Assignment - Control Depth on Paper with a Simple Box
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Assignment - Control Depth on Paper with a Simple Box
courseThe Perspective CourseSelected 2 parts (119 lessons)
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Sandra Süsser
+100 quick random boxes from imagination. I am still way too impatient.
LESSON NOTES

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Boxes are the basis of complex perspective. Control three dimensions and you control depth on paper. We can see complex objects as a series of cylinders. Cylinders have complex curves that we best understand by reducing them to boxes and straight lines.

The Simplest 3D Form

Let us see how simply we can simplify form. A shoebox is proportionally complicated with different heights, widths, and depths. A sphere has a single curved plane. Curves are complex. Triangles are difficult to draw in perspective.

The most conveniently simple three-dimensional form is the cube. Boxes are made of right angles. Every line is at a right angle to each other line that it touches. The cube is even simpler because it is square all around. Every plane is a one-by-one square.

The Challenge of the Cube

Simple does not mean easy. Each plane is exactly the same size and shape. This is a hard criteria to meet. Squares tipped into space do not appear square due to foreshortening.

Mastering foreshortened squares gives you control over proportions in space. They solve the problem of field of vision. They help establish how dramatic you want depth to look. Constructing the most basic form in the world, the sphere, comes clearly by seeing the cube as its parent.

Methods for Drawing Cubes

Here is how to master the cube. Study it. Draw from it over and over. Imprint it into your brain.

Shapes First

Rough in planes lightly and loosely. Compare the shapes and eyeball the angles. Do not fuss over one plane so long that you forget it is only one part of the cube. See the whole cube as a thing. Let the line directions come from that view of the whole cube. This improves your perception of how squares turn into new shapes.

Get in the habit of fearlessly and freely beginning a sketch. Gradually hone your precision. This avoids a self-conscious and stifling approach. Judge your drawing lightly instead of harshly. See this as a process rather than a product. Delaying your commitments by gently seeking line directions trains you to see the correct lines in advance.

Line Systems

Start with the X, Y, and Z axes. Put down the three crucial lines that give you a front corner. That helps you find other corners at varying angles. Right angles now become acute or obtuse angles. This method relies on your knowledge of where lines go in space.

Construct Within a Circle

Cubes do not stray far from the ratio of circles. Start with a circular blob. Find your axes and seek convergence.

Receding Convergence

Boxes have parallel lines. When parallel lines go away from our face, they converge at a vanishing point. This is receding convergence. Lines aim away to unite like they should.

One of the most common errors in freehand perspective is drawing lines that do not look like they go away. We call this receding divergence. Lines spread apart instead of coming together. This is bad. It takes conscious attention to fix this until it becomes a habit.

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ASSIGNMENTS

Draw 100 rough cubes freehand. Add little arrows to show where each set of parallel lines is converging in space. Focus on making the lines feel like they recede toward the same point, not diverge apart.

  • Draw quickly and loosely
  • Don’t use a ruler
  • Think about line direction and convergence
  • You can use a real cube, make one, or use the Zolly app cube model

Deadline - submit by June 07, 2026 for a chance to be in the critique video!

