Drawing ‘Nicolai’
Drawing ‘Nicolai’
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01:18:11

Portrait Drawing Fundamentals

Full Drawing Demos

Drawing ‘Nicolai’

20K

Drawing ‘Nicolai’

20K

A full length demo for drawing a portrait from start to finish of Nicolai.

Newest
Christian R
Let me know any suggestions that can help me improve. Clint Eastwood from his old Western movies
Chuck Ludwig Reina
Really solid drawing. Reads immediately like Clint! I think the one issue I'm seeing and as Devon pointed out, is your value hierarchy isn't super clear. Part of this is the tricky nature of this reference. Mr. Eastwood is in some desert location with the sun beating down, and reflecting a lot of light back into his face. This makes the reflected light very light, and somewhat confusing. Take for example his right lower eyelid. It looks almost as light as the left, but I would argue that is all in "shadow" As an artist, we get to make these decisions to help tell the story better. My recommendation would be to shadow map out what is in shadow and what is in light and make sure there is a larger step between the two. Keep it up!
Devon Smith
I’m not an expert but as a peer I feel as if the range of values is the biggest critique here. If you go in with a b6 pencil and darken the darkest areas it will feel less washed out. the lightest and darkest values are just too similar. overall great job though!
@karma_86
2mo
Here are my attempts with pencil (HB, 4B, 6B). Aside from the anatomical deviations, I think I need to go darker with the shadows. Any critique would be much appreciated. :)
Jose Carvalho
Ethan Burke
I feel like I keep making faces wider than they are long. I stopped making the eyes anime sized so that's an improvement. My faces are at least coming out human now I just wish they looked like the human I was drawing haha.
Vitaly Borisenko
It is very common to make things wider than they really are when drawing. Frustrating, but it's just how we humans work. Try to check your angles with a straight object like a knitting needle, that would correct it on the right side of the face. Another way to notice what is off is to look at reference and drawing in the mirror, I do that all the time. Hope this is of help.
Jesse C
7mo
My attempt after a year of learning/progress
@alexmolaver
I learned a ton from this class, thanks for a great course! This was great practice just for controlling the pencil too which was a lot harder than Stan makes it look.
Melanie Scearce
Wow, this is beautiful work! Thanks for sharing.
YS Ryan
8mo
I followed Stan drawing in each stage as a guide at some stages I copied what he did and other times I tried making my own attempts throughout. It ended up a bit weird with a mix of smudginess to set tone and using lines for shading highlighting the plane changes. If anyone has any feedback on how to improve and what to pay attention to while practising on other portraits it would be appreciated. Thanks 😊.
Melanie Scearce
I really love the expression in the eyes in your drawing, and the lost details in the shadow areas. All good choices. The nose feels a bit long for his face. A good rule of thumb to follow is the 1/3rds -- the hairline to the brow ridge, brow ridge to the bottom of the nose, and bottom of the nose to the chin are all about equal measurements. Mixing it up by following along with Stan and also going off on your own to experiment is a great idea. Keep it up!
Allen Gordon
Gonna get to the two portraits but first I decided to try with everything I learned to draw my wife. I found I may need to expand and do a few bigger photos before diving in trying to make it small composition, even though I’d like to not take up a whole page for a portrait.
Melanie Scearce
This is a lovely portrait. Keep going!
Amani Noor
8mo
Allen Gordon
Your work is genuinely inspiring. How well your able to take what you know and put it back on the paper
Charles Ray
10mo
I definitely see mistakes but likeness was the goal. Critiques on that would be helpful.
Yoshi Oda
11mo
I think I made the eyes too big but I don’t think that’s the only problem. I think I made the overall head to small and the features a bit to big/bold if that makes sense? I would like some feedback so I can improve in the future
Nicole Guz
1yr
I tried following. But I have alot of proportional mistakes. How did you guys measure your reference to drawing? Also any other critique?
@robot0906
1yr
Here’s my potrait study I did on Wednesday.
Aadesh Maharjan
This is a portrait of Tyrion lannister from GOT. Critiques for improvement please
Angiev
1yr
Finally, Not sure how long ago I started the course. First time I went thru really to fast. I had some issue with the forhead lines, but here it is. I know I didn't push the lights and darks any further. Feed back is welcome
@alexanderglarose
