Types of Light Sources
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Types of Light Sources
courseDigital Painting FundamentalsSelected 2 parts (97 lessons)
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Nicole Drews
Here's my intermediate assignment, still life of a lil planter pot
LESSON NOTES

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The Impact of Light Sources on Mood

Choosing the right type of light source can greatly affect the mood of your artwork. Understanding how different light sources work and how to paint them correctly is essential for creating convincing images.

Light Sources: Point vs. Distant

Light Bulb: A Point Light Source

Imagine a light bulb emitting light in all directions. Objects around it are lit based on which planes face the bulb. However, due to light falloff, objects further from the bulb become exponentially darker. Doubling the distance dramatically reduces the light's intensity on the object.

The Sun: A Distant Light Source

The sun behaves like our light bulb but on a cosmic scale. Because of its immense size and distance, sunlight reaches us almost parallel, and light falloff is negligible on Earth. Although the sun emits light in all directions, on Earth, it effectively travels in a single direction, resulting in consistent lighting.

Hard Light vs. Soft Light

Hard Light

On a clear day, the sun creates hard-edged shadows because the light travels in one direction. This hard light produces a clear distinction between light and shadow on objects.

Soft Light

On a cloudy day, light is scattered by the clouds, a translucent surface. Scattering causes light to come from multiple directions, resulting in soft shadows with gentle transitions between light and dark areas. Shadows become soft-edged because multiple light sources soften the edges.

Occlusion Shadows

Occlusion shadows are soft, dark areas where light cannot reach, often occurring where two forms touch. They result from soft lighting and multiple scattered light sources. These shadows are crucial for grounding objects, preventing them from appearing floaty.

Combining Light Sources

In realistic scenes, multiple light sources often interact. For example, outdoors during the day, you have:

  • Direct sunlight (hard light) creating hard shadows
  • Scattered skylight (soft light) illuminating shadowed areas softly
  • Reflected light from surfaces bouncing light back onto objects

Even with a primary hard light source like the sun, secondary soft light sources like the sky and reflected surfaces add complexity to the lighting, enhancing realism.

Reflected Light

Light reflects off surfaces, losing energy with each reflection. This reflected light illuminates areas not directly lit by the main light source. For instance, sunlight hitting the ground can bounce back onto a figure, lighting up shadowed areas. In interior scenes, multiple reflections fill spaces with soft light, making them feel realistic.

Practical Application

By considering:

  • Brightness of the light source
  • Distance from the object
  • Direction of the light
  • Hardness or softness of the light
  • Reflected light in the environment
  • Occlusion shadows where light can't reach

You can accurately depict lighting in your paintings. Understanding these principles allows you to create vibrant, convincing images. Remember that even in scenes with hard light, soft light and reflections play significant roles. Incorporate these elements thoughtfully to enhance the mood and realism of your artwork.

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DOWNLOADS
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Reference Images.zip
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easy-dice-hard-light.png
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easy-dice-soft-light.png
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easy-cubes.png
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intermediate-sun.jpg
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intermediate-legos.png
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intermediate-sky.jpg
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hard-interior.png
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mp4
types-of-light-sources.mp4
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types-of-light-sources-captions-english.srt
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types-of-light-sources-captions-spanish.srt
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ASSIGNMENTS

Easy Challenge: Conduct painting studies of the provided references, focusing on the topics covered in this lesson.

  1. Intermediate Challenge: Paint some of your own subjects from life. While photo references can be used, painting from life is more beneficial as it offers a better learning experience.

  2. Advanced Challenge: Take one of the provided references and either add a new light source from imagination or change the lighting completely.