Shayan Shahbazi
Around 100 more.
HM L
10d
Sometimes a cube becomes a rectangular prism if I don't be minded.
@boomy
10d
A bit hard to see, but im one day late so wont end up in video anyway! no reference, purely from imagination.
Jeremy Johnson
Here's my 100! Admittedly, a bit messy in a few places, but I felt I got the gist of the assignment.
Angelica
11d
Here is a 100 cubes. I did every other page from reference and every other with no reference. It’s great to have the perspective lessons back!
Smithies
11d
Here are most of my pages - I managed to leave a couple of pages behind when I was away last week but think I nearly caught up again. I was focusing on trying to get cube proportions. I think i got better over time, but will keep practicing until it's second nature. Sorry for sloppy sketchy lines. I was trying to correct as I worked, and made lots of mistakes!! Observations: because a square has equal sides when it moves away it becomes a rectangle (unless it becomes a complicated diamondy shape). Making sure the long rectangle lines are close and moving away rectangle lines become shorter is important. Mostly front on is really hard to make it appear a cube - it is easier with 3 clear planes and hard with only tiny diamond planes to keep cube proportions. Getting the correct convergence is key I think. Working from imagination in some ways easier - just follow logical rules. Working from a real cube I found really hard. I don't really 'see' the convergence easily. I struggle to tell what is right/acute/obtuse. I even struggle to tell which way an edge is going?!? Making sure to close one eye and imagine taking a photo is the only way I could 'copy' the 3d form. And it was still hard. I held it in my hand and was not very good at keeping it still which doesn't help either!! I think it got easier once I had more practice with the building block but I will keep going with this exercise until it is easier. When I struggled with one I tried to do it again or do a similar view until it made more sense. The very slightest inaccuracies in length or angle make a huge difference, especially in maintaining cube proportions.
Vitor Gardini
I still don't finished this assigment, but I have some questions because I think that is very helpful to represent a whatever interior space which I have very difficult. So, If I understood correctly It wasn't about doing this unconsciously and I have been tried visualize what position I want the cube being. So here's my questions 1 - How important is thinking on angles ? Because when I tried pay more attention on this it became more complicated 2 - Image 4 ( Red box ) I think that's not correct, but only to clarify this. It's possible or correct if these sets converge in diferents points ( Like, left point, one of them is shorter than another ) 3 - And about Room because I'm still practing that exercise about Rooms and I don't have a good aproach but I heard that we can think interior spaces like a big boxes, what do you think about this aproach and if you have some tips I really apreciate it. Well, Thanks for you all of comunity of Proko and of course the students I frequently see a lot of work of them and their work kind of inspire me and challenge me to be better
Mehmet Eralp
Not all cubes look cubic enough and some are a bit too distorted with extreme perspective to add variety, but it was a fun challenge :) I did not count the cubes when drawing, and it turns out, i ended up drawing 120 cubes :D
Li Ming Lin
100 cubes sure is a lot! By the time I got to the 50th cube, I was running out of ideas of what I could do with a cube haha. So there is repetition, but no matter. For the first 73 cubes, I took a little bit more time to try and understand the line direction and convergence (but still quicker than me using a ruler). Then, the remaining 28 cubes were much quicker because I wanted to test myself. For all 101 cubes, my ruler remained untouched, and I'm super happy about that :D
Kelly Keuneke-Marts
It isn't 100, but I am going to be honest, I was getting so bored. I noticed that if I started with the arrow it became incredibly easy to catch the perspective of the box I wanted. (Which I assume was the intent). Used the zolly app for a couple boxes (especially with high zolly ratio). I tried making it look like the boxes were falling into a hole.
Spyridon Panagiotopoulos
I hope I am in time. I had to do 30 today just to make it before 07 June, but ended crossing the 01AM here. Cubes and boxes have been my nemesis. I never seem to be able to get the right, so this time I decided to take this seriously, observe, put lines, recheck, correct, recheck and so on. Some cubes, after seen with a clear eye, were off, but I hope that on average I did more correct than not. Still, Master Marshal, I have to ask. Those were done from observation. I am still struggling with rotating cubes by imagination. Now, taking it more seriously and doing 1 grid a day has improved them for me, and slowly it starts look like a cube rotating in x/y/z, but in order to do them decently, I have to measure, I have to plan, and I have to plot. If I try to do them freely, by intuition, they...are terrible. How can we work this out? Spending 1 hour each day on grids and seeing small improvement is burning me out horribly. But since everyone calls it the basis of imagination drawing, how can I even dare to hope I can do it, if Lesson 1 is extreme difficulty for me still?
sara keyes
12d
Mon Barker
12d
