Assignment - Control Depth on Paper with a Simple Box
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Assignment - Control Depth on Paper with a Simple Box
courseThe Perspective CourseSelected 2 parts (132 lessons)
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Sandra Süsser
+100 quick random boxes from imagination. I am still way too impatient.
LESSON NOTES

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Boxes are the basis of complex perspective. Control three dimensions and you control depth on paper. We can see complex objects as a series of cylinders. Cylinders have complex curves that we best understand by reducing them to boxes and straight lines.

The Simplest 3D Form

Let us see how simply we can simplify form. A shoebox is proportionally complicated with different heights, widths, and depths. A sphere has a single curved plane. Curves are complex. Triangles are difficult to draw in perspective.

The most conveniently simple three-dimensional form is the cube. Boxes are made of right angles. Every line is at a right angle to each other line that it touches. The cube is even simpler because it is square all around. Every plane is a one-by-one square.

The Challenge of the Cube

Simple does not mean easy. Each plane is exactly the same size and shape. This is a hard criteria to meet. Squares tipped into space do not appear square due to foreshortening.

Mastering foreshortened squares gives you control over proportions in space. They solve the problem of field of vision. They help establish how dramatic you want depth to look. Constructing the most basic form in the world, the sphere, comes clearly by seeing the cube as its parent.

Methods for Drawing Cubes

Here is how to master the cube. Study it. Draw from it over and over. Imprint it into your brain.

Shapes First

Rough in planes lightly and loosely. Compare the shapes and eyeball the angles. Do not fuss over one plane so long that you forget it is only one part of the cube. See the whole cube as a thing. Let the line directions come from that view of the whole cube. This improves your perception of how squares turn into new shapes.

Get in the habit of fearlessly and freely beginning a sketch. Gradually hone your precision. This avoids a self-conscious and stifling approach. Judge your drawing lightly instead of harshly. See this as a process rather than a product. Delaying your commitments by gently seeking line directions trains you to see the correct lines in advance.

Line Systems

Start with the X, Y, and Z axes. Put down the three crucial lines that give you a front corner. That helps you find other corners at varying angles. Right angles now become acute or obtuse angles. This method relies on your knowledge of where lines go in space.

Construct Within a Circle

Cubes do not stray far from the ratio of circles. Start with a circular blob. Find your axes and seek convergence.

Receding Convergence

Boxes have parallel lines. When parallel lines go away from our face, they converge at a vanishing point. This is receding convergence. Lines aim away to unite like they should.

One of the most common errors in freehand perspective is drawing lines that do not look like they go away. We call this receding divergence. Lines spread apart instead of coming together. This is bad. It takes conscious attention to fix this until it becomes a habit.

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ASSIGNMENTS

Draw 100 rough cubes freehand. Add little arrows to show where each set of parallel lines is converging in space. Focus on making the lines feel like they recede toward the same point, not diverge apart.

  • Draw quickly and loosely
  • Don’t use a ruler
  • Think about line direction and convergence
  • You can use a real cube, make one, or use the Zolly app cube model

Deadline - submit by June 07, 2026 for a chance to be in the critique video!

