6B: Minor Assignment 6
6B: Minor Assignment 6
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05:02

Ideacraft: How To Draw Pictures That Speak Louder Than Words

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@atklegend
2mo
What an ugly truth! had so much fun rushing and facing my mistakes and clutches straight on! loved the 1 min version although i didn't like how i finished it. loved seeing all the other submissions.
@boygordon
3mo
Kamellia
3mo
Hello everyone ere is my submission for this assignments 6b. As usual i found it very interesting i did it twice because i really struggled on the first try, kept getting caught in focusing on proportions and likeness and doing it right etc. i even started the first 1hr first drawing twice on the first try because of this struggle an din the end i still felt like i failed some how which allowed me to do the second without many of this in problems as i has already "failed" before. I did noticed that as the time more and more constrained my memories drawings got smaller and that i couldn't "see" the image in my head so i attempted to focus more on the shapes of things and use this as a means of remembrance, which was very interesting. this is definitely an exercise i will be doing again in the future.
@winona
3mo
It was very interesting to see what you can remember and how the drawings change with less and less time. From 4 minutes onwards I was getting really stressed (drawing 5-8) :). The drawing style gets different because of it. I do not have a favourite (don’t like most of them), but decided to continue with the 1 minute sketch.
Ko
5mo
My Ugly Truth assignment! Really enjoyed this exercise even though I felt like that one moment from Brooklyn-99 of Jake Peralta screaming on a guitar for the 1-minute and 30-second ones haha. I ended up liking the 2-minute one the most :)
Sterling Hundley
Nice consistency in holding onto the likeness through all of these. I love it when the favorite drawing is one of the shorter poses. That might me one of the most important lessons in the exercise- that correct comes from outside consensus and what you define as good is an internal validation.
Rachel Dawn Owens
You still captured the essence, even in the 30 sec one. Super cool
@ahood
5mo
Here is my ugly truth assignment lol! I noticed something cool happening in the 15 minute-exercise and I thought to "fix" the eye placement instead of just leaving it alone. UGH. Oh well I need to do this more!
Sterling Hundley
@ahood Not so stress over! I can see that you are very analytical in your initial drawing process, as I am I. The more you do this, the less analytical you have to become. Initial measurements will fall way to direct mark-making. It becomes an almost like a scale of analysis to emotion. The right answer is somewhere in that scale. Nice work!
adam burke
5mo
My ugly truth assignment
Sterling Hundley
@adam burke Oh man, that finished piece is absolutely fantastic. There is a timeless quality to it and it remind me of a Picasso painting. Seriously- very cool.
Nicolò Bongiovanni
So interesting! Thank you so much!
Sterling Hundley
@Nicolò Bongiovanni My pleasure! Taking on the full figure in this exercise makes it even more challenging. I love the end result. I am curious- do you have either a scanner or software to clean up the value a little bit? If you have access to something like photoshop, playing with the levels can aid in the clarity of image a great deal. Thank you for sharing!
Gannon Beck
That was a humbling experience, lol.
Shayan Shahbazi
Amazing 😍
Yuli Levy
6mo
The character is Arthur Morgan :) and I kinda like the 8m. this one was a fun exercise!
Sterling Hundley
@Yuli Levy You really held onto the likeness through the process, lost it a bit at four minutes, but found it again at 2. Very interesting. You were also very consistent in sizing and placement on the page. I can see you analyzing the portrait through your drawing construction. I'm not sure where in the lessons I state this, but the armature that you are building through drawing, notations and guess lines is the same as the underlying grid in formal design. I like to draw the comparison between the two, so that students understand the importance of the unseen connections in our mark-making, as well as the unseen structure as we design our layouts and pages. Impressive work here.
Pamela D
6mo
Here is my part 2 of the assignment. I liked the way the assignment helped my choices for the final drawing by keeping simple lines from the minute drawing, along with tones from the first to emphasise the wedge like solid beard appearing to be supporting the pipe. Without my knowing these elements were drawing my focus in each drawing and by contrast very little focus to the hat, that continually shows throughout the drawings.
Sterling Hundley
I think our mind and our eyes are intuitively making associations and are drawn to things that we don't even know. The way our vision works is that we have a very narrow area that we focus on in the world, and the rest falls out of focus into our peripheral vision. If it was all in focus, all it once, it would likely be like living in a Michale Bay movie- everything all at once.
Pamela D
6mo
I found the drawing that I like best the drawing that took one minute to draw, as it looked lively in contrast to the beard and pipe looking solid. I didn’t render it all as I wanted to keep some of the line drawing from the minute session. I found the hat the hardest as you can see it keeps changing throughout.
Sterling Hundley
Interesting here the time does not always = value. Your longer drawings are well done, but that 1 minute and the 30 second drawings are... chef's kiss... so fluid and intuitive. I'd have argue that the 30 second one is my favorite.