Mostly cubes, one set of boxes attempting to relate them with no grid/horizon. Last image is trying to understand what the cube does in different positions and distances to viewer in terms of x,y,z and angles… I see I need to understand to remove randomness/hoping that a cube will be ~correct….putting them in relational space with other cubes really reveals how difficult this exercise is.
Daniela
12d
I like cubes a lot, I can not visualize them and keep the volume right whatsoever. But they are so straight forward and help so much which is just lovely
@writedrawface
I wasn't happy with my first hundred, so I did a little over five-hundred. To save space, and time in case anyone looks at them, I only posted the last hundred I did. I used the Zolly app, which helped immensely after using a Rubik's cube. I feel like I got a better hang of the cubes, but still struggled with convergence, as some lines feel either too close or far apart. I also tried tumbling cubes and found them very difficult, so I'm looking forward to future lessons and working through that challenge. Any feedback and pointers would be greatly appreciated. Thank you! Also, I apologize for my poor line quality. It's something I'm still working on.
Michael Giff
That's a lot of cubes! I think you did a really solid job with the proportions for most them, with that nice even cube form.
Jyayasi (*Jay-o-she*)
I tried to maintain the proportions of the cubes as best as I can. It seems off, though for quite a few ones. I struggled to maintain the same (or a close) amount of convergence for all the sides. I have noticed that if the convergence angle is suddenly too steep, that face of the cube looks longer. Also, if I view the cubes too closely (when I used the zolly app), the convergence angles of almost all the sides grew steeper. What I would like to know is if there is any way to relate the amount of convergence of each of the three faces that we can see. I have noticed that the face of the cube that faces us the most converges the least, but I don’t understand how quickly the other faces need to converge for it to look like a cube and not a rectangular box.
Patrick Hynes
100 cubes done over a few weeks. After a bit, I kind of settled into the circular blob to cube method. That seemed to click for me. I felt like I could use the circumference of the circle to help organize the angles of convergence.
Nurit Gardana
While observing the cube, I wondered how I could draw a cube of the same size but tilted next to it. The vanishing points of the tilted cube aren't on the horizon line. I can create another line for the vanishing points of the tilted cube, but I'm not sure how that works.
Pixel
12d
Waaaah I did it!!! The 100 boxes! The first 20 boxes were really hard, then it got better for a while and then it got hard again, but I think I have dialed them in now. I tried different approaches for every 10 or so boxes, focusing on different aspects each time. The first few were drawn from imagination, then I used the Zolly app for guidance. I switched between using Zolly and drawing from imagination for the last few, trying to see what I learned. I found that it's easiest for me to combine the Y approach with the converging lines, then trying to find the planes that are usually invisible, to get proportions and corners right, if that makes sense. Very useful and helpful exercise, but also a pain to do. I found drawing boxes from bottom up especially hard to get right. A few of them came out really wonky or not cube shaped. How do you make sure that the proportions are those of a cube, when perspective get's extremely foreshortened? Especially if you don't want to construct them, but do it intuitively? Is it just practice and getting a feel for it by going through construction, until you can do it in your sleep? Also sorry for the chaos, I made sure to give each one a number, but I was drawing where ever I had enough space on the page xD Hopefully everything is readable enough, I tried my best to get a clean photograph.
Stevie Roder
I finally conquered the 100 Cubes challenge yay!. I realized trying to cubes free hand was highly challenging yet fun at the same time as I started my journey during Page 1 couple days ago through the first 20. Then During page 2 while I was doing my other sets of 20 for the day, I figured out just by looking at a cube box of my reading light I own. It helped me invision how I should allgin my lines to form up my cubes which I took to heart throughout the rest of this fun challenging excercise. I also can tell that as I started going back from Pg1 through 4. i started off with trying to come up with how to form my cubes with expirmental phases designs. while I noticed during pg's 2-4 I came to turns on slowly figuring out how to actually form up my cubes. I am highly proud of conquering this highly fun challenge Marshall. Thanks on giving us this fun challenge. Also sorry for the backlight on my phone again. Hopefully my posting is good enough to read and hopefully get helpful tips on how to improv on getting used to freehand drawing. This was highly fun overall though. I can't wait for the upcoming fun excercise challenges ahead.
Stevie Roder
I also realized I forogt to include arrows after drawing 20 onwards oops. Can anyone give me helpful tips on how to get used to drawing freehand like this please? would highly appreciate it for our future assignemtents/projects or practice.
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