I have tried it and learned many things from this exercise. Not only about perspective but also about composition and understanding depth between the foreground, middle ground, and background. However, to be honest, I still struggle with arranging the composition properly. I will keep trying.

I’ve completed the assignment, but I struggled a bit with understanding how the converging lines should meet at the vanishing point. It was tricky to keep the perspective consistent in different orientations.

I’ve been working on it, and honestly, it’s harder than I expected. My lines are still wobbly, and it’s frustrating not to see the improvement I hoped for. But I can feel my hand getting a bit more steady with each try. This exercise is definitely helping, so I think I’ll keep using it as a warm-up before drawing. Thanks Marshall!

Raden Saleh DCFOA : 4/4/3/5/4 Jean-Léon Gérôme DCFOA : 5/5/4/5/4 Giovanni Paolo Panini DCFOA : 4/5/3/4/3

This isometric optical illusion assignment was actually pretty fun, even though it took a lot of focus and really made my brain work!

I have already collected 4 reference images from artists 荻pote, Yusuke Murata, Mika Pikazo, and Mogoon, whose styles will serve as a standard for my skill development. For my big-picture goal, I want to focus on two areas: -How to effectively exaggerate organic shapes, like body parts or natural forms, while maintaining a sense of perspective. -Developing the ability to draw objects or scenes from angles that I can’t easily find references for. This could include complex poses or dynamic environments, where perspective plays a major role in conveying depth and scale.