Hi @Lenserd martell, I think these look really good! Overall, really nice work! - You might want to do some more studies of the pelvis and the obliques. - In image 2, drawing at the top, the acromion process should be farther out, I think. And the humerus could be farther out too. - In image 1, drawing at the top, I think the serratus anterior should reach lower on the ribcage. Hope this helps :)

Upper back quick sketches

Hi @CHARLES DEIGHAN, I think you did a really nice job with these. Is it just me or has your drawings gotten a lot more solid and three dimensional? I can really feel the mass of the trapezius in your drawings! - In #1 and #6 the upper portion looks too tall Hope this helps :)

Hey Lukeng, overall, I think these are pretty nice drawings. My personal feedback would be to work more on the clarity of the areas you're studying in the drawings (which I assume is the upper back based on the assignment description). In drawing #5 the information about the trapezius feels pretty clear and in drawing #8 it's also clear and I like the additional form information of the right scapula, the shoulder and how they all come together, but in drawing #7, for example, there are so many line movements and shapes happening that the information becomes a bit lost. I understand (based on the assignment description) that these might be quicksketch drawings, and I'm mostly just giving the feedback as something to keep in mind (if you agree with it). If they are timed quicksketch drawings, it might also help to focus your time economy more on the upper back (in this case) after finding the gesture instead of adding detail in order places. I hope this helps Lukeng, and keep up the good work! :)

Hi Max! Beautiful drawing! Very controlled shading. I would push the concept of lighting losing strength as it moves down the subject. So here the light would hit stronger on the shoulders and by the time it hit the lower back the power of the light has diminished and so light isn't as bright. That may add more depth to the drawing. Personally I'd add in some texture or hatching in the core shadow and where it meets the light to give some variation of feeling with the forms. May be that is just personal preference. Great work!