How to Draw Abs – Form and Motion
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How to Draw Abs – Form and Motion
courseAnatomy of the Human BodySelected 3 parts (371 lessons)
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assignments 14 submissions
Filip Mladenovic
Here's my first set of abs assignments. Maybe I should not have shaded them so much. I may have ended up focusing more on shading than the structure... Please let me know if you see anything I can fix.
LESSON NOTES

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Check out the extended premium video to learn about ab physique variations, 10-pack abs, belly buttons, transversus abdominis, the pyramidalis and more. All the anatomy premium lessons have 3d models and ebooks.

This is Part 2 of Drawing the Abs. Make sure to watch Part 1 where we learn about the anatomical structure of the abs. Now let's move on to Form.

Form

A classic idealization of the abs in profile resembles the letter B. It starts with an upward plane bulging outward over the ribs. Then it curves back in until it hits the 40 oz. Sometimes you'll see a flatter vertical plane here, sometimes it will keep curving inward, but usually it will be recessed in some way before the 40 oz bulges outward and then back in toward the pelvis. Sometimes instead of a B, you'll see the letter C. One flowing curve from the rib cage to the pelvis. The shape will change depending on genetics, lifestyle, or whether the person is flexing or relaxing.

b curves

When drawing females, you can play up a violin shape in the abdomen, keeping all of the transitions graceful and round. Also, on females you’re much less likely to see a clear 6-pack in a relaxed pose. It’s possible, just less likely.

I touched on it before, but I want to remind you about how the abs modify the appearance of the thoracic arch. And before I continue, I want to clarify how I use these 3 words. Skeletal Arch is the shape created by the bones and cartilage of the rib cage. Greek Arch is the shape created by the bones and top pair of abs (I'll explain this in a second). Thoracic Arch is either one of these - whichever is seen on the surface of the body you're drawing.

drawing of women with abs

Ok, let’s talk about the Greek Arch. The top pair of abs starts above the skeletal arch and ends below. So, the form of this top pair will cover the top border of the rib cage. It softens the sharp skeletal arch of the ribs into the slightly lower and rounder greek arch. Here’s a great example of a skeletal arch. And here’s an example of a greek arch.

abs greek arch and skeletal

When you see this curve on a greek sculpture, that's the bottom border of the top pair of abs, not the border of the rib cage. The main clue that gives this away is the location of the xiphoid. On the skeleton the xiphoid is located below the sternum and below the corner of the skeletal arch.

Motion

Of course, how the body is twisted and bent will affect the form of the abs as well. When you bend forward by the flextion, they will shorten and inflate. Allowing gravity to continue the forward bend farther bunches the abs like an accordion. Depending on how deep the bend is, the skin will start to fold and cover up the forms of the abs around the level of the belly button.

ab movement with skelly

During extension, the muscle and fat stretch and flatten out. The form of the abs is thinned and wrapped over the rib cage, causing bony landmarks like the skeletal arch to become more visible.

Lateral bending won't affect the abs much, just curving them a bit.

Finally, inhaling fills the lungs causing the abdomen to protrude. Exhaling slims the abdomen, but anyone who's ever taken a gym selfie knows that. It's not just exhaling that slims the waist. When you suck in your stomach, that's mostly the transversus abdominis muscle, which we'll go over in the premium episode "Belly Buttons and More".

***

So, we have a premium section for students that want to learn more. The premium section has extended lessons with more information about the topic. It also has additional drawing demonstrations. If you do the assignments for each lesson, these demos serve as the answers for the assignment, so you can check your work. There’s an ebook version of each lesson that you can download as a PDF. Print them out or keep them on your device so you can quickly review the lessons. And finally the Premium section has 3d models that you can spin around, study, and draw from any angle. Get Premium now!

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Abs-Assignment-Images.zip
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ASSIGNMENTS

Assignment

Your assignment for this week is to do some quick sketches of models in various poses. Make sure to focus on the motion and form of the abs. Sometimes to show the forms, it might make sense to indicate some tone. But don't go overboard. The assignment is not to spend hours rendering a single pose. It's to do a lot of quick studies. Sometimes an indication of a core shadow with the right shape and edge will be enough to indicate the form. If you're new to shading, skip it for this exercise since it will be a distraction.

