Assignment 1
Assignment 1
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Assignment 1
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Darren
Thinking of a composition of what to put in a one piont scene is harder than actully drawing a one piont perspective.
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Try drawing in one-point perspective. Stick with one vanishing point, don't worry about two or three. Think of it like a theater play, where you see characters in full with clear poses. Since you're looking straight ahead, there's no foreshortening, which makes it great for practicing proportions.

Do a few sketches and play with the horizon line, high and low, to get different drama in your composition. Lean on overlaps to create depth, and try to draw your humans in full. Please post your work in the comments below, I'd love to see them!

This discussion board is available for premium students.
Phillip Diaz
This course really helped me become more practical and intuitive with perspective drawing. Using a fourcolor pen is such a great idea, and it’s something I now use all the time.
@na_talie
Wow, these look awesome!
Aayush D
3d
Now I am seeing some perspective in my drawings but I have little doubt regarding when a person have some object like for example a dextop and that little tilted will it follow same perspective or not the lectures was amazing btw
@mushiboyhann
Woah, before taking this course, I never knew it's also doable to push for a more dynamic/cinematic camera angles, with just one point perspective. That's interesting... Here's what I digested from other students assignment feedback: 1) Use thicker lines to emphasize closer up drawings 2) Group your subjects/focus with different values. 3) Draw cubes/elongated cube on almost everything, all referencing to the one point perspective. (I forgot to draw cube/elongated cube when drawing the clouds.) Do correct/pointed out anything I might missed out. Appreciated and thanks.
Moka
2mo
Here are my sketches. I'm really enjoying the use of the ballpoint pen, makes me remember how much I used to love these to draw with during boring class in my notebooks. Through this exercise, I understood that precision is key when drawing in perspective. A tiny bit off and everything is off so I paid extra attention to this. Hope it shows !
Rembert Montald
Hey Moka! Thanks for submitting your drawings, these are looking really cool! I'm glad to see you did 8 of them and were playing with different ways of employing 1pp. One thing that's helpful for me to think about when relating things in space is: as things recede into the background, they become exponentially further away. This is to say, things in the foreground are only separated by a few meters of space, but things further in the distance start receding by kilometers; a small shift in placement in the picture of something in the background will equate to a large distance shift in space. I would keep this in mind when drawing environments like this: things get really compressed the farther away they are, and it becomes a lot easier to imply information rather than sketch every rod on a fence or bridge! I also would love to see you draw using a physically larger frame as well for fun, so you have more room to put information and to create a believable space. I wish you the best, happy sketching!
Brad Ingle
2mo
Rembert mentions Wes Anderson, which inspired me to draw two scenes from Stanley Kubrick's adaptation of The Shining. Kubrick seems to always use 1 point perspective in his shots. My Shining scenes are not exact copies. My street scenes in ballpoint pen are...just okay.
Rembert Montald
Hey Brad! Thanks for submitting your drawings. For this, I wanted to point out specifically your use of value in your sketches! I think using value is actually a great way of blocking out your composition and focal points, and it's great that you were using film studies to understand composition more; I implore you to keep doing it! When using value, make sure you keep your shapes and value consistent; it helps our brain understand and group the picture into sections of space. Here is an example of me simply grouping the values to make the picture more readable, without actually changing anything to the drawing or composition. I wish you the best, happy sketching!
Pamela D
2mo
Some of my sketches in Essex. I really like using the biro. Such an easy tool for location sketching!
Rembert Montald
Hey! Good work on your compositions, they look nicely balanced. I like that most of the rendering and contrast is in the foreground. Some of your forms are a little unstable and seem to be slanting, especially your building in the third sketch. Be more intentional in the initial sketching stage and include some horizontal and vertical lines to my grid and your art will be much more balanced in the end.
@blvqk
2mo
Rembert Montald
Hey, thanks for posting! Well done on these thumbnails, you've got an eye for composition. I'd say my only nitpick would be that the perspective on some of the forms seems a little off at times, i.e. the window in the therapist's office and the box car. Keep up the good work!
@na_talie
2mo
Cool ideas!
Ollie
3mo
Rembert Montald
Hey! You've got a lot of good ideas for your compositions. Your forms are uneven and slanted in some areas, with your most balanced sketch being the cafe, which has the most thoroughly outlined grid. I think at this point, focus on the fundamental shapes of your forms before you begin rendering details. Sketch everything as boxes initially so that once you get to the rendering stage, the perspective of your forms will be easier to depict.
@na_talie
2mo
I love the staircase ;)
Alexa Fuentez
First assignment done, I enjoyed this very much. I'll be adding this to my sketch warm up since it will help improve my storyboard skills :)
Rembert Montald
Hi, thanks so much for submitting! I like the gestures of your characters and the amount you were able to include in your sketches. For some of your forms, however, it is not clear what their perspective is supposed to be, particularly some of the blocks and buildings. I'd put an overlay of a 1-point perspective grid on top of your sketches and compare how your forms and lines match up.
