@xeixas118
@xeixas118
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@xeixas118
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@xeixas118
my lvl 1 exercises later gona do the tanks
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@xeixas118
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@xeixas118
Here my assignment.
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@xeixas118
done with the assigment, time to watch the demo to see. im not really sure if I was just drawing the countors or the planes, maybe will make anothers more simplified to really try to focus on that (letters are the order I made the exercises)
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Vin
My level 2 attempt. The lines connect to vanishing point make chaos...So you can see the perspective of my third stair is weird. hmmm....I would appreciate for some feedback and suggestions for how to keep lines clean. Thank you. ( and I will do this again later.)
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@xeixas118
one interesting about stair if you trace a line in between the edges of the stairs you have 2 parellel lines
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DNLazar
I always struggle with fitting objects to composition. I spend a lot of time at the beginning stages moving vanishing points back and forth trying to make the character in the right place in the composition, and also large enough that I can show details, make some other object look far in the distance while at the same time trying to fit it on the page and not make any of that look odd :D
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@xeixas118
your lines are not converging to the vanishing poit, I could be wrong but it problably happen because you where messing with the position off the point in the beginning was you where figuring out the compositon, and where to many things to juggle at the same time for now. one solution is to do a first pass more focused composition, and a second correting the perspetive but composition is not the focus of the exercise. anyways I figured out a point I think makes sense and corrected the perspetive so you can see.
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@lieseldraws
Here’s my one-point perspective room drawn from imagination. While brainstorming, a two-story study with a balcony came to mind. So I attempted it, even though in real life it would require three-point perspective. It took me a lot of thinking and revising to produce this. I learned a lot along the way, but there’s still many unresolved questions: 1. I struggled to figure out the relative position of objects. For example, given that we’re looking at the room from the left side, where should the balcony be - relative to the stuff behind it (corridor and the window at the end of the room)? Maybe it should shift more to the right since our viewpoint is on the left? More generally, I wonder how you know where to place things from a certain viewpoint..prbly lots of observation and practice. 2. Also, it was challenging to estimate objects’ relative size. Objects in the distance appear small, but how much smaller should I make them? Take the desk and chair in the corridor. My intuition tells me that I drew them too small. Any tips on getting the relative size right in perspective drawing? 3. Again, given our viewpoint from the left, should the railings of the middle balcony be closer to each other as they move to the right? Any other feedback is welcome :) Thanks!  
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@xeixas118
your converging lines seem really good, your horizontal lines are more diagonal than horizontal. one thing that is hard to explain is that the way the balcony is drawned is impossible, its receding behind the wall. the wall is aligned with the front of the balcany but must be aligned with the back of the balcony (like you have with the table) you remend this error in to way: - By making the wall go further back ( like I drawed ont he left) - By coming with the balcony forward (like on the right)
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@drawingdodo
This actually took me quite a long time, around 2-3 hours! I wanted to try something that might look cool, and just went with it. The majority of the time was spent just lining up things to the vanishing point and trying to get good horizontal and vertical lines, which I lacked in the level 1 project. I think the cabinet on the left isn't great, I think the lines converge above the vanishing point, but outside of that I don't notice anything too egregious! Always looking for constructive feedback, and have a nice day!
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@xeixas118
overwall a great job, clean lines (sometimes they arch a bit) one thing you can use is the X techinic proko speaks about in the demo. where you draw the X to find the place of the middle pillar.