Newest
Dorian Iten
Thanks for the shoutout, Jon! 😀
Lenserd martell
I want the subtitles file! Why was it in the previous lesson but not here? I couldn't even start the first part because there was no subtitle file :(
Kassjan (Kass) Smyczek
Here I tried to change source and color of light. Was a fun exercise!
Holly Laing
Still getting caught up with the assignments, I chose the intermediate challenge and decided to paint a still life of a tea cup I own. It was challenging to paint as the light kept shifting, but I really enjoyed the process as I don't paint from life very often (though after painting this I will certainly try to make more time for this kind of practice).
Rachel Dawn Owens
Life drawing/painting is where you learn the most. Keep it up 👍
@jasonj33
2yr
@Jon Neimeister Where are we at in the course? I know w/ with what's going on in the game industry it may have made things difficult for you, but I'm ready for the next section. Let me know thanks.
Stan Prokopenko
Hey Jason, bad news and good news.. Bad news is Jon isn't able to complete the rest of the course. I know this might be disappointing, but we're committed to delivering the quality education you signed up for. Good news is we've put together a team of digital painting instructors to take over and finish this course. We selected artists that specialize in each remaining topic. It will move much faster since multiple artists will be working on videos at the same time. We're finalizing the new timeline and will send an email announcement to everyone soon.
Tsotne Shonia
I focused on doing simple studies of trying to get as close to the reference while trying to understand how light affect each plane. The Lego blocks were a little confusing, but eventually I think I figured out where the light was coming from. It's a point light source that shines from the top left, and it's located between both ends of the left side of the Lego. That explained the cast shadow "fanning out" from it, the cast shadow of the block on itself, and why the left plane of the bottom left block is in shadow. The whole exercise helped me in getting a better grasp of occlusion shadows and ambient light. The biggest discoveries I made this lesson : - Ambient light can still have an overall direction, and is not some random light floating from everywhere. For instance, even in pure sky light, there's still a sense that bottom planes are darker and top planes are lighter. - Just because a plane isn't "round" doesn't mean it cannot have a gradient. Flat planes have subtle value shifts caused by ambient light being either stronger or occluded at some parts, and that it isn't necessarily interpreted by our mind as being round. It also looks quite pretty at times.
onigi *pronunce [on-ie-gee]*
Intermediate Challenge I painted a plaster head of Venus de Milo that my grandmother used to learn drawing in a teacher's school 75 or more years ago. The first one I painted at midnight was lightened with a pale ceiling light almost right above while the light source in the second was weak environmental(indirect) sunlight coming from windows. I used multiply to create shadow parts and then added reflected light with the screen layer. I tried painting from life this time. It was challenging because it kept changing!
Martha Muniz
I really like the change between light and shadow, it feels very careful and thoughtfully placed. Though I would suggest trying for more varied edges, since right now they are mostly soft, so finding more hard edges will balance it out. A tip is to look for areas of surface that are closer to the object blocking the light-- for example, the nose is close to the shadow it casts on the upper lip. The closer these two surfaces are, typically the edge of the shadow will be sharper. For the first example, I would recommend sharpening the brow ridges, tip of nose and lips, as well as the left side of the cast shadow on the neck. Do keep in mind that edges can transition from hard to soft, so it's good to keep an eye for that in your reference. Hope this helps! :)
@jasonj33
2yr
@tomasmax
2yr
Hi, thanks for the lesson. This one took some time but I am glad that I dit it. I did 2 assignments from easy challenge and 2 from intermidiete challenge. For the hard part I added a light bulb as a secondary source. I intend to be not stronger then main light source from window but stronger then second bounce from window so I mostly let closer cast shadows bit sharper and add bit of orange smudge where bounced light from window could not quite reached. With best regards, Maxmilian Tomas
Nicole Drews
Here's my intermediate assignment, still life of a lil planter pot
Tsotne Shonia
Wooow I love it 😁
onigi *pronunce [on-ie-gee]*
I did Easy challenges first. Multiply and Screen layer modes were really useful when I created shadow and light areas. I unexpectedly enjoyed this exercise because it was simple but deep as well as the last one. I'm going to do the intermediate challenge next. Critiques are always welcome.
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