Gwynn
6mo
Great exercise, I will try to remember to do it now and then. Pretty intense though, working with such focus for 2.5 hours. I feel totally drained. I like 30 min and 4 min. Kind of weird how the 2 minute one deviates so much from the others.
Sterling Hundley
@Gwynn Your comment about the 2 minute one made me laugh out loud over here. It IS quite different. Your 30 minute drawing is absolutely stellar. Lost edges, 100 yard stare. It reminds me of a painting by George Tooker entitled the Subway. Also Lucian Freud and one of Philip Guston's more representational works.
Mandy Valin
I chose the two minute one to finish, though I like the 30 second one (I like it enough that I didn’t even want to shade it lol)
Sterling Hundley
15 minutes is really great, too @Mandy Valin ! A bit of Javier Bardem from No Country for Old Men? Great light and shading in that one.
Gwynn
6mo
Its really funny how the third one is looking right at us, and then looks away again on the next drawing. He is also more happy with life it seems!
@shayy02
6mo
This is my first time trying something like this. I think it's a sure way to find a style that doesn't feel forced. Something I struggle with, trying to force it. The mistakes I noticed were lengthening the neck and adding too much forehead. I found the 1 minute drawing to be most compelling.
Sterling Hundley
It's amazing how the slightest shift of the head and tilt of the next can dramatically change our perception of the figure. So glad to you tried this. I also agree that the 1 minute post is the most interesting (and most natural).
Sita Rabeling
Finally. I was afraid to start with this - but here it is. In 2 minutes he suddenly turned into a Chinese sage. I kept this for the final drawing, but everything I added digitally seemed to ruin the original paper drawing (9B and a graphite stick). So I only made the pipe more visible and let it smoke. Carefully added here and there some white hairs. Interesting to go through this assignment. 😅
Sterling Hundley
It's an intimidating process where you are guaranteed to fail. Finding value in the failures may be the most important takeaway.
@edel82
6mo
Great exercise, I don't think the likeness is all the way there in these. I spent too much time trying to figure out the jaw line in the first attempt. I prefer the 30 minute one where I pushed the values some more. The most interesting one to me was the 30 second attempt. I tried to keep the shadow shapes simple.
Sterling Hundley
I once had an instructor tell me that we see vertical and horizontal lines/object rather easily. We struggle with the angles. For many artists, it's a lot like math, where we are plotting points between the vertical and horizontal "grids" we envision. I love th weight and mass of the shape beneath the jawline into the neck, and I really like that 30 second drawing.
Viacheslav [ki-Vi] Polianskii
HAHAH that was a lot of fun, obviously a sense of scale abandoned me when time started to press and a person quickly changed to a completely different individual, but still, it is a cool task to work on) I've decided to change materials from time to time to find something ) it didn’t quite work out, but brought a lot of smiles) As far as interesting goes though - curiously my 8 minute drawing is more accurate than 15 or 30, at some point, I’ve changed his chin and carried the wrong one with me till the end on the bright side - right eye stays consistent!!👀😂 Though I chose 4min one to add values and form back a bit via the use of calque) - I like the feel of brush and if I wasn’t in a hurry - pretty sure I wouldn’t butcher negative spaces as bad) Good day and smiles to anyone who reads it.. if someone does 😅
Sterling Hundley
Great presentation here. Thank you! It's interesting that you fairly consistently enlarged the figure on the page. Perhaps that time limit simply forced you to draw more loosely, or maybe you naturally enlarge as you draw. Either way, it's good information to have. I'd be curious to see if you ever make very large drawings- 18" x 24" and bigger. We generally draw either from a fixed position with our wrist, or a more open position from our shoulder. You may benefit from larger, more physical approached to making art.
Mandy Valin
I love the 30 second one, he has a ton of character- ha can’t fit it on the page! It has great confident strokes
Dax Hansen
6mo
Very cool! Keeping the fur hood element gives it a very interesting dynamic. Well done and all the best!
Fran Turner
I love this kind of stuff! It was interesting to me how, as the time shortened and I began to feel stressed by the ticking of the clock, my lines actually became bolder and more confident. I wasn’t expecting that! I like the 1 min drawing the best - it has a Matisse-like quality that surprised me. I started to fill it in with shading and detail, and decided that I actually like it better in its simplicity. So I stopped.
Sterling Hundley
@Fran Turner Your first drawing is very well observed. It set you up for interesting variations as your time tow work was narrowed down. Learning that simple drawings can sometimes be more powerful than fully rendered drawings is a lesson in and of itself. Matisse- yes, I can see it, maybe even more in the 30 second drawing!
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From rocket ships to rock stars, NASA to Rolling Stone; I draw pictures that speak louder than words. Artist & Professor
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