Tash
3mo
Mihhail Samusev
wow!
xiii
3mo
oops.. wrong course, i got excited
xiii
3mo
@saxonb
3mo
Not very confidant with perspective, and struggled a bit to get stuff down. One of these is the interior of the boat I live on, and the others are done from imagination. Just scrappy thumbnails - it’s difficult getting my brain working the right way to get overlaps or more interesting things happening. Wanted to get something down, though, even if they’re a bit rough. (The hotel desk one is the one I’m probably happiest with, despite the fact that it’s a bit in danger of not being perspective enough. The idea is that the letters above him are saying WELCOME at a ridiculous size.)
Brian Mills
Here's my assignment :)
Evan David
3mo
I couldn’t think of anything to do instead of a city or a room.
Rembert Montald
Hey Evan, thanks for submitting. You're definitely on the right track for getting comfortable with perspective! One thing I'd like to point out here is that organic objects, such as humans, animals, clouds, or even (as you have) waves, all follow the rules of perspective! You did a good job on the other compositions, which had clearer structure to showcase the perspective, but when you had to do something organic, you avoided the structure. Big waves like this are almost like a half-closed cone or cylinder, and they still recede towards the horizon line. You can simplify the organic object into a basic shape (like a cone, cylinder, box, or sphere) to figure out the perspective (you might even have to combine a few basic objects together in your head or on the page, if the object is irregular like an animal). Also forgive the shaky lines, I drew this with a mouse, but it was just to illustrate the idea. Wish you the best!
Alv_Lamb
3mo
Doesn't feel like I "got" how to use one point perspective but putting these here anyway. First and second set were from imagination with some slight reference use, third set was from reference.
Kristian Nee
These are awesome. You're using the concepts here correct, it's just at a certain point it's mileage and confidence. I'll get Rembert to do a little bit more of a detailed critique
Mihhail Samusev
How much details should I include?
Rembert Montald
Hey Mihhail, thanks for your submission! These are looking great. One thing I'm seeing in your drawings is that you're using a lot of 'symbolic' texturing, meaning you're drawing things as you think they're supposed to look in your head, as opposed to how they actually look in real life. For example, a lot of the windows are symbolic representations of windows, as opposed to drawing in the information to make them convincing (making them volumetric, different kinds of panes, giving the window paneling some different proportions, etc). You can do this by relying on reference when trying to draw those specific items! Same goes for the cobblestone on the road, etc. It's a bit difficult to get down and requires some practice, but I think you got it! Good luck!
Kristian Nee
As much as you want! You're doing a great job here, the goal with this assignment is to really push that idea of one point perspective. Once you understand it you can really go as far as you want with detail
@lempira
3mo
Don’t know how finished the work should be, so I am just doing some quick sketches.
Kristian Nee
Epic
@na_talie
3mo
Since we drew a plane during the demo and a book about planes fell into my hands, I decided tobdo some more, before moving on. But I think they are full of mistakes..
Kristian Nee
You're doing some cool work here, but I'd emphasize the importance of drawing the grid underneath. If I were you, I'd focus on drawing your horizon line, and convergence lines, then keep them in over the top just to make sure you know where everything is supposed to be. I threw in a rough 1 point grid over the top here and change your horizon line so it's flat. But the concept is the exact same.
Christopher G
Thank you for the course! The first page is my initial attempts, mostly from imagination, which didn't come out too well (the scaling on them is off). For the second page I studied one-point perspective drawings from one of my favorite artists Shinji Kimura, from a movie he worked on called MFKZ, and I learned a lot about how to proportion everything out. Then the final eight are from imagination and a few photos I've taken. I kept the figures low-detail, like the example Rembert showed, but between the first and final attempts I think I got a lot better at fleshing them out and sizing them properly in the frame!
Rembert Montald
Hey Christopher, awesome job! Film studies is an excellent way to approach this assignment and will teach you a lot! I'm glad you used value blocking to separate elements in the foreground and background. Also, the elements in the picture seem to have solid proportion, making the environments feel a lot more believable! A good exercise to practice this further, if you're interested, is to take an image of a scene that is in a different perspective, and draw it out in 1-point perspective. It will force you to really understand the space to represent it in a different perspective. This also works with any other environment techniques you're trying to develop. Wish you luck!
Kristian Nee
Wonderful work!
@gurney
3mo
These are beautiful!
Craig Smith
Here is my first attempts I have been an artist who has not really practiced perspective and today I can definitely identify it’s a weakness I drew this scenes from imagination to see what i can do and it’s clear more practice is needed thank you for your teachings the lessons so far are great !
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