How to Use Layers
194K views
courseDigital Painting FundamentalsSelected 2 parts (104 lessons)
-6%
$204.92
$218
You save $13.08
assignments 50 submissions
Alessio Amato
This is my result, i didn't use many layers because i'm not familiar with them, hope it is good however.
LESSON NOTES

What's in Premium?

Layers are a powerful tool in digital painting. They speed up your workflow and make your artwork more valuable to clients. In this premium lesson, I show you how to use layers to organize and control your painting process. You will learn the difference between opacity and fill. I also show you how to use transparency locks to paint only on existing pixels. We will cover layer groups, clipping masks, and layer masks for non-destructive editing. These tools let you experiment safely and separate elements like clothing or special effects. Finally, an assignment helps you practice building a grayscale painting with a professional layer structure.

Get this lesson and more in the premium course!

DOWNLOADS
jpeg
assignment-image-satine.jpg
4 MB
mp4
how-to-use-layers.mp4
502 MB
txt
how-to-use-layers-transcript-english.txt
14 kB
txt
how-to-use-layers-transcript-spanish.txt
16 kB
file
how-to-use-layers-captions-english.srt
22 kB
file
how-to-use-layers-captions-spanish.srt
25 kB
ASSIGNMENTS

Grab a reference, or use one provided from the grayscale lesson or the downloads tab of this lesson and do another grayscale painting, this time utilizing multiple layers! You could separate the figure from the background, add clothing and jewelry on their own layers, or even have layers with special effects or adjustments.

You can also try changing your finished painting to something else. You can take your character layer and place it on a new background, or try alternate versions of the character with different clothing, hairstyles, or props. 

When you submit your assignment, be sure to include a photo of your finished grayscale painting, your modified grayscale painting, and a screenshot of your layer structure for the best feedback. 

@alexmolaver
I wanted to make this to test my progress. Overall I'm really happy with the result and how much I'm learning from the class. I thought it would be cool to have the side shaved haircut but side zombified instead of shaved. I was also trying to learn how to make really dark realism with heavy black like the tattoo artist bscopezz but I still have to figure out how to add that much black and make it look right/good. I ended up using like half the value scale since the midtones look so bright next to the black. I tried using some texture brushes at first but ended up using the soft round brush for almost everything except the bristle brush for the hair. I tried to make different layers for the different anatomy layers, and I used a bunch of masks because I felt better having the option to unmask things later instead of just erasing them lol. But it ended up being really hard to have so many layers and masks since I get distracted and start drawing on the wrong layer or I can't draw on part of a layer because of a mask I made at some point, and then I have to hide and unhide all the layers to figure out what's going on. I'll try using less layers/paying more attention and making copies of layers and hiding the copies before erasing stuff next time. I really want to try a burning rose next for a color painting using the fire brushes Jon showed in the adjustment layers video with the gradient map for the fire colors.
Bag of Snakes
João Rudge
Lem Kara
2mo
@alexmolaver
Is that Shadowheart?
andres ovalle
Here it is!
Arca Ludo
3mo
Keeping the subject simple.
Bruno Akune
Finished the layers assignment. The first part, I’m still need to start the second part where I customize it
Bruno Akune
Second part of the lesson
Jonathan Fisk
Like the last assignment, I kept the subject relatively simple so that I could focus more on layer organization and process. I did this using the bottlenose brush out of the new default gouache brushes, and I really enjoyed it, and am especially happy with how I was able to finally get some sharp edges where I wanted them! This was also the most orderly process I've had so far, where I felt pretty confident about what steps I'd do after the next, which helped improve my confidence and let me think through things much more easily than before. I'm also learning I'm super a fan of doing a saturated values block-in at the start of the process (that Jon did in one of the demos), and even when only some of the colors leak through it adds such a charm to the final product. It also just helped with planning things out and making artistic decisions more iteratively rather than feeling like I'm starting with the final draft.
@nekki
8mo
Ash
8mo
This looks super cool!
A V
1yr
I learned a lot from this assignment. I used Clip Studio Paint. Didn't realize just how helpful using these kinds of layers could be. Also ended up having lots of layers (I had to split the layer screen shots into two). Hopefully I'll learn to streamline the process a bit more in the future. That said, fun times!
Kwame Alexander
Well, that was incredibly difficult. They came out a bit better than I expected though. I forgot the ink on her fingers! No!
Laura Taylor
Instead of complaining, I made this little egg tutorial. While I can pencil-shade an egg in real life, it's still a bit awkward for me in photoshop. The rationale being, if I couldn't make a satisfactory egg, then anything more complex was going to be an awful experience. I hope this helps anyone else out there that's finding the tablet an awkward transition from other media.
Laura Taylor
more eggs! I used a texturized smudge brush which gave a cool effect and remembered to blur the penumbra (the blurry edge of the shadow)
Juice
1yr
Finally finished this drawing. After some problems with both buffering the videos and problems with my Apple Pencil. Everything is fixed now and i finally finished this piece :)
Juice
1yr
I changed the proportion of the hands a bit made them a tad bigger
Rachel Dawn Owens
Cool composition!
James Paris
Well, this was challenging ! Don't know how much time it took me, but I'm pretty happy about the results. I think I pushed the contrast a bit far on the second one tough. I have a problem with perfectionnism, so I tried not to overpaint/ take too much time on those without sacrificing too much rendering.
@john_rupert
It was a fun assignment.
Giorgi Karkuzashvili
At first I thought I wouldn't make it. But breaking down the task into small parts really helped! First is the gesture and the figure, and slowly you build up the whole piece!
Melanie Scearce
That's how it starts! Way to stick with it 👍
@mwalker
1yr
Talk about jumping into the deep end - I found myself getting distracted a lot by the detail and had to force myself to focus on just the larger shapes. Not perfect but I'm actually pretty happy how this turned out. I really started geeking out when it came to playing with layers and exploring the different brushes. A note about the beads - I actually created each strand on its own later and created a shadow for each as well. Then I merged them all together before applying shading to better blend it into the body.
Sokolowski Clément
My submission for the two versions of the models. The second one was harder without a unique reference so I went for a darker less detailed scene. The layers started to get messy with the second version
Jason Hald
2yr
diff
@lesgantsnoirs
Hello, I did not see the attached photo for the assignement, so I picked one on Pinterest, now I will retry with the good file 🥲 I had pretty much fun on doing this one though, I picked a more textured brush. I like the rough aspect of it.
Help!
Browse the FAQs or our more detailed Documentation. If you still need help or to contact us for any reason, drop us a line and we’ll get back to you as soon as possible!