Dead Dino
Dead Dino
Motion Designer and Doodling Aficionado
Colin Dunphy
Hi everyone, here are my attempts at both levels prior to watching the demo videos. I feel pretty good about the pear however I think I could have used a variety of pencils to create more contrast between values, I also think I did not simplify the shapes enough for the objectives of the project. I gave the portrait a good go but I found it really difficult to draw the shapes using only straight lines! I struggled with the proportions (especially the eyes). What else could I do to improve my simplification of shapes/values? Thank you in advance!
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Dead Dino
This rocks! I think you simplified very well. I had a similar problem with the value contrast, so I am considering to use different pencils on my next go, not just the 2B. I think the portrait contrast is very well done, it's the pear where it looks as if the highlight washed too much over the surface of the pair, as if another value was missing there.
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@pixlbny
Had a very hard time keeping sharp edges. Thank you in advance for your critiques.
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Dead Dino
P.S. Thanks for putting the reference picture next to the drawing. It really makes the comparison and critiquing easier and more useful.
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Dead Dino
I thnk I had the same problem as you, but the result definitely looks sharp, so kudos on that. I love how cubist it looks! Well done on capturing the nuance of the different values within the pear, I had so much trouble with that too. The only pointer I'd give you is regarding proportions, your pear stands a bit too tall, whereas the reference is a bit shorter and chubbier. Other than that, great job!!!
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Joan Lacasse
Project 1, done without watching Mr Stan’s demo.   After watching the demo, I noticed two main mistakes I made when drawing my pears.   1st mistake: I used curved lines and not just straight lines. The drawing is less simplified.   2nd mistake: the line separating the light from the shadow should not always be the same thickness. I never realized that it had various thicknesses. I was already too happy to establish the terminator.   I will do the exercise level two with this new information in mind.   I am travelling all of October. Unfortunately, I will not be able to make much progress. As soon as I get back, I will be working hard. I really like the approach, the clarity, the precision and the professionalism of Mr. Stan.
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Dead Dino
Fantastique! This is one pro quality assignment, very well done. I love how you stablish the terminator in such a clear way, and the background shading is a very nice touch. I couldn't fit the different values in the cast shadow of my drawings, but you did it flawlessly. Bravo!
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Matt M
Hi! Here is my drawing of level-1-pear-2 before watching the demo, I am doing this on a tablet so it was interesting trying to shade with the pressure on the tablet, also tried not using the undo instead sticking to a 50% opacity eraser
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Dead Dino
The difference is night and day! The contrast in this one is beautiful. How did you manage to make this digital one look so natural? I looks like real charcoal.
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@juumei
First attempt! I was uncertain on how detailed I was supposed to be and ended up not being detailed enough. I just watched the demo and have written down a lot of pointers on what I can improve for my next attempt. Very excited to give this another go!
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Dead Dino
Can't wait to see your next attempt! You made a very interesting choice in using different pencils for different values. I really lets the value contrast pop! Pointers: don't outline your values to let you observe that contrast properly, and don't be afraid to push some of the pencils further to contrast them more, because as I see it your two lights and your two darks are two close together. Maybe fill with a lighter touch when using the HB and push a bit harder with the 6B.
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@frenchfries
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Dead Dino
Very good! You have a very good understanding of the way light hits and wraps around the object. Love how clear your highlights are. I personally love it when the grain of the paper and pencil shows in the fill in, and it absolutelly shines in your work. I was going to point out what you already mentioned, that the values would be better without outlines. That way you can observe if the value contrast is right and actually separates them, but theses definitely look like pears. I wish you han uploaded the reference picture from the view you were facing it, so that we could judge the proportions of the drawing in comparison to the real ones.
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Dead Dino
From what I saw you guys do, the idea is to simplify the shapes of the fruit so it looks a bit geometric right? Having sharp edges extend to the shading and all. I think I need to work on my shade shapes and observation. Any tips you guys can offer? Thanks so much in advance for taking the time of critiquing!
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Eric
Hi, Complete beginner here. I just started the Drawing Basics course and instead of the pear, I chose to draw guava that I had in the fridge :-) It is far from being a piece of art but hey…. Everyone needs to begin somewhere, right? All comments, advices are welcome. Have a nice day!
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Dead Dino
I absolutely love this one. Even if it wasn't part of the exercise, I see some fantastic stylization in the way you simplified the shapes. You did get them all, but they look exaggerated and appealing. The thing that could help your next attempt is increasing the contrast in your values. Let the darks go darker! As Proko always says, your lightest dark should be darker than your darkest light. And focus more on those values and the general shapes they create rather than the contours (those will come in handy when you get to the line section).
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Dead Dino
Draw from your shoulder! Working on your control of the pencil is the first step towards confident linework: https://www.proko.com/course-lesson/how-to-hold-and-control-your-pencil/assignments If you see you need practice on this front I recommend going through at least lesson 1 of Draw a Box, as the exercises Uncomfortable proposes really help build the mileage for confident smooth lines. Check his lesson on markmaking where he adresses chicken scratching specifically: https://drawabox.com/lesson/1/3 He also talks about drawing from your shoulder for better line control: https://drawabox.com/lesson/1/2 I'd boil it down to consciously drawing from your shoulder at a confident speed, and practicing it until it becomes second nature (which is where Draw a Box's line exercises come into place, as they mean you'll make a lot of lines focusing on confidence and precision, which can help you build the mileage needed to apply it elsewhere). Keep this in mind every time you draw and do warmups, and it should all become easier and more unconscious the more you practice (even if it might be challenging in the beginning).
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