Drawing ‘Morgan’
Drawing ‘Morgan’
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01:35:51
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lesson video
Drawing ‘Morgan’
coursePortrait Drawing FundamentalsFull course (35 lessons)
$65
assignments 647 submissions
Jule
Here is my version of the portrait. :) I would appreciate any feedback :)
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Morgan-Reference.jpg
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Morgan-Final.jpg
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transcript-drawing-morgan.txt
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mp4
13a Full Demo – Drawing ‘Morgan’.mp4
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ASSIGNMENTS

A full-length demo for drawing a portrait from start to finish of Morgan.

Ronald Moss Jr
Once again - I challenged myself to draw from imagination, my childhood fantasy mermaid character. But once again, she did not turn out the way I wanted her to, especially the hair and the facial expressions I always dreamed up. But at the very least, this one was a little better than yesterday. So, I decided to share it. So, when it comes to drawing from imagination, I'm still not there, just yet. But I will get there soon. I welcome all criticism, just please keep it positive. Thank you very much.
Caroline Main
You are doing a great job. Don't ever give up. Great start on the facial features. The facial features look like they are sitting on top of the face rather than in the face. Take a look at Proko's drawing the head and do some practice pages on the eyes under the brow line. You did a great job capturing the angle of the head and I have a sense of the neck turning to the side.
Ronald Moss Jr
I followed the demo as best as I could. I did challenge myself a little earlier to draw a portrait from my imagination, but I hated every minute of it. It did not turn out the way I imagined the character to be. So, I am not ready to draw from imagination just yet, only from a reference. But I will get there real soon. I welcome all criticism, just please keep it positive. Thank you very much.
Chuck Ludwig Reina
Nice work! First off, I think it is good that you tried one from imagination, even if it did not turn out the way you wanted. That’s 100% normal, especially when you’re first learning to draw from imagination. Over time you will get closer to what want in your head. But all of our drawings, even ones we do not love, give us art mileage, which is what we need to improve. For this drawing there is a lot to like. You got a good value range which is hard and the face feels 3d. One thing I’d suggest right off the bat: try drawing a little larger. I think you would benefit for having a bit more space, and with that room having a bit more area to put in some construction lines. Again, nice work and keep at it!
@robertg
25d
Oof, this one was a STRUGGLE. I think the biggest issue I had was failing to notice many of the proportional errors during the lay-in (same with the Nicolai demo) which cascaded down throughout the rest of the process. I definitely didn't capture the likeness and she ended up a lil cross-eyed, plus I think I over-corrected the sizing for the eyes (my Nicolai had enormous eyes, these seem a bit small). That said, our failures are always instructive and help us recognize what specific areas we need to focus on. I just need more practice is all. A huge thank you to Stan for this course - even if I'm not able to capture a likeness quite yet, I feel like this course gave me enough of a framework to puzzle through my own portrait studies and continue the practice on my own, and I'm confident that I'll eventually get there. Excellent stuff. For anyone on the fence about getting this course, it's well worth it.
João Bogo
23d
Nice start Right now I think that you understand the concepts but you need more practice to fully get to the next level. From here I think you should practice just 20 minutes lay-ins. Master the proportions of the face, the separation between light and dark and the edges. From there work on your shape and value design. In Nikolai's drawing the lines were a bit too strong and it kinda read like really deep creases. Remember, draw lightly. You don't need to commit to the lines too soon. It's great that you are self-aware of your mistakes and doing self critique. Remember to be good to yourself when doing so. It will add good years to your career. Best regards, keep drawing
Łukasz Szpila
@aeyt
5mo
Well I've gone through this course again! If you guys got recommendations in terms of further portrait / head focused courses i'd love to hear them. Particularly focusing on the face muscles and emotions would be nice, as i feel like that got sidelined here in favor of other projects.
Ash Chung
5mo
Not a recommendation for a course, but a supplementary tool... "Head Model Studio" is an app I found tremendously helpful in studying and practicing drawing the head. Worth checking out.
João Bogo
5mo
Hey aeyt I think there's two books you can search _ The Artist's Guide to the Anatomy of the Human Head: Defining Structure and Capturing Emotions by 3dtotal publishing _ The Artist's Complete Guide to Facial Expression by Gary Faigin Both helped me tremendously understanding the musculature behind the head and it's planes. They have lots of examples you can study and I think they don't delve excessively in theory. They teach what you need to know to draw emoting faces. The first one may be difficult to find (I think it's out of print) but if you can find a used one at a decent price it's a good resource to have. Keep drawing and best regards
Melanie Scearce
Steven Michael Hampton has a great head drawing course that's heavy on construction if that's something that sounds interesting to you. The course doesn't go in-depth into anatomy like specific muscles, but it has great cues for proportions and shapes in perspective. Super dense but in a way that's still digestible.
