Erik explains the compositional elements in his Moon Knight cover designs, blending Egyptian motifs and warm-cool contrasts to create iconic, resonant images.

Color one interior and cover page using the inks and follow Matthew’s steps to add depth and emotion, and change the time of day in one panel.

When designing a cover, make it eye-catching with strong silhouettes and colors, meet the client's needs, and tell a story that compels readers.

E.M. Gist has worked on various comic covers over the years, focusing on creating impactful single images that tell a story and resonate with viewers.

With his years of experience Matthew has learned to focus on making dynamic art by emphasizing the focal point, experimenting without fear, and practicing constantly to improve.

An interview with Matthew Wilson covering how he stumbled into being a comic book colorist and found joy in coloring, inspired by nature and managing self-doubt and burnout.

Matthew adjusts lighting and colors on comic panels to define forms, guide attention, and enhance contrasts using gradients and careful color choices.

After flatting a page, Matthew uses masks in the channels palette to separate areas, set palettes, and consider light sources to make the image dynamic.

When flatting comic pages, work with intention by planning ahead, focusing on big decisions first, and using tools efficiently to save time.

Use contrasts in hue, value, and saturation to guide the reader's eye, define space and mood, and enhance the story.