6B: Minor Assignment 6
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This is a great exercise! There was a bit of panic mode happening with the time element, which really forces you to just put down your marks and commit. I think the 30 minute drawing was where I felt the most friction. My brain was still trying to hold on to the idea of accuracy and there was some frustration where the information simply wasn’t there in my memory. The process felt looser, and flowed more with each subsequent attempt.
It was really interesting to see which lines and shapes your mind holds on to when you have less and less time to draw. Though I didn’t really get the likeness down I still learned quite a bit here. I love the idea of re-rendering up a less “accurate” drawing from memory. I wound up choosing the 2 minute version to render up a bit. He ended up looking like Ian Mckellen‘s fisherman cousin or something lol.
This was such a valuable exercise! Thank you! Even just the priming lessons opened up a world of possibilities for me. Looking forward to the rest of the class.
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12d
Heck yeah, @Yigit Cakar ! I LOVE hearing that. So glad it was helpful. There are a lot of takeaways from this project, but the ability to define what interests you about your work, mark-making and image-making is at the heart of it. Nice choice in the 2 minutes sketch, as well. I also love the 30 second one:)
Had fun with this. And I did my final from the 1 minute. I chose 1 cause his face was crooked and that seemed interesting. I love using my creativity and embracing imperfection and like creating my own characters from pictures so that is what I did rather then trying to recreate his likeness a whole lot.
I kept the crookedness so the eyes are different heights. Cause I didn't want to lose the wonkiness of it.
I think with the ones from memory I shortened his face. I also did less and less shading and started to turn his head. I forgot the specific shape of his eyes right away and felt frustrated by that.
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1mo
You certainly chose the most interesting! This came out very well @treekin One thing I've learned from doing these exercises is that you have to let go of accuracy. The more that the face moves from a direct gaze at the viewer, the more the symmetry changes. Doing this exercise head on is much easier, but less effective. Well done!
What an ugly truth! had so much fun rushing and facing my mistakes and clutches straight on!
loved the 1 min version although i didn't like how i finished it.
loved seeing all the other submissions.
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1mo
@atklegend You chose a complex subject by including the figure with a gloved hand! Nice working holding on to it. Do you know the work of Ben Shahn or Philip Guston? Your later (faster) drawings remind me of them.
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1mo
Wow- @boygordon ! Removed from the subject and evaluating on marks alone- these drawings are confident highly skilled. The subject is also observed and interpreted in an interesting and compelling way. Are you a professional artist?
Hello everyone ere is my submission for this assignments 6b.
As usual i found it very interesting i did it twice because i really struggled on the first try, kept getting caught in focusing on proportions and likeness and doing it right etc. i even started the first 1hr first drawing twice on the first try because of this struggle an din the end i still felt like i failed some how which allowed me to do the second without many of this in problems as i has already "failed" before. I did noticed that as the time more and more constrained my memories drawings got smaller and that i couldn't "see" the image in my head so i attempted to focus more on the shapes of things and use this as a means of remembrance, which was very interesting. this is definitely an exercise i will be doing again in the future.
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1mo
As the process quickens (time is reduced), it's hard to build the images out of constructive observations. At some point, it seems to tip into intuition, with no room for measurement. These are all good things. I find that academic observations can feel quite interesting, but are often stiff, while main-stream stylized illustrations can often read too formless and without intention. Riding that wave between the two is the real art of the craft. Nicely done with these.
It was very interesting to see what you can remember and how the drawings change with less and less time. From 4 minutes onwards I was getting really stressed (drawing 5-8) :). The drawing style gets different because of it. I do not have a favourite (don’t like most of them), but decided to continue with the 1 minute sketch.
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1mo
@winona Drawing 4 and 8 strike me as the most interesting. This is not an exercise on accuracy and it can lead to frustrations there, but one that requires you to determine what "the most interesting drawing" even means. Nice work!
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1mo
Nice work @เจษฎากร อินต๊ะวิชา Did you switch to ink at the end , or simply use it in a different way in the beginning? It looks like you may have more washes at the start. That 1 minute drawing is quite interesting in its boldness.
My Ugly Truth assignment!
Really enjoyed this exercise even though I felt like that one moment from Brooklyn-99 of Jake Peralta screaming on a guitar for the 1-minute and 30-second ones haha.
