work on it or leave it as it is depends on the kind of result you wanted to achieve.
Concerning value, I notice the range of values you worked with is simpler - I basically notice 5 different values. I like this restricted "palette"and I also like that it's a broad range, it goes from total light to total dark, and for this kind of study, I'd say these choices work well.
Finally, I wouldn't worry too much about composition, since it is not as relevant in this type of anatomy study, but, for the record, I don't notice any compositional issues to point out, so way to go.
Hope this helps!
Keep up the good work!
