How to Draw Lower Back Muscles – Form
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How to Draw Lower Back Muscles – Form
courseAnatomy of the Human BodySelected 3 parts (371 lessons)
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Luke Ng
Here are some of my assignment drawings. Struggling a bit with the proportions on these. Any feedback is greatly appreciated
LESSON NOTES

Last time we learned the anatomical details of the lower back muscles. Now let's learn how to draw the forms.

Erector Spinae

The erector spinae is a long, thick muscle mass composed of the smaller and shorter muscle masses of the spinalis, iliocostalis, and longissimus dorsi, which are classified via insertion point.

I’m also considering the multifidus as part of this erector spinae mass. These fibers are like a branching tree with widening but thinning superior self-similar symmetry.

crepes-erector-spinae-comparison-anatomy-drawing

In simpler words, the erector spinae is like a pair of crepes. Delicious, delicious crepes. It has two thick, savory columns on each side of the spine and a depression in the middle. That's almost enough for artists to know. While those sub-groups, the spinalis, iliocostalis, etc, might be distinct for a second during movement on an extremely ripped model, most of the time you can just think of good ol' crepes.

On an average female, the flank area will have more fat, which can soften this contour. So, you see a rounder cross contour with just a depression at the spine.

cross sontour erector spinae

The depth of the spinal depression depends on how developed the muscles are, since that's what determines how much the "crepes" push out. Remember, the spinous processes of the vertebrae are superficial. There's no muscle covering them. You'll see a depression even on lean body types. And even an undeveloped erector spinae will have enough mass to bulge out past the spine.

If you take a closer look at the form of the erector spinae, you'll notice two distinct masses on each side. See how it's all skinny near the sacrum and soft and wide above it?

erector spinae medial form anatomy drawing

The skinny one is the medial form, with round and narrow columns. The wide one is the lateral form, with softer, flattened columns. It's also angled diagonally. You could simplify both forms into an arrow. It's widest and fullest in the lumbar region and becomes thinner and less visible as it goes up.

Even though the erector spinae passes over the sacrum, the sacrum appears on the surface as a convex triangular shape. Usually, the spinal depression starts right above the sacral triangle.

erector spinae csi gesture anatomy drawing

Since the form of the erector spinae hugs the spine, it’s a great muscle for emphasizing the gesture of the spine. Push the C curve, S curve, or straight of the spine and echo its rhythm with the erector spinae.

Latissimus Dorsi

The latissimus dorsi is wide, but thin. The forms of the muscles underneath will often show through. Or, in other words, it's especially important to understand its function and form during movement, because the way you draw the lats is a case-by-case basis.

The lats are like a towel wrapped around the back. Or a superpowered cape wedgie. I'll give you a minute to take that in.

Its form is thickest on the sides, especially at the top near the armpit. It thins out and softens as it travels toward the pelvis and spine. However, the mass of the lat is very thin on the back. Usually, too thin to see on the surface.

Ok, we get it! The lat is thin. There are, however, a few other effects to watch out for. In order of visibility, the lateral contour is the most obvious, then the top edge where it overlaps the scapula, and finally the jagged edge where the muscle fibers attach on the aponeurosis of the lower back.

lower back muscles rendered drawing

First up, that lateral contour. We learned that the pectoralis major serves as the front wall of the armpit. The latissimus dorsi basically does the same thing, but on a much larger scale, on the back. Even though the lat is a back muscle, it's so wide we can see it from the front as well. It adds to that heroic triangular body shape.

You can sometimes see the lats' superior border. On its way from the spine to the armpit, the latissimus crosses over the bottom of the scapula and the teres major. You can see it here splitting the teres major in two. Be careful! The teres major isn't two separate muscles. Also, note how the superior border isn't visible near the spine, since the tail of trapezius muscle overlaps the latissimus there.

Now, let's take a look at the thin sheet portion of the latissimus that covers the lower back. As the lat comes out from the armpit, it wraps around the serratus anterior and bottom tip of the scapula. So, we will see a plane change, like a step down. It starts just behind the scapula and runs along the rhythm of the serratus. On developed latissmus muscles, there's a plane change from the muscle to the aponeurosis. The rhythm is somewhat parallel to that of the serratus.

The aponeurosis itself is a very thin, diamond-shaped sheet. Sometimes the aponeurosis is pulled on so hard by the lat, that it wrinkles. This is an effect reserved for bodybuilders and steroid users but when it happens it's hard to miss it.

Now, these are all great general things to look for. But what you actually see on the body will vary depending on the pose and person’s physique. When the body moves, the latissimus gets a little tricky.

When flexing the spine or when the arm reaches forward, the latissimus dorsi is stretched thin and you may see the ribs.

latissimis dorsi triangle

Let's look at a side view. When the lat is relaxed, the thick teres major and serratus anterior muscles define the sides of the torso. Their forms show through the relaxed lat. But when the latissimus flexes, it completely dominates over the serratus anterior. You'll see the arc of the lat cutting off the serratus bundles. But do you notice how we still see the teres major? The teres major is also overlapped by the latissimus dorsi, but since they have similar functions, they are often active at the same time. So, the teres major activates with the lat in this pose and becomes more visible as it pushes through the thinner area of the lat up here. When the latissimus is flexed, you'll likely see two tubes. This thicker one for the teres major, and this longer one for the lat.

