$125
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Full course
Learn the basics for how to draw a variety of clothing and drapery. Master the 7 basic folds and understand how fabric interacts with the human figure.
$125
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Educator, painter, and art historian. Author of Figure Drawing: Design and Invention and Gesture Drawing: Dynamic Movement and Form.
comments 1
Oh, my drawing was picked for the critique video! This made my day. Thanks.
I've already completed the next assignment, so I'm afraid it has exactly the same issues. I also noticed that I sometimes lose the quality of the initial light sketch, which is often more gestural and conveys the perspective better. By the time I finish the drawing, it somehow ends up looking flatter and stiffer. For example, I tend to flatten the ellipses showing the cylindrical shapes.
LESSON NOTES
What's in Premium?
I will show you how to cut through the visual noise of complex folds and keep your drawings from looking flat. We focus on tying your pipe and diaper folds directly back to the underlying mannequin. I break down exactly what design means in this context. You will see how to use asymmetry, rhythm, and varied spacing to make your drapery feel dynamic and intentional. We also cover how to edit out unnecessary details and use wrapping lines to maintain the 3D illusion of the body underneath the clothes.
Get this lesson and more in the premium course!
DOWNLOADS
critique-the-first-two-folds.mp4
1 GB
critique-the-first-two-folds-transcript-english.txt
54 kB
critique-the-first-two-folds-transcript-spanish.txt
59 kB
critique-the-first-two-folds-captions-english.srt
90 kB
critique-the-first-two-folds-captions-spanish.srt
100 kB
COMMENTS![]()
![Steven Michael Hampton]()
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![CharmLotta]()
Convincing clothing requires exposing the mannequin underneath.
Pipe and diaper folds look flat if they ignore the body. Learn how to use wrapping lines and tension points to anchor your drapery to the perspective of the figure.
Oh, my drawing was picked for the critique video! This made my day. Thanks.
I've already completed the next assignment, so I'm afraid it has exactly the same issues. I also noticed that I sometimes lose the quality of the initial light sketch, which is often more gestural and conveys the perspective better. By the time I finish the drawing, it somehow ends up looking flatter and stiffer. For example, I tend to flatten the ellipses showing the cylindrical shapes.
