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LESSON NOTES
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I will show you how to create detailed thumbnails on location to plan dynamic compositions. We will set up a picture frame and map out one, two, and three-point perspective grids to build a solid foundation. I focus entirely on drawing shapes and forms without relying on shading. Shading often hides mistakes. Skipping it forces you to understand the actual structure of what you are drawing. You will learn how to push perspective and use overlapping elements to create depth. I also explain how to apply line weight to make foreground objects stand out. Finally, I break down a simple trick to accurately calculate repeating details like windows in perspective.
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DOWNLOADS
Submarine.mp4
3 GB
COMMENTS
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1mo
Hey Craig! This was a great attempt; I really like the quality of observation you had in the foreground. I would suggest trying to try and push your patience for the next sketch, since I can tell you were getting a bit fatigued when you began drawing the building in the back. Take it step by step, and once you feel yourself getting tired, try to focus up again, kind of like a marathon (or possibly take a break and come back to it!). Every decision is relevant to the final outcome, so you want to make sure all your decisions are of the highest quality you can do in that moment. Happy sketching!
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2mo
Hey, nice job!
The perspective is pretty good on most of your forms. The mannequins could use a little improvement in that they don't fully match the perspective of the setting. The point of view you've chosen has the viewer looking in on the scene from somewhere up high, while the human mannequins seem a bit flatter. Be sure to simplify their forms into basic shapes in the initial sketching stages.
Wow what a trip on this one I had to see the video a few times to be able to get this
Sorry to bother but i noticed that there is a problem from 17:20, the video has a cut but the audio doesn't... I have a question about the tecniques used to get the proportion of more of the same object repeted in perspective. I saw you make the "X" then use another line to ger where the second plane ends, how do i chose this second line? Is there a specific angle or a rule to that?
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3mo
Nice catch! We'll get that fixed asap.
And that second line goes through the middle of the line where the first box, and the one you're trying to duplicate meet.
Rembert has a tool on his website that might be useful to help visualize it. https://www.rembertmontald.com/perspective-tool
