Julian Blake
Julian Blake
Earth
Julian Blake
Gosh, this lesson was confusing for me!
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Cade Burdett
Hello, this is my submission for this project. Please let me know if you have any suggestions!
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Julian Blake
I think using constructions lines at the begining can help you a lot. For example, a center line in your drawing would have made wonders in your drawing. It helps you place things a bit more accurately. For example, it would have helped you place the nose, the mouth and the chin at the right angle and placement in relation to one another. In your drawing, the chin and mouth are way to the left in relation to the eyes and nose. Construction lines can also help to place the angle of the eyes in the same place. Hope this helps, mate!
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Tuija Kuismin
Thank you so much for this lesson, Jeff and Stan! It's a gem. In addition to being educational, this was very encouraging and, yes, very inspiring as well. I feel like the lesson could alternatively be titled as "Jeff Watts Goes Fast & Furious on Line Quality". He says so many things, that feel important to me, just one after another and they keep coming, that I forgot or didn't have time to take notes! I'm going to watch the lesson again, pausing it several times to just stop and think and properly take it all in - what you're teaching us to do when drawing, it occurs to me as I write this :). Anyways, thank you!
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Julian Blake
Hahahaha fast and furious, that was so accurate! I felt the same. I just finished watching it, and I had to watch it twice, and stop many times to take notes. He is indeed very fast and a bit intimidating because he knows so much, speaks so fast and so eloquently and precisely about complex and deep ideas! But it was amazing!
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@bonnieblue
Jeff says to set specific goals to keep moving forward. At this stage, what are my goals besides learn to draw or improve? I'm floundering here, i cant find the forrest OR the trees, specific daily/ weekly goals might help. The obvious goal is to draw everyday, but Jeff is talking about something more specific & meaningful. I'd like to know what please.
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Julian Blake
I've felt the same for many years, but with this course I've seen I've improved in little more than a month more than I had done in like 5 years since I started learning how to draw. And I think that what has helped me improve is that this course is giving you the specific information that you can turn into your specific goals, that is, improving line quality, improving shape design, improving proportions etc. Of course all of them are important, but you can set your goals to improve in one specific area for a while, and then moving on to the other and so on. Another thing that has helped me a lot is doing the master studies, and drawing along with Stan in his demos, and taking notes on his decision-making process. Similar to Pedro who commented above, doing boxes and cylinders Peter Han style just made me hate drawing, but with the master studies and the demos, I've improved tons and my motivation has increased as well. Probably because I feel i am actually drawing something, not just doing abstract stuff. I think part of your problem and your question is that when you ask the questions, they lack a complement: learning to draw "what"? Improving "what"? Without that complement, you'll be lost. So your goals can be specific aspects that the course is giving us: line, shapes, proportions etc. Your goals can be to improve your line weight through master studies and your own practice. Do that a month or some weeks, then shapes and so on. Draw everyday, but draw with a specific learning purpose. If your proportions or shading are wrong, but your goal is improving line quality, proportions and shading don't matter, just do your best in your line quality. You don't even have to shade at all. You can study the other aspects as learning goals later, and in a similar way.
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Julian Blake
Wow! This guy is so wise and clever. It's like a tougher version of Marshall lol! He is a bit intimidating, because he knows so much and communicates so well and confidently. He threw such complex bombs of wisdom in such a casual yet very articulate manner, I had to stop many times to take notes. Very intelligent and talented artist! You can feel all his years of study, knowledge and hard work. An inspiration indeed! Thanks so much for this!
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Julian Blake
I highly doubt anyone will answer this, but @Stan Prokopenko how could one do a study similar to this one you just did, but with a set of pencils sharpened with a regular sharpener and with a regular grip? Is it possible to arrive at a similar line quality without the exact tool or the exact grip? or is it better to study a different artist?
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Julian Blake
The assignment I owed! I think I might have over complicated some shapes.