I ended up liking the 2-minute one the most :)
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6mo
Nice consistency in holding onto the likeness through all of these. I love it when the favorite drawing is one of the shorter poses. That might me one of the most important lessons in the exercise- that correct comes from outside consensus and what you define as good is an internal validation.
Here is my ugly truth assignment lol! I noticed something cool happening in the 15 minute-exercise and I thought to "fix" the eye placement instead of just leaving it alone. UGH. Oh well I need to do this more!
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6mo
@ahood Not so stress over! I can see that you are very analytical in your initial drawing process, as I am I. The more you do this, the less analytical you have to become. Initial measurements will fall way to direct mark-making. It becomes an almost like a scale of analysis to emotion. The right answer is somewhere in that scale. Nice work!
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6mo
@adam burke Oh man, that finished piece is absolutely fantastic. There is a timeless quality to it and it remind me of a Picasso painting. Seriously- very cool.
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6mo
@Nicolò Bongiovanni My pleasure! Taking on the full figure in this exercise makes it even more challenging. I love the end result. I am curious- do you have either a scanner or software to clean up the value a little bit? If you have access to something like photoshop, playing with the levels can aid in the clarity of image a great deal. Thank you for sharing!
The character is Arthur Morgan :) and I kinda like the 8m.
this one was a fun exercise!
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7mo
@Yuli Levy You really held onto the likeness through the process, lost it a bit at four minutes, but found it again at 2. Very interesting. You were also very consistent in sizing and placement on the page. I can see you analyzing the portrait through your drawing construction. I'm not sure where in the lessons I state this, but the armature that you are building through drawing, notations and guess lines is the same as the underlying grid in formal design. I like to draw the comparison between the two, so that students understand the importance of the unseen connections in our mark-making, as well as the unseen structure as we design our layouts and pages. Impressive work here.
Here is my part 2 of the assignment. I liked the way the assignment helped my choices for the final drawing by keeping simple lines from the minute drawing, along with tones from the first to emphasise the wedge like solid beard appearing to be supporting the pipe. Without my knowing these elements were drawing my focus in each drawing and by contrast very little focus to the hat, that continually shows throughout the drawings.
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7mo
I think our mind and our eyes are intuitively making associations and are drawn to things that we don't even know. The way our vision works is that we have a very narrow area that we focus on in the world, and the rest falls out of focus into our peripheral vision. If it was all in focus, all it once, it would likely be like living in a Michale Bay movie- everything all at once.
I found the drawing that I like best the drawing that took one minute to draw, as it looked lively in contrast to the beard and pipe looking solid. I didn’t render it all as I wanted to keep some of the line drawing from the minute session. I found the hat the hardest as you can see it keeps changing throughout.
Great exercise, I will try to remember to do it now and then. Pretty intense though, working with such focus for 2.5 hours. I feel totally drained. I like 30 min and 4 min. Kind of weird how the 2 minute one deviates so much from the others.
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7mo
@Gwynn Your comment about the 2 minute one made me laugh out loud over here. It IS quite different. Your 30 minute drawing is absolutely stellar. Lost edges, 100 yard stare. It reminds me of a painting by George Tooker entitled the Subway. Also Lucian Freud and one of Philip Guston's more representational works.
I chose the two minute one to finish, though I like the 30 second one (I like it enough that I didn’t even want to shade it lol)
I really like how you remember the shape of the bone structure so well through the passes.
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7mo
15 minutes is really great, too @Mandy Valin ! A bit of Javier Bardem from No Country for Old Men? Great light and shading in that one.
Its really funny how the third one is looking right at us, and then looks away again on the next drawing. He is also more happy with life it seems!
This is my first time trying something like this. I think it's a sure way to find a style that doesn't feel forced. Something I struggle with, trying to force it.
The mistakes I noticed were lengthening the neck and adding too much forehead.
I found the 1 minute drawing to be most compelling.
Finally. I was afraid to start with this - but here it is.
In 2 minutes he suddenly turned into a Chinese sage.
I kept this for the final drawing, but everything I added digitally seemed to ruin the original paper drawing (9B and a graphite stick). So I only made the pipe more visible and let it smoke. Carefully added here and there some white hairs.
Interesting to go through this assignment. 😅
