Integrating Backgrounds with the Foreground
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Painting Without a Brain: Ever feel like learning to paint or draw is too complicated? This course is designed to change that by breaking down the process.
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$145
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Award winning fine artist represented by @legacygalleryart in Scottsdale AZ
assignments 9 submissions
I'm getting a plasticky, mannequin like quality in the highlighted area of her face and I think it may be from too much white in the highlights. Next, I'll address the shadows and folds in her blouse and her collar, but I want to keep the blouse pretty loose. And I guess I need to deal with that ear. Why do I hate painting ears so much?! :)
ASSIGNMENTS![]()
![Eric Johnson]()
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![@lauralana]()
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![Morgan Weistling]()
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![Patrick Bosworth]()
There is no assignment for this lesson other than to post your progress here.
Integrating backgrounds and foreground. Will start softening edges next and work on backgrounds and shirt. Really like working on this one!
I'm getting a plasticky, mannequin like quality in the highlighted area of her face and I think it may be from too much white in the highlights. Next, I'll address the shadows and folds in her blouse and her collar, but I want to keep the blouse pretty loose. And I guess I need to deal with that ear. Why do I hate painting ears so much?! :)
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1mo
the plastic feeling will go away if you vibrate some cools and warms within the flesh color. It's just the nature of starting out with one flesh tone color but variations of color added later can bring it to a more realistic look.
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1mo
I think this is lovely progress! Looking forward to seeing the finished piece!
