Use the provided ape footage in the "Study from Life - Ape Reference Videos" lesson group to do some sketching of your own.
Make sure not to “pause” the footage as you will lose all sense of movement when studying from a static image. Each clip is set to loop 10 times, but feel free to replay them as much as needed.
Extra Credit: Using what you learned from studying live footage, draw some ape poses out of your head (memory sketching).
Memory sketching will help with several areas of your development
Highlight what you need to work on in your observational skills and understanding of the subject
Surprised yourself on what you actually obtained and learned
Become inventive in your realistic posing leading to more successful concept creature designs in your personal and professional body of work
A few of my most recent video-footage studies. I used a thicker pen, and tried to be more effecient with my lines, while trying to stay energetic and improve my poses.
The first three pages are from the videofootage, the last two pages are from imagination.
Any Feedback is always very welcome.
Some of my recent videofootage studies, im trying to give a bit more consideration to the volumes, perspective and muscles. I think they are better than the ones i posted two months ago. The first four pages are from the videofootage, the last two from imagination. Will continue to practice these. Feedback is very appreciated.
I think youre doing great too.. Alot of life and movement and filled with energy and as you develop practice line efficiency. Drawing is more thinking than actual drawing but thats comes with time. Just keep going
Some monkey and ape studies, definitely wanna make more of these and try the memory sketching as well. With some poses I had to stop the video just to understand what was going on with the limbs, but other than kept the videos playing several times over and tried to catch the movement. Also my pen started to dry up at some point which made me go over same lines a few too many times in a not good way..
quite lovely- some nice line efficiency but seeing as you paused the videos it does feel like it benefited your decision making. Let it just loop over and over so you can practice observing and capturing a moving subject. It will be frustrating at first but you will grow more and quicker that way once you make that hurdle. I am missing some internal rhythms that come from drawing from the inside out. Those rhythms are what will make your own imaginative work more alive. Dont skip that step just yet
Nice!
- I think it could be useful to do some where you simplify the apes into a few gesture lines. It will help you focus on what's essential for the action.
- I would try to get more rhythm into the drawings. Look for how a gestural curve going one way flows into a gestural curve going the other way, creating a back 'n' forth rhythm. Like Glenn Vilppu describes it in the beginning of this video Drawing Demo by Glenn Vilppu.
Being aware of rhythm can also help you design the contours with more gesture. You tend to draw symmetrical contours. Asymmetrical contours carry the flow better. Check out the first 2 minutes of this video for an explanation How to Draw Dynamic Shapes – FORCE Series Part 3
Hope this helps :)
Good silhouettes but generally speaking you want to draw through the form.. I would rather see you capture the rhythms of the movement as wire armatures then worry about perfect silhouettes. you need to learn and acquire knowledge to draw poses out of your head- not copy what you see. Analyze and understand- dont regurgitate
Loose and rough- great- lets see more drawing from the inside out at this stage. I see a lack of understanding of the internal structure. Think of the arm in its skeleton form not its flesh silhouette . So more wire armature rhythms and then build volumes and details on top of that. Great energy though
Messy is okay when its all about learning. Youre not here to make pretty drawings but to learn and understand how to create poses on your own. Draw from the inside out- skeleton to superficial forms. Not the actual bones but think of how the skeletal structure when the monkey is hanging. In one to two lines draw the rhythmic bend and flow then build volumes on top of that.
Some nice natural silhouettes however youre losing dimension by not drawing through the form- get some overlaps, hooks and communicate the volume of the structure thats actually in these poses.
ITs supposed to be hard- thats what makes it great when you do nail it. You'll never grow if you dont struggle a bit. I think youre off to a good start- just keep going. Try capturing the energy of the pose- not the likeness of the silhouette at this learning stage.
This assignment is challenging but also really fun once getting the hang of it a little. As observing from the footage, I couldn’t get the gesture right most of the time. Throughout some of these sketches I tend to make small but many strokes in my drawings, that is why it can be too messy at times. I’ll keep working on this along with attempting the draw from memory for the next one.
Try long lines of action... less silhouette likeness- more connection of the forms with overlaps and draw from the inside out- think of what the bones are doing. This is why we studied those skeletons first
More studies on the first image, while the second image is through imagination. Really glad to have made the attempt, also surprised with how it turned out.
I really liked this assignment! Drawing from live footage feels like it demands more “immersion” into what I’m drawing. Compared to when I draw from still images I can sometimes fall back into just copying what I’m seeing. More difficult to do so when things never stop moving.
Thinking in motion also helped a lot when trying to invent poses from memory. It’s a challenge for sure trying to make something interesting out of nothing, but imagining the apes moving around and do stuff makes it easier.
I took a somewhat similar approach to the memory sketching as the footage sketching, trying to stay somewhat loose but also allow myself to explore a bit of what I could recollect from the anatomy and muscle groups.
This is a great approach. Another way to see it draw verbs not nouns. As in draw an action not that subject. Draw the subject/characters story, not their physical presence. I would now get away form the heavy contour line around the entire silhouette. Mix and match line weights to help the eye follow the rhythms you capture.