Christopher Corbell
Comment, I realize that this is a pretty old course and may not have the pedagogical attention of some of the newer courses, but I think it would be helpful if it ended with one or two assignment lessons (not just demos) about pulling the whole portrait together, with assignments for feedback on student final work. We go from drawing features to just seeing two complete demos, but there's no real guidance on composition or opportunity for feedback on finished (basic) portraits. I think a couple of additional lessons could round this out.
Christopher Corbell
Another complete portrait exercise (from online reference). I'm getting more familiar with some techniques including lay-in, features, hair. A big challenge for me is still making a clear separation of shadows and mid-tones, my shadows never seem to stay dark enough.
Christopher Corbell
I'll call this my final for this little course, though I feel my portrait journey is just beginning. Portrait of Emma Stone from this reference photo: https://www.pinterest.com/pin/451274825184337551/ Graphite in my sketchbook. I think I spent about 4 hours on it, including 45 minutes on the lay-in and I *still* had some big mistakes to fix later! (Mouth originally too small, mouth and bottom of nose both originally too low). It's closer now if not perfect, but all of the steps laid out in the course helped me get to this point.
Marco Sordi
2025/7/3. Good morning everybody. Here's a new portrait I just finished a couple a weeks ago. Thanks for any comment or advice. Have a good day. "Emilie" (pencils on Kent paper 21 x 29.7cm).
@abhi_
1yr
Tried to draw american ended up as asian
Joseph Cicero
Another attempt at a render. I feel like I was able to capture the likeness better on this one. This one was done mostly by just eyeballing proportions and feature relationships to one another. Critique is always welcome.
Smithies
1yr
If you were to spend longer on it I think it could be improved by working on your edges - your line on the clavicle is very firm and dark and the light on her cheek (on the light side) should be lost moving downwards diagonally (if you look at the reference). It's different to the reference, with a different feel but I like it a lot, well done!
@alexmolaver
This course helped improve my art so much. Much appreciated! Especially glad to be able to do a portrait since they can be hard to get right.
Joseph Cicero
My first attempt at a full render of a portrait drawing. I've been bouncing between this course and Michael Hampton's course trying to figure out a method that works for me. This one certainly took me quite some time, probably like 7 hours over a couple days. Any critique is always welcome.
Melanie Scearce
Beautiful portrait! I love how you concentrated the lighter values in the face. The shape of the shadows around the left is great and you've done a great job laying out your values. This model has a very interesting face in that he doesn't follow the rule of thirds, which you picked up on. He has a longer than average face, but instead of elongating all proportions, after measuring we can see that the only proportion that is off is the length of the bottom of the nose to the chin. If you changed nothing else but shortened the distance between the browline and the bottom of the nose on your portrait, your proportions would be spot on. Keep an eye out for the thirds, it can help a lot especially when working with subjects that don't follow the rule as it will show you which areas to exaggerate.
YS Ryan
1yr
In the first attempt I only got 30mins into the demo and got frustrated and rushed it. The second I used a different charcoal pencil which helped me lay down tone. I focused on trying to properly use charcoal as a medium but the proportions suffered. Overall I feel I improved in some aspect. I tried working on a larger scale which was challenging and made all of my weaknesses more obvious. Overall I found it a fun process and find it easier to find what I need to improve on by drawing larger.
Amani Noor
2yr
Loved the demo! Any critique on eye placement or general proportion would be appreciated. I couldn’t tell if something was off.
Melanie Scearce
Incredible as always! I made a couple of changes to see what it would look like -- moved the left eye over a touch, and rotated the mouth downwards. Very minor adjustments and I'm not sure if they are quite necessary. Really beautiful work here, I love the texture of the hair!
Lucas Barrett
This is my progress from 2024-2025 drawing my self-portrait. Much of my practice came from Proko. Thank you!
Patrick Bosworth
Nice work!
Rivelle
2yr
Final portrait study. I feel like hair is definitely my biggest weakness, but I gave it my best shot.
Marco Sordi
2025/1/8. Good morning everybody. Here's my second oil painting that closes my 2024 artistic production: "La Pucelle d'Orleans" (oil on canvas F6). Thanks for any comment or critique. Have a good day!
Dubčido
2yr
Very nice Marco..
Rachel Lee
2yr
What a great course. Have never done portraiture before this. Feeling good for first time ever doing this.
Marco Sordi
2024/9/6. Good evening everybody. Here's my latest portraiture. Pencil on Kent paper (29.7 x 42 cm). Thanks for any comment or critique. Good night.
Rachel Dawn Owens
So smooth! Beautiful drawing
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