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@xeixas118
perspetive is something im very familiar So I used this assignment to focus on something I struggle, bringing life to a perspetive heavy scene. I bring to you the Exandra Alchemy house, runned by the plants Exandra animated using she´s patent magical vase. The faces on the vases are a ideia of is children so he can make friends of all the moving plants around the house. to the right he have the green house where new plants are grown to be processoced in the (not fineshed) workshop (middle, left) where are transformed in portions / ointments by the same plants, a bit grossome but effiency was no morals. (JK) I know he where not suposted to use circles. I also used shit in photoshop for vertivcal and horizontal lines but all converging lines are legit. english is nor my maing language so if you sopt any eros in my writing feel free to point it out
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@xeixas118
after watching the proko demo i was reminded about the simplification and the 10 shapes "maximum" with i didnt do. so I did revisit the exercise with that in mind
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@xeixas118
exploring more shapes and animals based on art of artist i liked the work: TB Choi Tuo Tuo on artstation also i finished my chibis i drawn the other day
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@xeixas118
my finals renders for the assigment
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@xeixas118
my attemps on the exercise. I feel like im still to stuck on contour / shape of the line instead of the shape of the shape if it makes sense XD also a chibi i made at work focused on shapes, in this sketch from imagination was a lot easier to focus on shapes.
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@xeixas118
trying to aply the lines variations in a more complex drawing.
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@xeixas118
also got a bit carried away and continued far from what the exercise requires but was a blast doing it. seing it now maybe the lines on the background a bit to light.
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Edo Moya
1. Hierarchy - I went a little modest with the contrast in line weight. 2. Light Direction - Then I tried to push it a little. 3. Light Direction Imagination - A little more. 4. Observation - I like that graphic look of the plant, but it may not be the ideal decision every time.
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@xeixas118
wow you plant reads really well, mine always turn out a mess, the darker outlinee really helps (even too is subtle)
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Joel Martel
Here's my Submission for this assignment; I feel like I need to have more line weight variety.
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@xeixas118
I discord, your contrast from thick to thin is good enought, maybe you need to put more thought where you put them. - I would re-try the light and shadow one, (its not bad but a second pass can maybe help you out, at least helps for me XD) - The importance one if you want the focus to be on the legs, I think is really good.
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The guy from BluishDot
Hey everyone!   I’ll start my submission with a quick question.   How do you go about constructing the heavier lines? I noticed that for me it’s tempting to go in the “scratchy lines mode.” I’m not sure that’s wise since I don’t want to turn that way of drawing into a habit. Using my whole arm, in this case, seems also a bit odd. Constructing a heavier line is almost like drawing small details. That’s why using the wrist and fingers would seem like the most natural way to go about it. Still, I’m curious how other people have approached this. Thanks!   Now, regarding my submission.   I tried two versions of the level 1 hierarchy method. The first one is where I used heavier lines for the overall contour and also tried to connect the rhino to the environment by using light lines for the soles of the feet and the grass. In the second version, I isolated the rhino completely from the ground and tried to bring more attention to its head and horns. There’s also my attempt for the level 1 light and shadow method where I um… tried my best. I think in all my attempts the lightest lines could have been thinner but the printed image turned out to be a bit darker than I thought. That’s why I had to make the lightest lines a bit thicker as well.   I also gave the level 2 assignment a try.   I’m not too familiar with how light and shadows work in an illustration but I gave it my best shot. I also drew some flowers from observation where I experimented more with the hierarchy method.   Any feedback is welcome.   Thank you!
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@xeixas118
I also see myself doing the same. in the video proko talks about using the blunt pencil do draw the thicker lines and change to a sharper point to draw the thinner ones. the constrast he gets seems to be smaller but good enought to distinguish them.
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John Tollefsen
Shadows and light direction method
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@xeixas118
I can almost feel the light blinding us on the thinner lines. very cool
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onigi *pronunce [on-ie-gee]*
Here are my Level 1 assignments! I used HB, 4B, and 6B pencils. I made the outlines around his horn the darkest and thickest to set the focal point on it.
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@xeixas118
seting the darkest lines on the face works really well to create the focal point there, but the diference from the thick to thin lines are to abrupt wich makes the head feels desconected to the rest, abit like the comics, if that what you where going for is totally fine. but let me show u what i would change: - make a gradation from thick to thin in the neck so it feels connected. - thiner the line under is head (who was a bit thicker than the rest) so it pops off from the rest of the body im not sure what i am saying is right or wrong but is my gut feeling.
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