Hi, here are my sketches!
I wasn't super happy about them when drawing. I feel like I wasn't very articulate with my strokes. I tried to be loose, but I think I should have been a bit more procedural. But I like some of the poses, like the crouched one in image 1, and overall I really enjoyed the exercise. I love how apes move, and being on the lookout for subtleties, like you mentioned, felt eye opening.
When studying Ape Reference 4, I noticed that chimps tend to dive into actions with their head and arms first, which to me as a human, feels kinda risky XD
Hi @David Colman, here are some more ape drawings from video. I applied the feedback you gave me here https://www.proko.com/s/pRX2, about thinking more before each stroke, starting with image 2. I feel like it really improved my drawings.
Thanks!
Its gonna be tough at first. Imagine drawing from life at the zoo- This is what I did before the internet was a thing and there was you tube. No loops in life. Youre doing the right thing by not pausing the video. Let it loop. There is some nice work here and then I notice some that are too contour heavy, flattening out the drawing and losing weight. Draw through the form, attach the volumes- give the volumes movement too
This was quite hard to do, being used to draw from photographs only.
However, it does help in generating images from imagination (the one with the gorillas in the corner).
Try drawing with pen first, I see you did them in pencil and then drew over it. Its only going to stiffen up. Dont worry about making it look like the ape, monkey etc- be focused on the action and energy of the subject- not the traits
WOW JEff...some great work ...Youre really pushing the poses and I can feel the stretching,.the weight of the ape sitting. I love your head in the lower left- Fantastic silhouette and has character. Can you draw some more from your imagination? I expect to see some great work....show me
Here are my first few sketches. I'm trying to use my whole arm to avoid hairy lines... I plan to do sketches from all the videos provided, after that I might be able to draw something coherent from memory.
good work but dont worry about making it look like the subject in silhouette. nice rhythms on the gorilla but its still flat and contour heavy. Get messy- at least think of the appendages as rhythmic rubber bands that bend and stretch and intertwine with one another.
Great work...I think you could benefit from more straights and applying some skeletal knowledge. But dont let it stiffen you up because you have captured alot of movement. and watch the overuse of circles in your drawings, circles cant attach as well when closed off, treat them as open water balloons...maybe bulbous in one area but elongated in their rhythms
Looking at your drawings again, i really like how volumetric many of your video-drawings are, that is something, that i try to improve in my own videodrawings right now. I think it might be a good next step to give more consideration to the actual bones and muscles, like shoulder muscles instead of just a ball, biceps and triceps instead of a a tube. But as i said i think your studies are great as they are, it would just be a way to practice anatomy while studying poses.
This is how my current studies from the videofootage look like.
The first five pages are from the reference videos. I found it quite difficult to remember enaugh of the poses, especially in the ones with more movement. And i seem to have trouble with the gorilla proportions.
On the last page i drew some from memory/imagination.
Feedback on what i should focus on in my next studies/memory sketches would be appreciated.
You did a nice job here and I see the growth in your last post which I already commented on. Dont worry about proportions and what they look like- comes with time and pencil mileage. Capture the movement and eventually it will just be a few lines to show the resource youre using. And not remembering is good, it leads you to become a problem solver in your memory sketches
Great job! Thanks for sharing. The best thing to say is keep at it and stretch your daily drawing mileage. It is hard to say what to work on when I do not feel adequate in my own drawings. Though saying nothing is not very helpful and when I try to form words to someone else I know now that I have to hold myself accountable and do the same. Good job in keeping loose. Some of the poses seem to be similar so I would recommend in being bold and stepping even further out of the comfort zone. This may be drawing the movement before or the movement after. I wouldn't worry too much about proportions as it is hard to juggle everything right now. Though in the areas that make you feel uncomfortable is something that you can study further and go back to the skeleton and muscles. The still gorilla video is difficult to draw from as it is almost a photograph and the urgency of drawing from life is lost. Though is a great exercise in finding the subtle details.
These are nicely done. You have some good rhythms but draw thru the forms more- think about and show whats going on the other side of the viewers perspective. Dont be so concerned with clean silhouettes right now. A clear read is important but finding the energy will be hindered if too focus on the perfectly proportioned silhouette and contour.
Illustrator working in film as a designer and storyboard artist- known as the "animal guy" for my passion for doodling animals. insta @davidsdoodles
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Use the provided ape footage in the "Study from Life - Ape Reference Videos" lesson group to do some sketching of your own.
Make sure not to “pause” the footage as you will lose all sense of movement when studying from a static image. Each clip is set to loop 10 times, but feel free to replay them as much as needed.
Extra Credit: Using what you learned from studying live footage, draw some ape poses out of your head (memory sketching).
Memory sketching will help with several areas of your development
Highlight what you need to work on in your observational skills and understanding of the subject
Surprised yourself on what you actually obtained and learned
Become inventive in your realistic posing leading to more successful concept creature designs in your personal and professional body of work