Sterling Hundley
Richmond, Virginia
From rocket ships to rock stars, NASA to Rolling Stone; I draw pictures that speak louder than words. Artist & Professor
Activity Feed
Eduardo Rubio
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24d
added comment in8B: [Case Study] Storyboards and Animatic for Strangers & Karma
Incredible beautiful piece.
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6d
Wow- thank you, @Eduardo Rubio . It was a powerful poem to work with!
Mario Klingeberg
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1mo
Asked for help
Wow, what I ride. Fun, though! I focussed so much on the values, that I lost the tilt of the head... oh well.
I chose the two-minute-one for the final.
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6d
You're a painter first and drawer second! More rare as an approach, but you seem to be drawn to shape over line. What a great things to discover. You may have known this all along, but it's pretty apparent, at least in this exercise. Very nice final outcome and I'm very much liking 4 minutes and 15 minutes @Mario Klingeberg !
C P
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1mo
Asked for help
Interesting iteration process to find the gem and simplify; tend to shorten necks, change to front view, and focus on features. At 1 min pure linear drawing appeared; final based on 1 min
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6d
Maybe my favorite finished drawing out of the whole group ! Your drawings at 4 mins, 1 minute and 30 seconds are all very good. If we had you continue, you may have a drawn a fully animated head turn, lol. Funny how you moved his head to the middle. Very nice work @C P
Fran Turner
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1mo
Asked for help
I love this kind of stuff! It was interesting to me how, as the time shortened and I began to feel stressed by the ticking of the clock, my lines actually became bolder and more confident. I wasn’t expecting that! I like the 1 min drawing the best - it has a Matisse-like quality that surprised me. I started to fill it in with shading and detail, and decided that I actually like it better in its simplicity. So I stopped.
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6d
@Fran Turner Your first drawing is very well observed. It set you up for interesting variations as your time tow work was narrowed down. Learning that simple drawings can sometimes be more powerful than fully rendered drawings is a lesson in and of itself. Matisse- yes, I can see it, maybe even more in the 30 second drawing!
Asked for help
HAHAH that was a lot of fun, obviously a sense of scale abandoned me when time started to press
and a person quickly changed to a completely different individual, but still, it is a cool task to work on)
I've decided to change materials from time to time to find something ) it didn’t quite work out, but brought a lot of smiles)
As far as interesting goes though - curiously my 8 minute drawing is more accurate than 15 or 30, at some point, I’ve changed his chin and carried the wrong one with me till the end
on the bright side - right eye stays consistent!!👀😂
Though I chose 4min one to add values and form back a bit via the use of calque) - I like the feel of brush and if I wasn’t in a hurry - pretty sure I wouldn’t butcher negative spaces as bad)
Good day and smiles to anyone who reads it.. if someone does 😅
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6d
Great presentation here. Thank you! It's interesting that you fairly consistently enlarged the figure on the page. Perhaps that time limit simply forced you to draw more loosely, or maybe you naturally enlarge as you draw. Either way, it's good information to have. I'd be curious to see if you ever make very large drawings- 18" x 24" and bigger. We generally draw either from a fixed position with our wrist, or a more open position from our shoulder. You may benefit from larger, more physical approached to making art.
@edel82
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30d
Asked for help
Great exercise, I don't think the likeness is all the way there in these. I spent too much time trying to figure out the jaw line in the first attempt. I prefer the 30 minute one where I pushed the values some more.
The most interesting one to me was the 30 second attempt. I tried to keep the shadow shapes simple.
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6d
I once had an instructor tell me that we see vertical and horizontal lines/object rather easily. We struggle with the angles. For many artists, it's a lot like math, where we are plotting points between the vertical and horizontal "grids" we envision. I love th weight and mass of the shape beneath the jawline into the neck, and I really like that 30 second drawing.
Sita Rabeling
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29d
Asked for help
Finally. I was afraid to start with this - but here it is.
In 2 minutes he suddenly turned into a Chinese sage.
I kept this for the final drawing, but everything I added digitally seemed to ruin the original paper drawing (9B and a graphite stick). So I only made the pipe more visible and let it smoke. Carefully added here and there some white hairs.
Interesting to go through this assignment. 😅
@shayy02
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25d
Asked for help
This is my first time trying something like this. I think it's a sure way to find a style that doesn't feel forced. Something I struggle with, trying to force it.
The mistakes I noticed were lengthening the neck and adding too much forehead.
I found the 1 minute drawing to be most compelling.
Mandy Valin
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24d
Asked for help
I chose the two minute one to finish, though I like the 30 second one (I like it enough that I didn’t even want to shade it lol)
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11d
15 minutes is really great, too @Mandy Valin ! A bit of Javier Bardem from No Country for Old Men? Great light and shading in that one.
Gwynn
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22d
Asked for help
Great exercise, I will try to remember to do it now and then. Pretty intense though, working with such focus for 2.5 hours. I feel totally drained. I like 30 min and 4 min. Kind of weird how the 2 minute one deviates so much from the others.
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11d
@Gwynn Your comment about the 2 minute one made me laugh out loud over here. It IS quite different. Your 30 minute drawing is absolutely stellar. Lost edges, 100 yard stare. It reminds me of a painting by George Tooker entitled the Subway. Also Lucian Freud and one of Philip Guston's more representational works.