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assignments 6 submissions
I got my hands on some "used" waterbased clay. One was sliky smooth, the other one quite sandy. Both of them were mixed in the box, so I just didnt care and grabbed both clays and put them together. That is where the differences in the texture came from. Although I still see lots of mistakes, I am for once quite happy with the results.
DOWNLOADS
portrait-sculpting-sculpt-a-realistic-skull-bodem-method-part-1.mp4
253 MB
ASSIGNMENTS
Build a wire armature with a stand, fill the armature with newspaper to provide a block in and help you save clay and finish by sculpting your block in and adding high points and indicators.
I got my hands on some "used" waterbased clay. One was sliky smooth, the other one quite sandy. Both of them were mixed in the box, so I just didnt care and grabbed both clays and put them together. That is where the differences in the texture came from. Although I still see lots of mistakes, I am for once quite happy with the results.
I've prematurely got quite far through my 'realistic skull' - I wasn't totally sure if the Anatomy of the Skull lessons were the sum of lessons for that (and I wanted to keep with the pace of the lessons). Awesome that there's more - @Andrew Joseph Keith roughly how many weeks do you think will cover sculpting the 'realistic skull'?
I should've used a metal rod as per your suggestion in the video. I tightly wound loads of stiff paper around a big nail. I thought it'd be fine, but it's become quite precarious under the weight of the clay... and on a wood block that is definitely too small...
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3yr
The demos will be broken into three videos. Then we'll move onto the anatomy of the head. if the metal rod doesn't give enough support sometimes nailing or gluing a wood dowel or 2 by 2 wood board onto the baseboard works as well for portraiture. depending on the type of clay and size of the work it sometimes needs additional support.