I know you already acknowledged that you didn't render the lights and darks further. My question is, why not? You have a fairly well-constructed Nicoli. You could easily improve your drawing orders of magnitude by simply making the darks darker. Even just making the pupils their respective deep black could add much more character. Other than that. Your eyes look like they are looking in different directions (I believe the left pupil is slightly offset to the upper left). I believe the shape/outline of your shadows could be paid more attention, especially those under the jawline and in the ear. And your shadows are nearly as light as your half-tones. Remember, the lightest darks are darker than the darkest lights. And there are many parts of your drawing that weren't shaded at all. The only parts of your drawing that should be absolute whites should be your highlights (e.g. It looks like your whole forehead is a highlight). Everything else should be even just slightly shaded so that your drawing doesn't look blown-out. I believe you have much untaped potential in this one! You should come back to it some day :)
Marco Sordi
2024/6/4. Good afternoon everybody. Here's my latest work, a master study again. This time a tried to draw a detail from "Giuditta Beheading Holofernes" by Caravaggio. It's my first work totally realized by pastel pencils (Stabilo Carbothello and Rembrandt on Pastelmat paper). The wrinkles on the face of the old servant Abra, intent on holding the cloth in which Holofernes' head will be preserved, are excessively hard but the gradations and nuances are acceptable, considering the instability of the pastels. It is my first attempt to create a work with this type of media but I must say that I am moderately satisfied. Thank you for your comments or critiques.
maciek szczech
Beautiful. Next step would be perhaps to study the whole Caravaggio painting.. Looking forward to see more from you.
Melanie Scearce
Beautiful work! It's wonderful that you are experimenting with new mediums. Hope you had fun!
@ashton526
1yr
Hello, some great feedback on here. Would appreciate any critique of mine. Been drawing for about 8mo, so my self-critique list on this drawing is very long. Would love to know if it matches what others think, thank you!
Melanie Scearce
This is a lovely portrait -- very expressive. You did a wonderful job. I think what makes Stan's demo portrait successful is his use of lost edges and implied forms. Compared to his portrait, you tend to outline the features with a darker line to show the shape of the form that you have designed. I don't see that as a negative or positive thing, just an observation. Overall, you have a great value range and your drawing ability is really shining here. Great job and hope to see more :)
Arman Jucutan
Hello, here is a recent lay-in practice that I did. I am having issues with the lay-in stage. Particularly with setting landmarks and making the big shapes accurately. I like using straight lines in my lay-in stage because I find it a lot easier to set landmarks (e.g. thirds of the face) and draw the big shapes of the features (e.g. the eye sockets and overall nose shape) as shown in my work below. I don't feel confident with this method though because obviously my initial lay-in is far from what the reference looks like. Am I using too much straight lines here? Should I incorporate more curves? Thank you in advance for any kind stranger who will respond to this!
Melanie Scearce
I think if using straights helps you in the layin stage, use 'em! I would recommend focusing on finding the right angles if you use that approach. For example, in your drawing, her face is very square and she looses the feminine taper of the jaw because the line isn't angled inward. Hope that helps!
Samuel Sanjaya
I did some expressions study. I feel like knowing the muscles of the face will help me do this better
Jesper Axelsson
Hi @Samuel Sanjaya, nice studies! - I've been trying to learn drawing facial expression for a long time. I too thought that learning the individual muscles of the face would help me do it better, but it didn't help that much. I've been studying the Disney animators a lot recently. There is an awarness of the muscles in their drawings, but they are focusing on the large masses and how they squash and stretch. You need very little detail! Just a few shapes can give a very clear expression. So keep it to just a few shapes, give us a feeling of solidity with a rigid cranium, then have the features squash and stretch on top of it; have all the features affect eachother. I did a paintover explaining this in more detail. It might help to do some studies of facial expressions drawn by a Disney animator. I hope this helps :) Let me know if you have any questions!
Pedro Branco
Here's a portrait that I did recently. I'd like to be able to shade much like how Stan does in these demos but I just don't know where to start with the topic. It's a subject that I have a really hard time with. Tell me what you think please. Feedback is very appreciated.
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Founder of Proko, artist and teacher of drawing, painting, and anatomy. I try to make my lessons fun and ultra packed with information.
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