Newest
@fifiyellow
Brandon
9mo
Moving on to abs, 1st pic = my latest attempt, 1 study from josh black but without the shading, the other 2 are my assignment, try to see what it looks like with simplified shading 2nd pic = 2 or 3 days before, just line sketches 3rd pic = draw along Reference pic: pics that might improve my understand about the abs Question to ask: 1. Shading seems to allow me to better observe the forms of the abs, basically = a squished cube for males? and squished blobs for females? in cases without any prominent belly 2. the line sketches are really confusing in terms of showing the form, I never learnt anything about edges, except knowing what they look like and the terms. When I saw Stan's examples, I am amazed by them but dun even know how he did that. So if I want to use purely hard edges to show the form of the abs or muscles in general, it might not be a great choice? are there other artists out there I can learn from, for using hard edges only? Any advice is more than welcome
Melanie Scearce
Bridgman is the man when it comes to studying forms. Proko has a video on how to interpret Bridgman drawings here: https://www.youtube.com/watch?v=ZpnP28b3riY. This image is from his Complete Guide to Drawing from Life. With him, it's more about the information he's presenting through his drawings than the actual line quality.
@nahgul7
10mo
Shelvs Fleurima
Shelvs Fleurima
Steve Lenze
Your drawings are nice, but they are missing the design of the pose. You have added so much information on the contour, that you cannot feel the stretch and the pinch of the pose. I did some quick sketches to show you what I mean :)
Waner Hoogleiter
Alejandro
2yr
Gian Amir Calibuso
Peter Tinkler
These were fun to do, although I think I've made the torso too long on the last figure. I've gone more for tonal structure rather than line, which might get criticized. I'm learning so much on this course.
@viny
3yr
the studies are both about the ABS and the Obliques, so I'll post it on both
@abrahan13
3yr
Any feedback is appreciated
John Harper
So, Stan has a section on anatomy. The abs are much more complex. You may find some inspiration from his lessons.
Camellito
3yr
Here are my abs assignment. Hope I didn’t focus to much on shading.
@axel21
3yr
Hi Camellito, these are very well constructed abs. The shading is fine too, because you focused on the form of the abs. 1st image: You drew two curved lines for the shadow, in order to show the form of the pecs and the top three abs on the right (our left), but the forms would show better if you added more zigzags and variety of lines. You can draw a boxy shadow for the pecs, in order to differentiate the front and bottom plane, and adding different shadows for the rest of the abs ( make sure every shadow is slightly different than the others, making them at different angles, curved, angular shaped etc., so as not to seem repetitive). That will create a nice zigzag pattern that will fully show the changes of the planes of pecs and abs. 2nd image: There is no room for the "40 oz" on the bottom of the abs, and there should be one more ab on the top left (our right), mostly covered by the breast. You could add a little more gesture by making the body follow a curved line all the way through. 4rth image: Very nice. The only thing I noticed is that you drew the linea semilunaris very curved on both sides, making the abs appear very inflated (remember that the space between the linea semilunaris should be a little narrower than the width of the space between the two nipples). 5th image: The pelvis is too small. 6th image: There is not enough gesture between the rib cage and pelvis (the body looks too straight). The shadow on the ribs is a little repetitive (if you look closely, the shadow falls on a 45 degree angle, whereas the ribs are more horizontal, so those shadows should indicate the obliques muscle). We learn this muscle on the next lesson, so it couldn't be helped, but maybe adding this information will solve some confusion. 7th image: Same as the 1st image. Some difference in the line of the right linea semilunaris (our left) would look better than a straight line. Also, if you erased those pointy shadows on the linea semilunaris that connect it to the abs, the square patterns on the abs would disappear too, making them seem more natural. Lastly, the proportions of the arms and legs are a little wrong ( one arm/leg seems bigger than the other), so make sure to have those proportions right before continuing with the details from now on. Good luck with your anatomy studies :)
@younchen
3yr
Here is my assignments. need critiques.thx
@hiflow
4yr
Here's my assignment. Dunno why the images were on the 2nd video this time, I ended up doing the assignment twice (which is good I guess).
Derek Trudelle
These look great!
Tony Vu
4yr
Here's another few ab studies. The motion and variety of shapes could definitely use more work. Feedback is welcomed thanks!
Luke Ng
4yr
More ab assignment studies struggled with the proportions of the Ribcage and pelvis
Bradwynn Jones
Nice work! The fourth and fifth image have some proportional issues I think. Like the last one looks like his shoulders are a bit too wide for the hips. Your shadow mapping is outstanding! The first three images look right in proportion and lay-in is beautiful.
squeen
4yr
You really got the flow of the figures distilled. Nice job!
Luke Ng
4yr
Ab assignment drawings. Feedback and critiques are welcome!
Alec Brubaker
These look excellent!
Callum Kendrick
These are my first attempts, I know I'm making a lot of mistakes but I'm not sure if there's anything in particular that stands out to anyone which needs more work on.
@rashmi
4yr
It's not very clean work, but i would appreciate some critiques.
Bradwynn Jones
Nice studies! I'd say try to shadow map a bit clearer the core shadows showing form of the abs on the male model especially. The female model's abs will be much softer but really try to map in the forms more on the male.
@sharkhead
4yr
Calling them my fist attempts always feels dishonest, let's say first attempts I deemed decent enough to show. I always do a ton of shitty sketches first but this assignment was especially tricky to me.
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