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LESSON NOTES
What's in Premium?
In the premium critique, we dive into practicing straight lines in drawing. You'll learn the importance of practicing longer lines to improve control. We cover techniques like pulling versus pushing lines, ghosting the line before drawing, and experimenting with different angles. The lesson also explores using your non-dominant hand, adjusting tools and materials to vary difficulty, and trying different drawing speeds. You'll be encouraged to challenge yourself and find the methods that work best for you.
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DOWNLOADS
critique-know-your-tools-challenge.mp4
255 MB
critique-know-your-tools-challenge-transcript-english.txt
6 kB
critique-know-your-tools-challenge-transcript-spanish.txt
6 kB
critique-know-your-tools-challenge-captions-english.srt
9 kB
critique-know-your-tools-challenge-captions-spanish.srt
10 kB
COMMENTS
Let's take a look at your Know Your Tools Challenge assignment submissions! I'll be discussing techniques like pulling versus pushing, ghosting, and experimenting with materials and your non-dominant hand. Along with giving some explanation to why working at larger scales improves precision and how creative strategies, such as imagining your arm as a robot, can enhance control.
I have that book! It was recommended to me by my tai chi teacher. And I agree with both Marshall and my teacher that it's a great read. In fact, I might just reread it :D thanks for the reminder! Great work everyone~
I'm always impressed with such amazing different techniques can go into when we went about on attempting our knowing our tools assignment. While we created our different amount of circles. It was such a fun challenge. Thanks for the knowledge Marshall.
I know this course is about mastering perspective *without* brain damage, but during the holidays i took it upon myself to take back the brain damage you stole from me! Yessir, a tome on technical perspective, "dig deep" i will! Also i ordered that book, this course has now grown my collection by 3!
I am always amazed at how much awareness we can gain at every step of the creative process, and it will never stop fascinating me. This is one of the reasons why I draw.
