2: The Anatomy of an Idea
316
2: The Anatomy of an Idea
316
Newest

@jrhali
3mo
What a pleasant surprise to see The Third Man here! I haven't watched it in a while now, but I do remember enjoying the compositions and values a lot! Thanks for reminding me of it!
For this assignment, I realized after finishing the first one that I might have added a little too much details haha! And I also made the mistake of not fully separating the values into different layers so it took a bit more time to do the other sketches.
Still, it was fun trying to figure out how to paint this, what to put and what to omit! Super excited for what comes next!
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3mo
Woah, this is cool!
เจษฎากร อินต๊ะวิชา
5mo

M C
6mo
on two of the thumbs the differences are minimal but i thought they meant a lot so I included them (skin and rim light).
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6mo
Nice work here @M C ! I feel the house without the window holds up on it's own. Perhaps with some white windows?
Alberto González
6mo
I did the assignment and I was disatisfied with the results so I decided to do it again with a different image, it did better,
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6mo
Very nice @Alberto González ! I agree that the second composition lent itself a bit better to three strong solutions. Nice work!

@ferfighter
7mo
Knowing what I know now, I would have chosen a different image. The challenge was deciding what to keep in the center where the silhouette is located as there were many gradual tones.
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6mo
Curious @ferfighter - what would have made you choose a different image? Nice drawing and interpretation in this. I'm quite drawn to the first image.

Danny Smith
7mo
Did a quick version in pencil & sharpie.
Basak
7mo
this looks really good- simple and clear
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7mo
Nice work here, Danny! Working this way forces you to simplify and to be decisive in your shapes.
@shayy02
7mo
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7mo
Well done @shayy02 This piece of reference presents a challenge in the gradients as the figures transition into the ground plane. As we begin to introduce a second value into the shapes in future lessons, it gets easier to transition those shapes with shadow patterns. I'd be interested in seeing a version of one of these could treat the figures and the ground plane as the same value.
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About instructor
From rocket ships to rock stars, NASA to Rolling Stone; I draw pictures that speak louder than words. Artist & Professor