Hans Heide Nørløv
First page of boxes, and then the last page. I very much enjoyed to be “forced” to just sit down and do a such concrete simple task for a long time. It felt like I was really strengthening my drawing muscles.
Mal
18d
These are some of the pages of box drawings I did for this assignment. I started off by drawing the boxes in pen. I switched to pencil after the third page of box drawings. In doing these box drawings, I noticed that I my box drawings have improved very much since the last time I made a concerted effort to draw scores of boxes at a time. I still sometimes have issues with getting a box's edge to line up correctly with a corner. I also need to learn how to draw more overhead boxes and boxes at more "awkward" angles.
Miqdad (Mick Dad) Ali
Very late to the party, but here are my 100 cubes! I kept wanting to have my cubes feel like they were twisting along a path and feel like I was occasionally able to capture that. any feedback is welcome!
Maria Bygrove
Some life issues happened and I got way behind on the Perspective course. I was tempted to just skip this assignment and move on but I realized that if I did that, I would never get back to it. So, here are my 100 cubes.
Tori Tempo
1mo
💯 CUBES
Ronald Moss Jr
I spent this entire course trying to master the cubic box in perspective. One point. 2 points. 3 points. 4 and 5 points. I just can’t draw comic books or characters without it. Just trying to do it until it all becomes a second nature. I welcome all criticism, but please keep it positive. Thank you!
Chuck Ludwig Reina
Nice work. And that is a good instinct. Learning boxes is one of the most important skills for doing complex comic book pages. One thing I'm noticing in your boxes, and it is something I used to do a lot too, is you have edges of the box not converging. Every edge should (at the most) be parallel to edges pointed in the same direction. Otherwise they should converge. This is true for all cube shaped forms. As things recede into the distance, they converge. Learning this was HUGE for me and really helped me fix any of my boxes that were a little off. It's okay if you just eyeball it, as long as they are generally converging, it usually will look fine. (I did a little draw over showing it on some of your cubes) Again, nice work, and keep at it.
Coco Dleite
These are my first 15 cubes! I will try to upload the others when I finish, meanwhile this is what I got!
Roberto C
1mo
I feel accomplished
Michelle Lyn
Joined the course in part 2, but here we go, 100 “cubes” :)
lautaro asis
I have done 52 and right now I just don't know how else to make cubes that aren't just repeats, I'm kind of forcing them into shapes. 46,47 and 48 are just part of one building :/ I'm fighting the urge to draw other stuff around. I guess the objective implies that I'm going to eventually just repeat cubes so that's okay, funny how drawing cubes blueballs you so you want to draw even more than if you hadn't drawn any cubes
Shayan Shahbazi
Around 100 more.
HM L
2mo
Sometimes a cube becomes a rectangular prism if I don't be minded.
@boomy
2mo
A bit hard to see, but im one day late so wont end up in video anyway! no reference, purely from imagination.
Jeremy Johnson
Here's my 100! Admittedly, a bit messy in a few places, but I felt I got the gist of the assignment.
Angelica
2mo
Here is a 100 cubes. I did every other page from reference and every other with no reference. It’s great to have the perspective lessons back!
Smithies
2mo
Here are most of my pages - I managed to leave a couple of pages behind when I was away last week but think I nearly caught up again. I was focusing on trying to get cube proportions. I think i got better over time, but will keep practicing until it's second nature. Sorry for sloppy sketchy lines. I was trying to correct as I worked, and made lots of mistakes!! Observations: because a square has equal sides when it moves away it becomes a rectangle (unless it becomes a complicated diamondy shape). Making sure the long rectangle lines are close and moving away rectangle lines become shorter is important. Mostly front on is really hard to make it appear a cube - it is easier with 3 clear planes and hard with only tiny diamond planes to keep cube proportions. Getting the correct convergence is key I think. Working from imagination in some ways easier - just follow logical rules. Working from a real cube I found really hard. I don't really 'see' the convergence easily. I struggle to tell what is right/acute/obtuse. I even struggle to tell which way an edge is going?!? Making sure to close one eye and imagine taking a photo is the only way I could 'copy' the 3d form. And it was still hard. I held it in my hand and was not very good at keeping it still which doesn't help either!! I think it got easier once I had more practice with the building block but I will keep going with this exercise until it is easier. When I struggled with one I tried to do it again or do a similar view until it made more sense. The very slightest inaccuracies in length or angle make a huge difference, especially in maintaining cube proportions.
Vitor Gardini
I still don't finished this assigment, but I have some questions because I think that is very helpful to represent a whatever interior space which I have very difficult. So, If I understood correctly It wasn't about doing this unconsciously and I have been tried visualize what position I want the cube being. So here's my questions 1 - How important is thinking on angles ? Because when I tried pay more attention on this it became more complicated 2 - Image 4 ( Red box ) I think that's not correct, but only to clarify this. It's possible or correct if these sets converge in diferents points ( Like, left point, one of them is shorter than another ) 3 - And about Room because I'm still practing that exercise about Rooms and I don't have a good aproach but I heard that we can think interior spaces like a big boxes, what do you think about this aproach and if you have some tips I really apreciate it. Well, Thanks for you all of comunity of Proko and of course the students I frequently see a lot of work of them and their work kind of inspire me and challenge me to be better
Mehmet Eralp
Not all cubes look cubic enough and some are a bit too distorted with extreme perspective to add variety, but it was a fun challenge :) I did not count the cubes when drawing, and it turns out, i ended up drawing 120 cubes :D
Li Ming Lin
100 cubes sure is a lot! By the time I got to the 50th cube, I was running out of ideas of what I could do with a cube haha. So there is repetition, but no matter. For the first 73 cubes, I took a little bit more time to try and understand the line direction and convergence (but still quicker than me using a ruler). Then, the remaining 28 cubes were much quicker because I wanted to test myself. For all 101 cubes, my ruler remained untouched, and I'm super happy about that :D
Kelly Keuneke-Marts
It isn't 100, but I am going to be honest, I was getting so bored. I noticed that if I started with the arrow it became incredibly easy to catch the perspective of the box I wanted. (Which I assume was the intent). Used the zolly app for a couple boxes (especially with high zolly ratio). I tried making it look like the boxes were falling into a hole.
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