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comments 17
Hi Marco. I am still focusing on adding more color variation while maintaining color harmony. I gained a deeper understanding of how color travels after rewatching this lecture. Mainly, by using the contrast of color, it does not take color to complete the full journey to the "opposite" side in order to show variation and contrast. In this painting, I sneaked in some blue and purple into the shadow of grapes. I added green and red to the pear.
I also played with soft, semi-soft, and hard edges after watching some of your YouTube videos.
Thank you for the quality lectures. I will continue to apply these concepts in more still life paintings from life (so far these are all painted from pictures). I am also ready to do some master studies as shown in the next lecture.
LESSON NOTES
Oftentimes we have to deal with elements that appear to have solid local colors. A red apple, for instance. But how does nature actually treat "flat" colors? This chapter will give you important models for understanding how to keep colors active and interesting, yet still reading as simple hues.
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Chapter 4 - Color Vibrations.mp4
562 MB
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This chapter will give you important models for understanding how to keep colors active and interesting, yet still reading as simple hues.
The ref from the pears is a Laura Robb demo, the grapefruit + lemon ref is from a course with Meadow Gist. Tryed to get som vibration in there. Not happy with pear study though. But i´m pretty happy with the apple study and the lemon study.