Gestural Perspective
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Gestural Perspective
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Minh Tran
got my boxes doin weird things
LESSON NOTES

Perspective doesn't have to be static, straight, and boring. You can add gesture to your perspective by deforming boxes to make them feel more dynamic. By bending, stretching, and twisting boxes, you can infuse energy and personality into your drawings.

Use Cases for Dynamic Boxes

Organic Forms

When drawing organic subjects, like the human body, things are curving, bending, and stretching. Arms curve as they move, torsos lean, and forms twist. By deforming boxes, you can add structure to these organic forms while still capturing their dynamic movement. This helps you feel the front, top, side, and back—essentially the box—while accommodating the body's gestures.

Inorganic Forms

Even rigid, hard-surface objects like houses, computers, cars, or toys can benefit from deformation. By twisting and stretching boxes, you can make inanimate objects feel more dynamic. This adds personality and style, making them come to life like little characters. When you make something twisted or stretched out, it starts to feel like it's moving. This becomes part of your style and gives the forms personality based on how you deform them.

Methods to Deform Boxes

Here are several ways to deform a box to make it look dynamic:

Curving involves bending the box to create a sense of movement or softness. Imagine connecting two boxes at different angles with curved lines. This gives the box a C-curve gesture.

  • Example: Drawing a tall building with a subtle curve makes it feel less rigid and more dynamic.
  • You can curve something typically straight and give it just a little bit of curve to add personality.

Bloating is when you imagine filling the box with more air, causing all sides to curve outward. It makes the box look inflated.

  • This creates a softer, cuter appearance.
  • Example: Inflated forms are excellent for drawing cute characters or objects with a softer feel.
  • The inner planes can curve in any direction, adding to the inflated effect.

Imploding is the opposite of bloating. You imagine sucking air out of the box, causing the sides to curve inward.

  • This creates sharp, rigid forms that can appear dangerous or aggressive.
  • Example: Imploded forms are suitable for villains or objects that need a more menacing look.
  • The inner planes curve inward, enhancing the imploded effect.

Tapering involves making one side of the box thinner than the other. This adds weight to the thicker end or creates a sense of imbalance.

  • You can make it thicker at the bottom to give it weight or thicker at the top for an unbalanced feel.
  • Example: Tapering a building to be heavier at the bottom gives it a grounded appearance.
  • This is useful when drawing limbs that naturally taper, like forearms or legs.

Twisting is when the box rotates along its axis. The top and bottom planes face different directions, and the edges connect with a twist.

  • This is especially useful when drawing torsos that are rotating.
  • Example: Twisting adds dynamism to the figure, making the rotation of the body more apparent.
  • Combining twisting with other deformations enhances the effect.

Leaning is tilting the box to one side. This simple adjustment gives an object a sense of movement or makes it appear off-balance.

  • Example: Leaning a chimney on a house adds personality, like in a whimsical or stylized drawing.
  • Leaning combined with stacking can create motion in your compositions.

Combining Deformations

You can combine these methods to create even more dynamic forms.

  • Example: When drawing a torso, you might twist it while also adding curves and tapering.
  • Combining deformations allows you to capture complex movements and gestures.
  • Play with the shapes to find what works best for your style and the story you're telling.

Applying Deformations in Practice

Let's apply these techniques by drawing a simple doghouse.

  1. Start with the front of the house, but taper it so it's wider at the top, giving it a top-heavy look.
  2. Curve the edges to add personality and make the form more interesting.
  3. Add the roof, and consider bloating or imploding parts of it to enhance its appearance.
  4. Include details like the door and nameplate, using deformations to give them character.

By deforming the basic shapes, you create a doghouse that's grounded in reality but full of character. You're not randomly deforming; you're making deliberate choices to enhance the visual effect.

* * *

Have fun playing with shapes and forms. By adding gesture to your perspective, boxes become exciting elements in your drawings. Experiment with curving, bloating, imploding, tapering, twisting, and leaning to make your art dynamic and full of life. Suddenly, boxes can be fun again!

