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About instructor
Marco Bucci began serious study of art when he was 19. He began with drawing fundamentals for 3 years before discovering a love for painting.
comments 9 submissions
Hi Marco. I used this lecture as an opportunity to move on to some simple still life. This is the first time I have painted from real life instead of pictures. Understanding color temperature and value differences really helped me make conscious choices even though the subject and background have complementary colors. I will paint more spheres as you advised and use that as the basis for color choices in more of my practices in the future.
LESSON NOTES
Watching a painting class is one thing, but we need to instill good practice habits in order for you to take this information and allow it to flourish over time, and in your own daily/weekly/monthly practice. This chapter will suggest simple ideas for practice, specifically targeting all the information from Chapters 1-5.
DOWNLOADS
Chapter 6a - Study Tips & Advice.mp4
586 MB
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Let's apply what we've learned with some studying tips.
Some quick ones I just did. I'm gonna attempt at doing this every day. This study looks quick relaxing even at a day I'm tired or very busy and cant do other types of studies. Great advise!
Hi Marco. I used this lecture as an opportunity to move on to some simple still life. This is the first time I have painted from real life instead of pictures. Understanding color temperature and value differences really helped me make conscious choices even though the subject and background have complementary colors. I will paint more spheres as you advised and use that as the basis for color choices in more of my practices in the future.
krita has a built in gamut mask tool, using the artistic color palette and gamut mask dockers you can even make custom ones.
Does anyone know where bonus file is ?
Yeah I think it's missing. I cheated and took a screenshot of the colour wheel in the video - probably not going to be the exact same colours Marco is using, but good enough for our purpose of studying palettes quickly
I did 3 versions of the the exercise with a monochromatic palette. My goal was to make tham as distinct as possible while using the same palette. Next I will try my hands at the complementary palette.
It gets exceedingly harder to make the picture feel coherent with the (split)-complementary palette. Its also hard for me get the bounced light in the shadows right. Guess I will do some reallife-studies next.