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Brian Rogers
Im about to put it in photoshop to see how off it is. WIsh me luck. Update: Im bad at angles.
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Julian Blake
You're definitely not the only one!
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Tlakawepan
I Want to appear in the review man
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Julian Blake
Don't we all?
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Edo Moya
I think I need to change my personality to be good at this. I'll keep trying. ✌️
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Julian Blake
hahaha right? I felt the same, this was so, so hard!
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Rohit M
Spent way more than 1 hour on this one - went through multiple corrections:
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Julian Blake
I spent all day, it was so hard! Great job, mate!
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Julian Blake
Hooooooooooooly Smokes, Stan! This was so, so difficult! I gave up on trying to measure with a pencil because I was totally lost and off proportions, and I had to use a ruler. Even so, it took me all day, and the proportions are still off. The left eye was impossible for me to draw. Of all the assignments and projects so far, this has been the most difficult and frustrating for me.
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Julian Blake
These are my master studies of a Korean Artist called Miacat (@miacat0 on Instagram) and of the absolute Spanish master Juanjo Guarnido. This was hard, but very enlightening. My proportions, as usual, are not the best, and I still need to work on line confidence, but it is slowly improving.
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KringleBelle
Master Study of Bob Mackie - Marilyn Monroe
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Julian Blake
That's gorgeous! I didn't know that artist!
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Niklas Nilsson
Got attracted to the insane line work of the master "Anders Zorn" and tried it out! Fun but demoralizing at the same time. :D
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Julian Blake
I want to do one of Zorn's as well.I think your main problem was that you started rushing your lines. At a moment they feel random, whereas Zorn's are very disciplined. See how they are done individually, maintaining the same direction and weight. Yours seem as done in a rush without lifting the pencil. Also, most likely Zorn had construction lines on pencil underneath, at least for the face, before doing the inking. Do it again more slowly and I'm sure you'll do better.
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@czarek
I really Like Gustave Dore's Illustrations, but I don't know if they are the best to study Line Art. I saw the variation he used to show light, but I believe that his shading and crosshatching are kind of distracting.
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Julian Blake
I love Duré as well, but indeed he is so, so detailed! It's thousands and thousands of lines. He was on another level!
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@pizzle
Here's my first few attempts before watching Stan's demo. Some lines at certain moments I feel confident in, but mostly it's a struggle. I feel a bit torn between keep it it simple and not putting in too much detail. I did go over them with a bit of a darker line to clean it up a little, but you can see the sketch below it. I feel good about it overall, but I would love any insights anyone wants to share.
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Julian Blake
I struggle a lot with this as well. I think in later lessons you will improve. Check the lessons about warm ups, line quality, and the unit about structure. I've seen them and practiced them a bit, and I've noticed that my lines start to improve a little. Our problem is that we are still too focused on the contour lines instead of on the big shapes. Using a coloured pencil as Stan did in the demo also helped me.
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Julian Blake
These are my rhinos.
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Mara De Saulles
Whew, had to take some time off the course to catch up with my university work (for those curious, 2D animation at University of South Wales), but I'm back! I did the rhinos a few months back, as well as the level 2 cityscape (which I was doing outside while waiting for my campus to open so I didn't end up finishing it, I also did it before watching the demo). But I JUST did the car tonight after watching the demo, and have included the quick little sketch I did beforehand to figure out how I wanted to do the line weight (ended up focusing on form and light together)! Don't have a picture of the cityscape, but I do have the car picture (saw it out while walking around a few weeks ago and thought it'd be fun to draw). Any feedback is always appreciated!
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Julian Blake
I really like the second car. Very clean and clear. The landscape is a bit confusing.
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Crimson The Vixen
20/6/2023 This has to be one of my worst drawings on this site compared to yesterday, it feels rushed and super lacklustre in comparison to everything else.
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Julian Blake
I love the fact that you are also taking notes on your sketchbook. I do the same, and even though it takes so long, I find it very useful. It helps me understand and remember better.
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