Course In Progress
Course In Progress
Learn how to draw a twisting and bending arrow in perspective by tracking movement around the X, Y, and Z axes using blocks, ellipses, and curved cross-contours.
Newest
Ethyn
7d
Twisting forms is so much fun!
In the twisting arrow demo, Marshall placed the three boxes far enough apart so that they don't overlap.
I wanted to see what would happen if you foreshorten a similar setup so that they do overlap. I started ideating for this but then went a bit overboard! Still, it seems like a fun puzzle to return to some time.
•
6d
Suoer clean! And nice work shooting for the extra challenge of foreshortening!

Angelica
20d
This took a while to get but it is starting to make more sense. Logically I understand that there is a lot of foreshortening going on when we are going from seeing one side to the other when the twist happens but still, when I just look at it... it's really hard to wrap my head around what's going on and draw the intermediate line.
•
6d
It’s like a math problem you gotta work out! I like that I can see you working it out through the sketch. Good stuff!
Rógvi í stórustovu
29d

@odinnot
1mo
Here is my arrow design. I put them in box. I use a ellipse or half a ellipse in box, to do the bend. I also use perspective.
Kassjan (Kass) Smyczek
1mo
Very good explanation. I like the overall scientific approach with a dash of intuition. Quickly done. Twist and shout!
Kai Ju
1mo
You explain everything so well Marshall, that I feel like I understood it right away. I was expecting to struggle a lot more then I did after all your warnings so was surprised to find out that it made immediate sense when I sat down to do it myself.

@vange
1mo
Amani Noor (Amu)
1mo
Blondie the good
1mo
Excuse the messiness here,was trying a new pen and marker!
will try some harder bend and twists to challenge myself later!
Dave Sakamoto
1mo
These are awesome!
@rupertdddd
2mo
I found it quite difficult to smoothly transition from box to box so I tried 2d slices which seemed to work better.
Having enough space between the boxes to draw in the transitions is also important.
•
1mo
Wow! Rupert, You Rock!
Maria Bygrove
2mo
Möbius strip :)
•
1mo
Good show Maria!
Rick B
2mo
gave it a couple tries then came up with one or my own.
Ben letting my lead dull out. I can do about half of what Marshall is using before hitting the lead sharpener. I will eventually make it work.
•
1mo
I am so impressed! You have invested your time for your own and our benefit. Thanks!
Ishaan Kumar
2mo
Your understanding of which corners lead to which corresponding corners on the next box is perfect!
Carlos Pérez
2mo
nice
Lucie VERGNON
2mo
Marshall,
It was a complete surprise to discover my arrow used as an illustration in this lesson, and I have to admit I’m a bit flattered—haha! I didn’t give it much thought when I drew that arrow, and now that I’ve seen and tried to follow your lesson, I couldn’t resist taking on the challenge myself—this time more thoughtfully.
I hope I passed; it’s a very difficult task but so rewarding to develop this technique "scientifically" and explore this "P.O.V."
•
1mo
Hahaha! We are on a roll and a twist. Thank you Lucie!
Rick B
2mo
those look excellent.
Ishaan Kumar
2mo
Decided to follow along with the video but without any filter paper or coloured drawing tools. If what you see looks like a mess then it is because it is one.
Ishaan Kumar
2mo
Alright I think my second attempt went a bit better.
Carlos Pérez
2mo
This is tricky
Rick B
2mo
it is, I only posted the last 2 tries before coming up with one. but there were a few extra when I got confused and went the wrong way.
Mon Barker
2mo
Mind-bending….had a go at mimicking the demo then tried chasing some boxes around the page with twist connections. Takes a bit of practice to begin to understand that the curves of each contour line twist and intersect in ways that are not immediately intuitive.
•
1mo
Takes a bit of practice, but look at what you did! Great!
Andreas Kra
2mo
Here is a color-coded 3D model of the initial twisted form.
•
1mo
Wow! Thanks!
Andreas Kra
2mo
For me, the most confusion comes from losing track of which edge is which after rotation in space. So I tried to explain it to myself with a process like this—maybe it helps?
1. Draw a rectangle.
2. Select the twist rotation by rotating each square 90 degrees further using the arrows.
3. Assign a shape to each corner to define its identity.
4. Connect points with the same shape using a smooth spline.
5. Darken the visible lines for emphasis.
Maria Bygrove
2mo
My attempts at bending and twisting and turning the arrows :)
It keeps surprising me how satisfying it is to these exercises by hand, rather than digitally. I think, somehow, drawing things with pencil on paper allows me to accept imperfection easier.
Carolina Pachon
2mo
I am still in the failing stage and I will be here for a while ;). I found this resource from a Proko student which is the 3D grid model of the rectangle twisting. I thought it was a nice extra to share with the rest and see if you are like me, that I am still trying to wrap my head around this https://practicedrawingthis.com/3d/model-twisted-box.html
Rick B
2mo
that model was excellent. Helped me visualize things a better.
Daniela
2mo
Sometimes you are in the middle of something and you realize that it is going to be very bad. And you see all the flaws and mistakes possible in it. And maybe you start having second thoughts about showing the thing because it really makes all your weaknesses shine through. And did you even learn anything from doing that? You don't know. But you tried and that's gotta count for something.
Message brough to you by: "How hard can it be" behavior.
Daniela
2mo
hm I don't know what to say. I stuck with what I started originally but I think I would make very different decisions next time.
Ishaan Kumar
2mo
The fact that you're able to conserve its volume while redrawing it at different 3D angles is what is preventing me from believing what you've written and instead believing what you've drawn.
Daniela
2mo
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