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Layers Assignment Critique
courseDigital Painting FundamentalsSelected 2 parts (101 lessons) comments 8
You nailed it and said my name just right. I'm impressed, it's an unusual name and it's fairly common that people mispronounce it or something. On top of that I myself am (unwillingly) pretty good at butchering people's names, so it adds a new layer of awkwardness to the challenge of meeting new people.
Thank you for all the feedback. I love all the takeaways we get from these critiques and your assignment examples.
Regarding my critique, I'll test the suggestions as soon as I get the chance. The issue you highlighted with the hair is a problem I have with some clothing and generally all the stuff that overlap an element that they are also being overlapped by themselves.
I hope that this will help with the issue I have when making a selection out of the layer. Because I have to cut out a shape out of another, both layers have their edges... well, edge to edge. Photoshop (and CSP) gets quirky in that situation, often resulting in an ugly 1 pixel line that stands out like crazy. I'm assuming it is because of anti aliasing.
Finally, maybe you downloaded those on purpose (which, if it's the case, is not really a big deal) but in case you didn't know, I wanted to mention one more thing.
The images that are loaded when clicking on a thumbnail in a comment or assignment post are lower resolution versions of the images that are uploaded. From there, the full image can be opened by clicking on the " ... " button at the top right of the page and then clicking "Open original".
LESSON NOTESWhat's in Premium?
I review student assignments to show you how to optimize your layer structures. You will learn to separate elements like hair, clothing, and props onto their own layers and use masks effectively. This setup lets you make major edits later without repainting your entire character.
I also break down practical ways to improve your digital paintings. We cover value control, showing you how to reduce contrast in secondary areas to keep the viewer's focus where you want it. I explain how to soften specific edges so your layered artwork feels cohesive and hand-painted rather than like stiff cutouts. Finally, you will learn a quick method to simplify reference photos to establish clear forms without getting lost in details.
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