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ASSIGNMENTS

Assignment

Your assignment is to do quicksketch drawings showing the motion and form of the lats and erector spinae.

Make sure you’re identifying the forms of the muscles that are visible. If you can see the ribs or serratus through the lats, show those. If the lat is flexed and you can see a long cylinder on the side, clearly show that form.

Remember, a “quicksketch” doesn’t mean it has to be a simple gesture or contour drawing. You can show 3d forms in a quicksketch like we did in the mannequinization lesson. And a quicksketch doesn't limit you to 3 minutes. You can spend 10-20 minutes on a quicksketch if you need to. 20 minutes is quick compared to how long we’d spend on a long drawing. The objective isn’t to draw quickly. It’s to show a clear representation of the forms of the body and motion of the pose, while not wasting time on details.

I’ve provided reference photos in the Downloads tab. Download those and start drawing!

Newest
Amortquio Flores
@bacid
27d
Highlighting the lower back muscles and exterior rendering quick sketch
Carlos Pérez
Rachel Dawn Owens
Nice Latissimus studies!
@powei
10mo
Melanie Scearce
Brilliant!
Dubčido
1yr
Hello again everybody... my go. Have a nice day.)
Giorgi Karkuzashvili
Looking forward to watching the critiques and demonstrations!
@nemuiyo
1yr
Waner Hoogleiter
Manuel Rioja
Assigments for this lesson, part six.
Carlos Pérez
I loved yours , they have been he kind of look I sometimes get
Manuel Rioja
My assigments for this lesson , part five.
Manuel Rioja
Assigments for this lesson, part four.
Manuel Rioja
My assigments for this lesson, part three.
Manuel Rioja
My assigments fpr this lesson, part two.
Manuel Rioja
My assigments for this leson, part one.
Gannon Beck
Great studies!
Ezra
2yr
Woohoo done! I can see that I’ve come a long way since i started doing proko which is very exciting. I think i had a little trouble showing the form of the erector spinae properly, and positioning the scapula.
Huba Hevele
I have completed,the lower back asignment.I am looking for critique on ma drawings . I was trying to comunicate the gesture, and motion of the muscles, while being accurate with their placement. Some pointers on my rendered studie would be apreciated.Does it read 3d, and did I cept the gesture flowing? Thank you in advance, have a nice day.
Patrick Bosworth
These look great, really nice work!!
@syodraws
2yr
I haven't done all of the assignment photos (yet), but here is the first one I did. I want to make sure I'm going in the right direction, as far as the assignment directions go. I am particularly concerned with whether or not I properly communicated the MOTION of the lower-back muscles.
Steve Lenze
The thing you need to do before you even start, is to look at what the body is doing. Example: he is pulling his leg toward his chest. This is causing the Latissimus muscle to tighten as well as the muscles of the upper back and the bicep to bulge. Also, the abdomen is pinching, this means the lower back is stretching. You are showing wrinkles and compression in the lower back where there is none. I did a quick sketch to show you what I mean.
@palyo
2yr
Hi everyone! These are my drawings for this lesson's assignment. Personally i found the front pose extremely hard for some reason, i didn't know how to approach the insertion properly . Also , the "pushing" pose was really tricky to draw because of the sudden twist in the upperback area. Anyway, i would really appreciate any kind of critique/advice.
@syodraws
2yr
Hi :) A couple of points on the pushing pose: 1) You are using rhythm lines and gesture to communicate the movement of the legs and arms. That is good :) 2) The bulbous forms of the erector spinae are a little off-center from the spine curve. 3) In general, your drawings feel quite sketchy. I notice you use cross-contours, which is good, but I think you should take a little more time to clarify the 3-dimensional forms that the anatomy takes in each pose of your drawings. You don't necessarily have to use shading (although quick shading can help a lot)--you can use cross-contours as you have been doing. To quote Proko, "Remember, a “quicksketch” doesn’t mean it has to be a simple gesture or contour drawing. You can show 3d forms in a quicksketch like we did in the mannequinization lesson. And a quicksketch doesn't limit you to 3 minutes. You can spend 10-20 minutes on a quicksketch if you need to. 20 minutes is quick compared to how long we’d spend on a long drawing. The objective isn’t to draw quickly. It’s to show a clear representation of the forms of the body and motion of the pose, while not wasting time on details." I hope these help you. If there is anything that needs clarification, please let me know. Have a good day :D
@dinchen
2yr
difficult for me to complete the assignment😥😥
@koots
2yr
Also take note of the proportions, bony landmarks and perspective. Try to simplify everything into basic 3d shapes that are easy to replicate and rotate from different angles
@koots
2yr
These are good and can use some more lil more tweaks. Some of the figure's perspective like the bottom two ones do. For example for the bottom left corner the whole figure is basically standing upright rather than slightly leaning and maybe reaching out to something. And for the bottom right picture, the bottom right side of her ribcage is basically flattened out. If you look closely in the bottom right reference the erector spinae is kinda overlapping the lats (the lats is still supposed to be seen despite the overlap) but for yours the lats are hidden and the erector spinae is too big and bulky. Great work keep practicing!
Lenserd martell
The assignment is so good that I'm worried if I can upload it.
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