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COMMENTS
Stan Prokopenko
Perspective doesn't have to be static and boring.. you can add gesture to make it dynamic! Deform your boxes to reflect the movement and personality of both organic and inorganic forms.
Newest
Andrew Kovachik
I mentioned in my previous upload I'm trying to go back and upload as many projects as I still can find. I think I had more of these at some point but this is the only one I could find.
@kirstybp
6mo
For some reason I’m really struggling with the bloated boxes. I’d be grateful for any advice! Thanks in advance!
Zander Schmer-Lalama
Yo! So these were fun but a bit hard for me to do. The curved box is the one I’m having the most trouble with, I’ll admit that I do need to practice more gesture drawing though. The other one is the imploding box, I’m just not liking the curve. Any tip would help! Thank you!
@fjjjjk
1yr
Lenserd martell
Minh Tran
1yr
got my boxes doin weird things
Dermot
1yr
Great lesson, thanks. Woof Woof
@niesmiesznyzart
My try
Nancy Yocom
During our lesson this week I was noticing how animated you are while teaching. I was enjoying how your body language was reflecting exactly what you were doing to the boxes. My thoughts were confirmed 4.49 seconds in!🤣😂🤣
Vue Thao
1yr
My practice.
Josh Fiddler
Hey @Proko I have a question: if I make it to this point in the course, as of right now, how much more is there in development? Like, is this 50%, 75%, 95% of what's planned? Curious for planning purposes.
Ricen
1yr
Around the 100th lesson, he said we were halfway through the content he had planned for this course. This is the 108th.
Sita Rabeling
04:48 tiara 🤣
Ricen
1yr
Practiced more deformations. Then added in more practice at dividing and wrapping contours. The hatching is quick and sloppy.
Scott
1yr
your twisting boxes are great
@mischawilliams
Finally caught back up with the class! When would I need to upload this assignment by to be included in feedback session?
Martin Vrkljan
There's usually a dedicated project video that'll note what the deadline for assignment submission is. There's probably going to be a project video next for gestural perspective.
@lieseldraws
I drew variations of the same box, making them progressively more curved. The biggest challenge was figuring out the bottom arc of the curved plane when it's hidden. And by the same token, I struggled to imagine the whole bottom plane. It's not like drawing through a box, where I know the rules so at least know when something's off and know how to fix it. Do any of you have any tips to share on drawing through deformed boxes?
Pedro Branco
Thank you Stan. I quite like doing this exercise, it's been something that I practiced almost since the beginning on my own. This and ribbons is really important to understand movement and to teach you how to think on your construction of an object. On a side not. I haven't received a notification on this lesson and the Ginger Root people critique, was it just me?
Charlie Nicholson
I let the web developers know about the notification issue, hopefully it's an easy fix! @Juice @nathan_the_phaneuf
Juice
1yr
Yes it seem to be some problem with the notification. I can refresh the browser many times with nothing happening. I do that when i feel like something should be up. And then just after that i press on notification. And there it shown new notifications that says it came some hours ago . So the notification seem to be pretty reversed now. I need to press it to see if its anything new.
@nathan_the_phaneuf
Same here. I use Gmail and I tend to not receive some of the notifications. Sometimes I will know on time that a new lesson came out, while for some others I receive nothing, not even a spam. It's quite annoying.
Brandon
1yr
I'm doing the perspective challenge. This is the day for the grandfather clock. Try to apply what I learned here and try to give some personality(really need to learn more words for different types of personality to expand my visual library). Can it be even scarier or exaggerated? Btw HBD in advance, Stan.
Ricen
1yr
Thanks for the video! I made the accordion for the instrument in the perspective challenge. I thought it was fitting here as well. The twisting is hard to do while preserving the dimensions of the ends. Messing it up makes the form look tapered. Getting the sides to turn in space properly and not look inflated, deflated, or stretched is going to take some more practice.
Dermot
1yr
Thanks for the Gestural Perspective instruction. Brilliant :)
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